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Gas Mask Parade: Japan’s Anxious Modernism

Modernism/modernity (Baltimore, Md.), 2014, Vol.21 (1), p.179-199

Weisenfeld, Gennifer

2014

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Maximum Embodiment: Yōga, the Western Painting of Japan, 1912–1955 by Bert Winther-Tamaki (review)

The Journal of Japanese studies, 2014-12, Vol.40 (1), p.178-182

Weisenfeld, Gennifer

2014

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Gas Gas Parade: Japan's Anxious Modernism

Modernism/modernity (Baltimore, Md.), 2014-01, Vol.21 (1), p.179-199

Weisenfeld, Gennifer

2014

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Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues

Positions : Asia Critique, 2000-12, Vol.8 (3), p.747-747

Weisenfeld, Gennifer

2000

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The Expanding Arts of the Interwar Period

Since Meiji, 2011, p.66

2011

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"From Baby's First Bath": Kaō Soap and Modern Japanese Commercial Design

The Art bulletin (New York, N.Y.), 2004-09, Vol.86 (3), p.573-598

Weisenfeld, Gennifer

2004

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"From Baby's First Bath": Kaō Soap and Modern Japanese Commercial Design

The Art bulletin (New York, N.Y.), 2004-09, Vol.86 (3), p.573-598

Weisenfeld, Gennifer

2004

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The Expanding Arts of the Interwar Period

Since Meiji, 2017, p.66-98

2017

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The Expanding Arts of the Interwar Period

Since Meiji, 2017, p.66-98

2017

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Guest Editor's Introduction

Positions : Asia Critique, 2000-08, Vol.8 (3), p.591-603

Weisenfeld, Gennifer

2000

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Guest Editor's Introduction

Positions : Asia Critique, 2000, Vol.8 (3), p.591-603

Weisenfeld, Gennifer

2000

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Designing after disaster: Barrack decoration and the great Kantō earthquake

Japanese studies, 1998-12, Vol.18 (3), p.229-246

Weisenfeld, Gennifer

1998

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Nihonga, Transcending the Past: Japanese-Style Painting 1868–1968. By Ellen P. Conant, J. Thomas Rimer, and Stephen Owyoung. New York: Weatherhill, 1995. 352 pp. $80.00

The Journal of Asian studies, 1997-11, Vol.56 (4), p.1094-1096

Weisenfeld, Gennifer

1997

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Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000

1, 2011

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Guest Editor's Introduction

Positions : Asia Critique, 2000, Vol.8 (3), p.591-603

Weisenfeld, Gennifer S. (Gennifer Stacy)

2000

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Mavo's Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan

Art journal (New York. 1960), 1994-09, Vol.53 (3), p.64-73

Weisenfeld, Gennifer

1994

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Mavo's Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan

Art journal (New York. 1960), 1996-09, Vol.55 (3), p.64

Weisenfeld, Gennifer

1996

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Murayama, Mavo, and modernity: constructions of the modern in Taisho avant-garde art

Weisenfeld, Gennifer

1997

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Mavo's conscious Constructivism: art, individualism, and daily life in interwar Japan

Art Journal, 1996-09, Vol.55 (3), p.64-73

Weisenfeld, Gennifer

1996

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Maximum Embodiment: Yōga, the Western Painting of Japan, 1912–1955

The Journal of Japanese Studies, 2014, Vol.40 (1), p.178-182

Weisenfeld, Gennifer

2014

Volltextzugriff (PDF)

Murayama, Mavo, and modernity: Constructions of the modern in Taisho avant-garde art

Weisenfeld, Gennifer S

1997

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Hokusai's Great Wave: Biography of a Global Icon

CAA.Reviews, 2017

Weisenfeld, Gennifer

2017

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CONANT, RIMER, and OWYOUNG, "Nihonga, Transcending the Past: Japanese-Style Painting 1868-1968" (Book Review)

Journal of Asian Studies, 1997, Vol.56 (4), p.1094

Weisenfeld, Gennifer

1997

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Nihonga, Transcending the Past: Japanese-Style Painting 1868–1968. By ConantEllen P., RimerJ. Thomas, and OwyoungStephen. New York: Weatherhill, 1995. 352 pp. $80.00

The Journal of Asian Studies, 1997, Vol.56 (4), p.1094-1096

Weisenfeld, Gennifer

1997

Volltextzugriff (PDF)

Review of "Ellen P. Conant, J. Thomas Rimer, Stephen Owyoung, Nihonga, Transcending the Past: Japanese-Style Painting 1868–1968 Weatherhill (1995)"

The Journal of Asian Studies, 1997, Vol.56 (4), p.1094-1096

Weisenfeld, Gennifer

1997

Volltextzugriff (PDF)

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Gas Mask Parade: Japan’s Anxious Modernism

Maximum Embodiment: Yōga, the Western Painting of Japan, 1912–1955 by Bert Winther-Tamaki (review)

Gas Gas Parade: Japan's Anxious Modernism

Touring Japan-as-Museum: NIPPON and Other Japanese Imperialist Travelogues

The Expanding Arts of the Interwar Period

"From Baby's First Bath": Kaō Soap and Modern Japanese Commercial Design

"From Baby's First Bath": Kaō Soap and Modern Japanese Commercial Design

The Expanding Arts of the Interwar Period

The Expanding Arts of the Interwar Period

Guest Editor's Introduction

Guest Editor's Introduction

Designing after disaster: Barrack decoration and the great Kantō earthquake

Nihonga, Transcending the Past: Japanese-Style Painting 1868–1968. By Ellen P. Conant, J. Thomas Rimer, and Stephen Owyoung. New York: Weatherhill, 1995. 352 pp. $80.00

Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000

Guest Editor's Introduction

Mavo's Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan

Mavo's Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan

Murayama, Mavo, and modernity: constructions of the modern in Taisho avant-garde art

Mavo's conscious Constructivism: art, individualism, and daily life in interwar Japan

Maximum Embodiment: Yōga, the Western Painting of Japan, 1912–1955

Murayama, Mavo, and modernity: Constructions of the modern in Taisho avant-garde art

Hokusai's Great Wave: Biography of a Global Icon

CONANT, RIMER, and OWYOUNG, "Nihonga, Transcending the Past: Japanese-Style Painting 1868-1968" (Book Review)

Nihonga, Transcending the Past: Japanese-Style Painting 1868–1968. By ConantEllen P., RimerJ. Thomas, and OwyoungStephen. New York: Weatherhill, 1995. 352 pp. $80.00

Review of "Ellen P. Conant, J. Thomas Rimer, Stephen Owyoung, Nihonga, Transcending the Past: Japanese-Style Painting 1868–1968 Weatherhill (1995)"

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