UB Paderborn / Katalog / Suche / in CDI

UNDERSTANDING INTERNAL CONNECTIONS OF MUSIC FESTIVALS’ EXPERIENCE DIMENSIONS

Tourism and hospitality management, 2020, Vol.26 (2), p.437-454

2020

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THE PRESENTATION OF POPULAR MUSIC IN YUGOSLAV SOCIALIST DISCOURSES (1945–1952)

Narodna umjetnost, 2024-06, Vol.61 (1), p.153

Popovska, Dragica

2024

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KLUB MECENA VARAŽDINSKIH BAROKNIH VEČERI

Radovi Zavoda za znanstveni rad, Varaždin, 2010 (21), p.119-130

Fišer, Ernest

2010

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GLAZBA I GLAZBENA BAŠTINA U IZDANJIMA ZAVODA ZA ZNANSTVENI RAD HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI U VARAŽDINU 1983.- 2009

Radovi Zavoda za znanstveni rad, Varaždin, 2010 (21), p.209-218

Vargović, Eduard

2010

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Music as a Cultural Phenomenon

Etnoantropolos̆ki problemi, 2016-02, Vol.8 (2), p.441-451

Ristivojević, Marija

2016

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Hanslick’s Understanding of Music

Filozofska istraživanja, 2016-09, Vol.36 (2), p.237-253

Škrbić, Tomislav

2016

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Students' attitudes toward classical music and music classes

Skolski Vjesnik, 2016-05, Vol.65, p.33

Dobrota, Snjezana

2016

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Plato and Plotinus on Music

Filozofska istraživanja, 2016-09, Vol.36 (2), p.193-202

Tokić, Marko

2016

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Provjera metrijskih svojstava Advanced Measures of Music Audiation E. E. Gordona među studentima neglazbenicima u Hrvatskoj

Skolski Vjesnik, 2022-01, Vol.71 (2), p.15

Nikolić, Lidija

2022

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Trance, Music and Dance – Old Topics and New Interdisciplinary Dialogues

Etnoantropolos̆ki problemi, 2018-12, Vol.13 (4), p.987-1005

Njaradi, Dunja

2018

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Odnos emocionalne kompetentnosti i prepoznavanja emocija u glazbi

Društvena istraživanja, 2012, Vol.21 (118), p.969-988

2012

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Music as a Tool for Informants’ Self-Representation at the Anthropological Field

Etnoantropolos̆ki problemi, 2019-02, Vol.14 (1), p.119-133

Ćuković, Jelena

2019

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Do I Sound Like a Broken Record?: A Comparative Analysis of Music Playlists in Portuguese Commercial Radio Stations

Medijska istraživanja, 2021-06, Vol.27 (1), p.75-98

2021

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Richness of Diversity: Music of the World and Intercultural Education

Revija za sociologiju, 2018-08, Vol.48 (2), p.149

2018

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The Effects of Teaching Practice on The Development of Student's Key Competencies and Subject Music Theory in Primary Music School in Slovenia

Skolski Vjesnik, 2018-06, Vol.67 (1), p.5

Zadnik, Katarina

2018

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Turbotronik – On the Border between the Local Music Scene and a Genre in the Making

Etnoantropolos̆ki problemi, 2019-02, Vol.14 (1), p.23-46

2019

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MULTIMODAL METAPHOR AS THE SOURCE OF PARODIC INTEGRATION IN HIP HOP MUSIC VIDEOS

Narodna umjetnost, 2020, Vol.57 (2), p.65-78

2020

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The Death of Jazz“: The End of a History of an Improvised Music?

