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Reading the Negative: Kenneth Burke and Jean-Francois Lyotard on Augustine's Confessions

KB journal, 2015, Vol.11 (1)

Roer, Hanne

2015

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'An Active and Defining Presence': The Visual and the Verbal in Robert Creeley's Collaborations/'An Active and Defining Presence': Le Visible et le lisible dans l'oeuvre collaborative de Robert Creeley

LISA (Caen, France), 2007, Vol.5 (2), p.39

Montefalcone, Barbara

2007

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Resisting the Frame Up: Philadelphia Fire and the Liberated Voices of Ramona Africa and Margaret Jones

Cycnos, 2002, Vol.19 (2), p.225

Casmier, Stephen

2002

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Dis/Coursing Post-Modernism: Science, Magic, (Post)-Modernity

Canadian review of comparative literature, 1996-03, Vol.23 (1), p.189-197

D'haen, Theo

1996

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Differend in Toni Morrison's The Bluest Eye

Advances in language and literary studies, 2017-06, Vol.8 (3), p.181

Amiri, Mehdi

2017

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Literary Piracy and the Art of Experimental Narratives

Cultural intertexts, 2018-01, Vol.8 (8), p.7-31

Besbes, Mongia

2018

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A Study of Postmodern Narrative in Michael Cunningham'S The Hours

International journal of applied linguistics & English literature, 2015-09, Vol.1 (4), p.257-267

Narinabad, Hajar Abbasi

2015

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A Postmodernist Reading of Sam Shepard’s True West

International journal of applied linguistics & English literature, 2013-09, Vol.2 (5), p.201-212

Joodak, Abdol Hossein

2013

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“Our Eyes Adjust to the Dark”: The Cosmic Sublime in Tracy K. Smith’s Life on Mars

Text matters (Łódź), 2020-01 (10), p.364-391

Ambroży, Paulina

2020

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All the Missiles Are One Missile Revisited: Dazzle in the Work of Zofia Kulik

Arts (Basel), 2022-12, Vol.11 (6), p.116

Wilson, Sarah

2022

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Risk, Disappointment and Distraction in Keith Gessen’s All the Sad Young Literary Men

European journal of American studies, 2014-04, Vol.9 (1), p.40

Peacock, James

2014

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The Return of the Sublime and the Transcendental in Don DeLillo’s Zero K

Explorations (Opole), 2022, Vol.10 (10), p.65-74

Pawlak, Barbara Jadwiga

2022

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Reconstructing Realism in Post-Postmodern Narrative: Dave Eggers’s A Heartbreaking Work of Staggering Genius

Complutense journal of English studies (Internet), 2021-01, Vol.29, p.115-126

Quintero, Jesús Bolaño

2021

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The Weird Impossibility of Story

Hungarian journal of English and American studies, 2019-04, Vol.25 (1), p.161-184

Hegyi, Pál

2019

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World War I and the Idea of Progress in Powers's Three Farmers on Their Way to a Dance

CLCWeb : Comparative literature and culture, 2016-03, Vol.18 (1), p.9

Piep, Karsten H

2016

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Ghost Busting: The Role of Literary Cyberpunk in the Development of Fiction at the End of the Twentieth Century

Arbeiten aus Anglistik und Amerikanistik, 2012-01, Vol.37 (1), p.49-68

Krevel, Mojca

2012

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Stereotypes and Trauma: Germany in John Hawkes’s The Cannibal and Walter Abish’s How German Is It

European journal of American studies, 2013-06, Vol.8 (1), p.26

Savvas, Theophilus

2013

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Don DeLillo’s "White Noise": A Virilian Perspective

Text matters (Łódź), 2019-11, Vol.9 (9), p.356-373

2019

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I Remember You: Postironic Belief and Settler Colonialism in Stephen Graham Jones's Ledfeather

Studies in American Indian literatures, 2016-04, Vol.28 (1), p.21-44

Gaudet, Joseph

2016

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The multidirectionality of memory: networks of trauma in post-9/11 literature

Miscelánea - Departamento de Filología Inglesa y Alemana, Universidad de Zaragoza, 2014-07, Vol.50 (50), p.15-33

Donn, Katharina

2014

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Postmodernism and Language in Sam Shepard's True West and Tooth of Crime

International journal of applied linguistics & English literature, 2015-09, Vol.1 (4), p.131-137

2015

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Jenny Offill's Dept. of Speculation and the revival of fragmentary writing

Miscelánea - Departamento de Filología Inglesa y Alemana, Universidad de Zaragoza, 2017, Vol.56 (56), p.57-72

Dr g, Wojciech

2017

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Todd Haynes, I’m Not There and the Postmodern Biopic

Offscreen, 2016-04, Vol.20 (4)

Hanley, David

2016

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“A World Where Butchers Sing Like Angels”: German Poetry, Music, and (Counter)History in Louise Erdrich's The Master Butchers Singing Club

Studies in American Indian literatures, 2015-10, Vol.27 (3), p.52-81

Eppelsheimer, Natalie

2015

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Forget Culture: Replacement, Transcendence, Relexification

Cultural anthropology, 1995-11, Vol.10 (4), p.509-546

Brightman, Robert

1995

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Reading the Negative: Kenneth Burke and Jean-Francois Lyotard on Augustine's Confessions

'An Active and Defining Presence': The Visual and the Verbal in Robert Creeley's Collaborations/'An Active and Defining Presence': Le Visible et le lisible dans l'oeuvre collaborative de Robert Creeley

Resisting the Frame Up: Philadelphia Fire and the Liberated Voices of Ramona Africa and Margaret Jones

Dis/Coursing Post-Modernism: Science, Magic, (Post)-Modernity

Differend in Toni Morrison's The Bluest Eye

Literary Piracy and the Art of Experimental Narratives

A Study of Postmodern Narrative in Michael Cunningham'S The Hours

A Postmodernist Reading of Sam Shepard’s True West

“Our Eyes Adjust to the Dark”: The Cosmic Sublime in Tracy K. Smith’s Life on Mars

All the Missiles Are One Missile Revisited: Dazzle in the Work of Zofia Kulik

Risk, Disappointment and Distraction in Keith Gessen’s All the Sad Young Literary Men

The Return of the Sublime and the Transcendental in Don DeLillo’s Zero K

Reconstructing Realism in Post-Postmodern Narrative: Dave Eggers’s A Heartbreaking Work of Staggering Genius

The Weird Impossibility of Story

World War I and the Idea of Progress in Powers's Three Farmers on Their Way to a Dance

Ghost Busting: The Role of Literary Cyberpunk in the Development of Fiction at the End of the Twentieth Century

Stereotypes and Trauma: Germany in John Hawkes’s The Cannibal and Walter Abish’s How German Is It

Don DeLillo’s "White Noise": A Virilian Perspective

I Remember You: Postironic Belief and Settler Colonialism in Stephen Graham Jones's Ledfeather

The multidirectionality of memory: networks of trauma in post-9/11 literature

Postmodernism and Language in Sam Shepard's True West and Tooth of Crime

Jenny Offill's Dept. of Speculation and the revival of fragmentary writing

Todd Haynes, I’m Not There and the Postmodern Biopic

“A World Where Butchers Sing Like Angels”: German Poetry, Music, and (Counter)History in Louise Erdrich's The Master Butchers Singing Club

Forget Culture: Replacement, Transcendence, Relexification

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