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"Things Can Always Get Worse": Charles Dickens's David Copperfield, William Shakespeare's King Lear, and the Comitragic Arc of the Mussel-Brailing Interlude on the French Broad River in Cormac McCarthy's Suttree

ANQ (Lexington, Ky.), 2024-07, Vol.37 (3), p.439-445

Hillier, Russell M.

2024

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Editorial

Critical survey (Oxford, England), 2021-09, Vol.33 (3-4), p.viii

2021

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Behind the Scenes: Exposing the American West in Peter Handke's Short Letter, Long Farewell

ANQ (Lexington, Ky.), 2024-04, Vol.37 (2), p.293-295

Kim, Joshua P.S.

2024

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Talking Testimonio: Telling History and Memory

The Journal of American folklore, 2022-03, Vol.135 (536), p.150-163

2022

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Who Gave You a Decree? Anonymity as a Narrative Technique in Ezra 5:3, 9 in Light of Persian-Period Decrees and Administrative Sources

Journal of Biblical literature, 2021-03, Vol.140 (1), p.69-89

Moore, James D

2021

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LONGUS’ NARRATOR: A REASSESSMENT

Classical quarterly, 2020-12, Vol.70 (2), p.827-845

Maciver, Calum A.

2020

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Why Is There Poetry in the Book of Job?

Journal of Biblical literature, 2021-12, Vol.140 (4), p.683-701

Linafelt, Tod

2021

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Secrecy as Pauline Influence on the Gospel of Mark

Journal of Biblical literature, 2021-09, Vol.140 (3), p.579-600

Wendt, Heidi

2021

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LOOKING EDGEWAYS. PURSUING ACROSTICS IN OVID AND VIRGIL

Classical quarterly, 2019-05, Vol.69 (1), p.290-308

Robinson, Matthew

2019

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Incarceration on Trial: The Imprisonment of Paul and Silas in Acts 16

Journal of Biblical literature, 2021-12, Vol.140 (4), p.797-817

Smith, Abraham

2021

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Reading the Blood Plague (Exodus 7:14–25): The Hermeneutics of a Composite Text

Journal of Biblical literature, 2022-03, Vol.141 (1), p.23-42

2022

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Envy in Early Modern England

ELH, 2021-12, Vol.88 (4), p.845-878

Irish, Bradley J

2021

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Between the (Head) Lines: Extended Cognition, Print Culture, and Nonhuman Narrative in Ulysses

Modern fiction studies, 2021-09, Vol.67 (3), p.517-541

Pach, Nell

2021

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Melville and the Question of Meaning by David Faflik (review)

Leviathan, 2020-06, Vol.22 (2), p.97-101

Campomar, Jaime

2020

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A STYLISH EXIT: MARCUS TERENTIUS’ SWANSONG (TACITUS, ANNALS 6.8), CURTIUS RUFUS AND VIRGIL

Classical quarterly, 2021-05, Vol.71 (1), p.330-346

Ash, Rhiannon

2021

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Heaven's Laughter and the Genesis of Tyranny: Milton's Reading of the Story of Babel

ELH, 2021-12, Vol.88 (4), p.879-905

Welburn, Jude

2021

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A NOTE ON CIRIS 118

Classical quarterly, 2021-12, Vol.71 (2), p.898-899

Olszaniec, Włodzimierz

2021

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The Workshop of Confinement: Political Quarantine and the Spatial Imagination in the Early Fiction of Alex La Guma

Modern fiction studies, 2021-07, Vol.67 (2), p.272-291

Lee, Christopher J

2021

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‘TO HEAVEN ON A HOOK’ (DIO CASS. 60.35.4): ENNIUS, LUCILIUS AND AN INEFFECTUAL COUNCIL OF THE GODS IN AENEID 10

Classical quarterly, 2019-12, Vol.69 (2), p.636-653

Morgan, Llewelyn

2019

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Clue-Burying and Misdirection-Making in Peter Robinson's When the Music's Over (2016)

Clues (Bowling Green, Ohio), 2021-10, Vol.39 (2), p.51-59

Gregoriou, Christiana

2021

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GREEK LOCAL HISTORIOGRAPHY AND ITS AUDIENCES

Classical quarterly, 2017-12, Vol.67 (2), p.460-484

Tober, Daniel

2017

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Sacred Space, Secular Time: Sundown and the Indigenous Modernism of John Joseph Mathews

Modernism/modernity (Baltimore, Md.), 2021-04, Vol.28 (2), p.229-250

Steele, Alexander

2021

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Tortured Logic: Answering to No One in Shelley's The Cenci

ELH, 2021-06, Vol.88 (2), p.465-496

Camarda, Julie

2021

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WHAT DOES THE TERM TOGATA ‘REALLY’ MEAN?

Classical quarterly, 2021-05, Vol.71 (1), p.216-229

Rallo, G.E.

2021

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The Weird and the Meta in Jeff VanderMeer's Dead Astronauts

Configurations (Baltimore, Md.), 2022-01, Vol.30 (1), p.1-23

2022

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"Things Can Always Get Worse": Charles Dickens's David Copperfield, William Shakespeare's King Lear, and the Comitragic Arc of the Mussel-Brailing Interlude on the French Broad River in Cormac McCarthy's Suttree

Editorial

Behind the Scenes: Exposing the American West in Peter Handke's Short Letter, Long Farewell

Talking Testimonio: Telling History and Memory

Who Gave You a Decree? Anonymity as a Narrative Technique in Ezra 5:3, 9 in Light of Persian-Period Decrees and Administrative Sources

LONGUS’ NARRATOR: A REASSESSMENT

Why Is There Poetry in the Book of Job?

Secrecy as Pauline Influence on the Gospel of Mark

LOOKING EDGEWAYS. PURSUING ACROSTICS IN OVID AND VIRGIL

Incarceration on Trial: The Imprisonment of Paul and Silas in Acts 16

Reading the Blood Plague (Exodus 7:14–25): The Hermeneutics of a Composite Text

Envy in Early Modern England

Between the (Head) Lines: Extended Cognition, Print Culture, and Nonhuman Narrative in Ulysses

Melville and the Question of Meaning by David Faflik (review)

A STYLISH EXIT: MARCUS TERENTIUS’ SWANSONG (TACITUS, ANNALS 6.8), CURTIUS RUFUS AND VIRGIL

Heaven's Laughter and the Genesis of Tyranny: Milton's Reading of the Story of Babel

A NOTE ON CIRIS 118

The Workshop of Confinement: Political Quarantine and the Spatial Imagination in the Early Fiction of Alex La Guma

‘TO HEAVEN ON A HOOK’ (DIO CASS. 60.35.4): ENNIUS, LUCILIUS AND AN INEFFECTUAL COUNCIL OF THE GODS IN AENEID 10

Clue-Burying and Misdirection-Making in Peter Robinson's When the Music's Over (2016)

GREEK LOCAL HISTORIOGRAPHY AND ITS AUDIENCES

Sacred Space, Secular Time: Sundown and the Indigenous Modernism of John Joseph Mathews

Tortured Logic: Answering to No One in Shelley's The Cenci

WHAT DOES THE TERM TOGATA ‘REALLY’ MEAN?

The Weird and the Meta in Jeff VanderMeer's Dead Astronauts

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