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Body and Decoloniality in Performing Poetic Composition

Revista Brasileira de Estudos da Presença, 2018-12, Vol.8 (4), p.665-690

2018

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Where does music come from?

The Meaning of Music, 2016, p.32-36

Samama, Leo

2016

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Framing, Practicing, and Performing Ethnicity

Rituals of Ethnicity, 2015, p.32-60

Shneiderman, Sara

2015

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Walk, Don’t Run: The Cinema of Richard Linklater

The Cinema of Richard Linklater, 2018, p.1-7

Stone, Rob

2018

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Our Varying Histories and Future Potential: Models and Maps in Science, the Humanities, and in Music Theory

Music perception, 2011-09, Vol.29 (1), p.1-21

Narmour, Eugene

2011

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Eartha Kitt’s “Waray Waray”: The Filipina in Black Feminist Performance Imaginary

Filipino Studies, 2016, p.313

2016

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Performing Indonesia abroad

Heirs to World Culture, 2012, p.191

2012

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Double Trouble: Authenticity, Fakery, and Concealed Performance Labor

Making Believe, 2017, p.99-127

Bode, Lisa

2017

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Waiting for the Death Knell: Speaking of Music (So to Speak)

Speaking of Music, 2013, p.39

2013

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Euterpeʹs organ: Aspects of Spieghelʹs Hart-pieghel in interdisciplinary perspective

From Revolt to Riches, 2017, p.142

2017

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Scheherazade in Chains: Arab-Islamic Genealogies of African Diasporic Literature

The Global South Atlantic, 2017, p.65-80

2017

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Performing Danger: Bulls, Swords, and the Acrobatic Body in the Ancient near East

Webberman, Rachel Johanna

2021

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Gorgon in the Blue Room: Diamanda Galás and the Divine Monster of Grief

Zanchi, Luca

2024

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Soundcurrents: Exploring Sound’s Potential to Catalyze Creative Critical Consciousness in Adolescent Music Students and Undergraduate Music Education Majors

Edwards, Jashen I

2023

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Conclusion

Reichsrock, 2016, p.145

KIRSTEN DYCK

2016

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Listening to Music

Speaking of Music, 2013, p.101

1, 2013

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Transmission and Transformation of the Japanese Style

A History of Japanese Literature, Volume 2, 2017, Vol.2, p.57-88

2017

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Music, Law and Humanism

Hybrid Renaissance, 2016, p.135

Burke, Peter

2016

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Creating the right ‘vibe’: Exploring the utilisation of space at Hip Hop concerts in Adelaide and Melbourne

Emotions, Senses, Spaces, 2016, p.31-48

2016

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Is There Philosophy in Asia?

Interpreting across Boundaries, 2014, p.203

2014

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Appendix B: Methodology

From Single to Serious, 2018, p.194-200

Malone, Dana M

2018

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Reform and Pragmatism: On Church Art and Architecture during the Swedish Reformation Era

Re-Forming Texts, Music, and Church Art in the Early Modern North, 2016, p.253-286

2016

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Creating Cultural Networks

The Nazi-Fascist New Order for European Culture, 2016, p.12-43

Martin, Benjamin G

2016

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THE MYTH OF THE “RED CLASSICS”: THREE REVOLUTIONARY MUSIC-AND-DANCE EPICS AND THEIR PEACEFUL RESTORATIONS

Staging Chinese Revolution, 2016, p.235-286

Chen, Xiaomei

2016

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EPILOGUE: The Importance of Being Ernst

How Did Lubitsch Do It?, 2018, p.461-480

McBride, Joseph

2018

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Body and Decoloniality in Performing Poetic Composition

Where does music come from?

Framing, Practicing, and Performing Ethnicity

Walk, Don’t Run: The Cinema of Richard Linklater

Our Varying Histories and Future Potential: Models and Maps in Science, the Humanities, and in Music Theory

Eartha Kitt’s “Waray Waray”: The Filipina in Black Feminist Performance Imaginary

Performing Indonesia abroad

Double Trouble: Authenticity, Fakery, and Concealed Performance Labor

Waiting for the Death Knell: Speaking of Music (So to Speak)

Euterpeʹs organ: Aspects of Spieghelʹs Hart-pieghel in interdisciplinary perspective

Scheherazade in Chains: Arab-Islamic Genealogies of African Diasporic Literature

Performing Danger: Bulls, Swords, and the Acrobatic Body in the Ancient near East

Gorgon in the Blue Room: Diamanda Galás and the Divine Monster of Grief

Soundcurrents: Exploring Sound’s Potential to Catalyze Creative Critical Consciousness in Adolescent Music Students and Undergraduate Music Education Majors

Conclusion

Listening to Music

Transmission and Transformation of the Japanese Style

Music, Law and Humanism

Creating the right ‘vibe’: Exploring the utilisation of space at Hip Hop concerts in Adelaide and Melbourne

Is There Philosophy in Asia?

Appendix B: Methodology

Reform and Pragmatism: On Church Art and Architecture during the Swedish Reformation Era

Creating Cultural Networks

THE MYTH OF THE “RED CLASSICS”: THREE REVOLUTIONARY MUSIC-AND-DANCE EPICS AND THEIR PEACEFUL RESTORATIONS

EPILOGUE: The Importance of Being Ernst

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