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Dunyazadiad : the parody of the arabian nights

Jordan journal of modern languages and literature, 2014, Vol.6 (2), p.163-178

2014

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The strangest novels in world literature

al-Mansour., 2013, Vol.2013 (20), p.201-219

al-Matlabi, Aziz Yusuf

2013

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Some pragmatic implications of failure in conceiving the concept of time in translating Samuel Beokett's Waiting for Godot

Ādāb al-Rāfidayn (Online), 2012, Vol.2012 (64), p.85-106

Nasir, Samah Mahmud

2012

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The translation of parody from Arabic into English : problems and strategies

Ādāb al-Rāfidayn (Online), 2011, Vol.2011 (60)

Abd, Yahya Khalid

2011

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Dream vision in Chaucer's poetry

Ādāb al-kūfat, 2014, Vol.1 (19), p.10-30

2014

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Influence de Jean-Paul sartre dans nos doigts qui brûlent de souheil idriss

Jordan journal of modern languages and literature, 2014, Vol.6 (1), p.1-21

Chettouh, Ghaniyah

2014

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Finding a voice : men in Eudora Welty's "flowers for Marjorie" and "where is the voice coming from"

Majallat al-ādāb, 2014, Vol.2014 (110، p.2), p.95-106

Tahir, Isra Hashim

2014

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The threepenny opera : the ballad opera and the socio-political criticism and change

Ādāb al-Rāfidayn (Online), 2011, Vol.2011 (59)

Salih, Azhar Sulayman

2011

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Politeness theories in Singe’s riders to the sea

Mağallaẗ kulliyyaẗ al-tarbiyaẗ li-l-banāt, 2015, Vol.26 (3), p.885-907

Hasan, Nagham Ali

2015

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Artistic duality in martin McDoagh's the Pillowman

Majallat al-ādāb, 2014, Vol.2014 (110 p.1), p.21-36

Muhammad, Marwah Ghazi

2014

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Le tragique à travers la figure du roi dans "le roi se meurt" d'Ionesco

Ādāb al-Rāfidayn (Online), 2013, Vol.2013 (68), p.195-204

Jirjis, Ahmad Hasan

2013

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Originality of authorship in Dean Koontz’s cold fire

Ādāb al-Rāfidayn (Online), 2013, Vol.2013 (67), p.29-42

2013

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Beyond the law of transitivity : a functional stylistic study of maya angelou's i know why the caged bird sings

Majallat Jāmiʻat Bābil, 2016, Vol.24 (1), p.188-197

Muhammad, Muthanna Makki

2016

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The archetypal American quest for identity in Mark Twain’s the adventures of huckleberry finn

Ādāb al-kūfat, 2015-11, Vol.1 (24), p.39-50

Haran, Tawfiq Muslim

2015

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Les techniques rhétoriques efficaces DansPhèdre de Racine et Tartuffe de Molière

Ādāb al-kūfat, 2015, Vol.1 (24), p.27-38

Habib, Raid Jabbar

2015

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Albert Camus et Ghaleb Halasa, à quel point se ressemblent-ils?

Jordan journal of modern languages and literature, 2015, Vol.7 (1), p.53-64

Ghazw, Muhammad

2015

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Postcolonial Othello

Majallat al-ādāb, 2014, Vol.2014 (108), p.117-134

Makram, Asma

2014

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Myth in C.S. Leiws’s Prince Caspian : the return to Narnia

Ādāb al-kūfat, 2014, Vol.1 (20), p.80-98

2014

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Thomas Hardy's Tess of the d'Urbervilles : the epresentative of a tragic hero

Ādāb al-kūfat, 2014, Vol.1 (18), p.63-78

2014

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Seamus Heaney's and the dual role of the poet in selected poems of haw lantern

Majallat al-ādāb, 2014, Vol.2014 (107), p.15-32

Muhammad, Nadiyah Fayyd

2014

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Anne Bradstreet’s romantic precedence

Jordan journal of modern languages and literature, 2014, Vol.6 (2), p.125-140

2014

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Beloved in Search of an Identity: A Reading of Beloved by Toni Morrison, Based on Homi K. Bhabha's Theories

Jordan journal of modern languages and literature, 2014, Vol.6 (1), p.77-91

2014

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Image de héros chez romain rolland : Beethoven, comme un modele

مجلة آداب ذي قار : مجلة علمية فصلية محكمة., 2012, Vol.2 (5), p.32-48

Abd Allah, Abbas N.

2012

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Conversational analysis in beckett's "endgame"

Ādāb al-kūfat, 2012, Vol.5 (12), p.13-62

2012

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The Tale of the Fisherman and the Jinnie: A Comparative Study of Five Different Translations

Jordan journal of modern languages and literature, 2015, Vol.7 (1), p.39-52

Athaminah, Dima Nasir Yusuf

2015

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Dunyazadiad : the parody of the arabian nights

The strangest novels in world literature

Some pragmatic implications of failure in conceiving the concept of time in translating Samuel Beokett's Waiting for Godot

The translation of parody from Arabic into English : problems and strategies

Dream vision in Chaucer's poetry

Influence de Jean-Paul sartre dans nos doigts qui brûlent de souheil idriss

Finding a voice : men in Eudora Welty's "flowers for Marjorie" and "where is the voice coming from"

The threepenny opera : the ballad opera and the socio-political criticism and change

Politeness theories in Singe’s riders to the sea

Artistic duality in martin McDoagh's the Pillowman

Le tragique à travers la figure du roi dans "le roi se meurt" d'Ionesco

Originality of authorship in Dean Koontz’s cold fire

Beyond the law of transitivity : a functional stylistic study of maya angelou's i know why the caged bird sings

The archetypal American quest for identity in Mark Twain’s the adventures of huckleberry finn

Les techniques rhétoriques efficaces DansPhèdre de Racine et Tartuffe de Molière

Albert Camus et Ghaleb Halasa, à quel point se ressemblent-ils?

Postcolonial Othello

Myth in C.S. Leiws’s Prince Caspian : the return to Narnia

Thomas Hardy's Tess of the d'Urbervilles : the epresentative of a tragic hero

Seamus Heaney's and the dual role of the poet in selected poems of haw lantern

Anne Bradstreet’s romantic precedence

Beloved in Search of an Identity: A Reading of Beloved by Toni Morrison, Based on Homi K. Bhabha's Theories

Image de héros chez romain rolland : Beethoven, comme un modele

Conversational analysis in beckett's "endgame"

The Tale of the Fisherman and the Jinnie: A Comparative Study of Five Different Translations

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