Etnoantropolos̆ki problemi, 2018-06, Vol.13 (2), p.369-378

Samardžić, Nikola

2018

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Mystery of Music Attuned by Silence

Filozofska istraživanja, 2016-09, Vol.36 (2), p.221-236

Brlobuš, Krešimir

2016

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“TKO ĆE, AKO NE MI SAMI?”: PRIMJENJIVOST DIY KONCEPATA NA PRIMJERU SUVREMENE KANTAUTORSKE SCENE U ZAGREBU

Narodna umjetnost, 2020, Vol.57 (2), p.79-105

Halužan, Tanja

2020

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Dialectical Relation Between Music as the Thing Itself and Musical Conventions in Philosophy of New Music by Theodor Adorno

Filozofska istraživanja, 2016-09, Vol.36 (2), p.255-271

Milenković, Dušan

2016

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Džez između popularne glazbe i elitne umjetnosti

Društvena istraživanja, 2010, Vol.19 (110), p.1115-1138

Krnić, Rašeljka

2010

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The anthropology of music: Contemporary theoretical perspectives

Etnoantropolos̆ki problemi, 2014-12, Vol.9 (4), p.1067-1083

2014

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“GIVE AND TAKE”: REPRESENTATIONS OF THE POST-SOCIALIST “NEW BOURGEOISIE” IN MUSIC VIDEOS

Narodna umjetnost, 2018-06, Vol.55 (1), p.67-79

Daniel, Ondřej

2018

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GLAZBENE PREFERENCIJE UČENIKA PREMA KLASIČNOJ GLAZBI, GLAZBI 20. STOLJEĆA I GLAZBAMA SVIJETA – HIPOTEZA OTVORENOSTI1

Skolski Vjesnik, 2021-09, Vol.70 (1), p.11

2021

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UNDERSTANDING INTERNAL CONNECTIONS OF MUSIC FESTIVALS’ EXPERIENCE DIMENSIONS

THE PRESENTATION OF POPULAR MUSIC IN YUGOSLAV SOCIALIST DISCOURSES (1945–1952)

KLUB MECENA VARAŽDINSKIH BAROKNIH VEČERI

GLAZBA I GLAZBENA BAŠTINA U IZDANJIMA ZAVODA ZA ZNANSTVENI RAD HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI U VARAŽDINU 1983.- 2009

Music as a Cultural Phenomenon

Hanslick’s Understanding of Music

Students' attitudes toward classical music and music classes

Plato and Plotinus on Music

Provjera metrijskih svojstava Advanced Measures of Music Audiation E. E. Gordona među studentima neglazbenicima u Hrvatskoj

Trance, Music and Dance – Old Topics and New Interdisciplinary Dialogues

Odnos emocionalne kompetentnosti i prepoznavanja emocija u glazbi

Music as a Tool for Informants’ Self-Representation at the Anthropological Field

Do I Sound Like a Broken Record?: A Comparative Analysis of Music Playlists in Portuguese Commercial Radio Stations

Richness of Diversity: Music of the World and Intercultural Education

The Effects of Teaching Practice on The Development of Student's Key Competencies and Subject Music Theory in Primary Music School in Slovenia

Turbotronik – On the Border between the Local Music Scene and a Genre in the Making

MULTIMODAL METAPHOR AS THE SOURCE OF PARODIC INTEGRATION IN HIP HOP MUSIC VIDEOS

The Death of Jazz“: The End of a History of an Improvised Music?

Mystery of Music Attuned by Silence

“TKO ĆE, AKO NE MI SAMI?”: PRIMJENJIVOST DIY KONCEPATA NA PRIMJERU SUVREMENE KANTAUTORSKE SCENE U ZAGREBU

Dialectical Relation Between Music as the Thing Itself and Musical Conventions in Philosophy of New Music by Theodor Adorno

Džez između popularne glazbe i elitne umjetnosti

The anthropology of music: Contemporary theoretical perspectives

“GIVE AND TAKE”: REPRESENTATIONS OF THE POST-SOCIALIST “NEW BOURGEOISIE” IN MUSIC VIDEOS

GLAZBENE PREFERENCIJE UČENIKA PREMA KLASIČNOJ GLAZBI, GLAZBI 20. STOLJEĆA I GLAZBAMA SVIJETA – HIPOTEZA OTVORENOSTI1

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