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Embodied Memory: The Theatre of George Tabori. By Anat Feinberg. Iowa City: University of Iowa Press, 1999. Pp. ix + 346 + illus. £33.95; $39.95 Hb

Theatre Research International, 2001-07, Vol.26 (2), p.209-221

Diedrich, Antje

2001

Volltextzugriff (PDF)

Observation and Theatricality in Webster's The Duchess of Malfi

Theatre research international, 1980, Vol.6 (1), p.36-44

Feinberg, Anat

1980

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Review of "Claude Schumacher, Rebecca Rovit, Alvin Goldfarb, Robert Skloot, Anat Feinberg, Staging the Holocaust: The Shoah in Drama and PerformanceTheatrical Performance During the HolocaustThe Theatre of the HolocaustEmbodied Memory: The Theatre of George TaboriSpectacular Suffering: Theatre, Fascism, and the Holocaust Cambridge University Press The Johns Hopkins University Press/PAJ Books University of Wisconsin Press University of Iowa Press Indiana University Press (1998) (1999) (1999) (199

Theatre Survey, 2000, Vol.41 (2), p.141-147

van den Berg, Klaus

2000

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Making Mischief of the Holocaust

American Theatre, 2000, Vol.17 (9), p.86-86

Mufson, Daniel

2000

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Embodied Memory: The Theatre of George Tabori

German Studies Review, 2001, Vol.24 (3), p.646-648

Koppensteiner, Jürgen

2001

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Asahel

World Literature Today, 1983, Vol.57 (3), p.507-507

Feinberg, Anat

1983

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German and Hebrew: Histories of a Conversation

Prooftexts, 2013, Vol.33 (1), p.1-8

2013

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Embodied Memory: The Theatre of George Tabori

Theatre research international, 2001, Vol.26 (2), p.216

Diedrich, Antje

2001

Volltextzugriff (PDF)

Jews and the Making of Modern German Theatre

Comparative Drama, 2010, Vol.44 (3), p.366-366

2010

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'Monsieur Gouffe', Man-Monkey: An Early Icon of the Illegitimate Theatre

Theatre notebook, 2020-06, Vol.74 (2), p.99-134

Ince, Bernard

2020

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Escape Artistry: Elisabeth Bergner and Jewish Disappearance in "Der träumende Mund" (Czinner, 1932)

German studies review, 2015-02, Vol.38 (1), p.17-34

Wallach, Kerry

2015

Volltextzugriff (PDF)

Open Wounds: Holocaust Theater and the Legacy of George Tabori ed. by Martin Kagel and David Z. Saltz (review)

German Studies Review, 2023-10, Vol.46 (3), p.505-507

Bachmann, Michael

2023

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Shylock the German

Shakespeare studies (Columbia), 2021-01, Vol.49, p.187-9

Doring, Tobias

2021

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Open Wounds: Holocaust Theater and the Legacy of George Tabori ed. by Martin Kagel and David Z. Saltz (review)

Theatre Journal, 2022-12, Vol.74 (4), p.532-533

Malchow, Timothy B

2022

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When Translation Reshapes Reception: The Curious Case of Zeruya Shalev in the German Literary Sphere of World Literature

Arcadia, 2022-11, Vol.57 (2), p.319-338

Kellner, Tom

2022

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Dancing to the Court Jew's Tune: Joseph 'Jud' Süss Oppenheimer and the Politics of the Ballroom

Eighteenth-century studies, 2020-06, Vol.53 (4), p.607-628

Gollance, Sonia

2020

Volltextzugriff (PDF)

Jewish Responsibility During the Holocaust: Miller's Broken Glass and Megged's Hanna Senesh

The Arthur Miller journal, 2009-10, Vol.4 (2), p.13-33

Plunka, Gene A.

2009

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Paul Celan y la literatura del futuro

Bulletin of Hispanic studies (Liverpool : Liverpool University Press : 1996), 2008-05, Vol.85 (3), p.333

Carrión, Jorge

2008

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‘Scott of the Antarctic’ on the German Stage: Reinhard Goering's Die Südpolexpedition des Kapitäns Scott

New theatre quarterly, 2013-08, Vol.29 (3), p.278-293

2013

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German–Hebrew Encounters in the Poetry and Correspondence of Yehuda Amichai and Paul Celan

Prooftexts, 2010, Vol.30 (1), p.97-127

Rokem, Na’ama

2010

Volltextzugriff (PDF)

German-Hebrew encounters in the poetry and correspondence of Yehuda Amichai and Paul Celan

Prooftexts, 2010-01, Vol.30 (2), p.97

Rokem, Na'ama

2010

Volltextzugriff (PDF)

Challenging the Ghosts: Leopold Jessner's Hamlet

Theatre research international, 2005-03, Vol.30 (1), p.72-87

MARX, PETER W.

2005

Volltextzugriff (PDF)

Reading Nascent Capitalism in Part II of Thomas Heywood's If You Know Not Me, You Know Nobody

Texas studies in literature and language, 2004-09, Vol.46 (3), p.296-323

Crupi, Charles W.

2004

Volltextzugriff (PDF)

Unindexed Back Matter

Theatre history studies, 1999-01, Vol.19

1999

Volltextzugriff (PDF)

TABORI, GEORGE (1914-)

The Columbia Encyclopedia of Modern Drama, 2007

Tautz, Birgit

2007

Volltextzugriff (PDF)

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Embodied Memory: The Theatre of George Tabori. By Anat Feinberg. Iowa City: University of Iowa Press, 1999. Pp. ix + 346 + illus. £33.95; $39.95 Hb

Observation and Theatricality in Webster's The Duchess of Malfi

Making Mischief of the Holocaust

Embodied Memory: The Theatre of George Tabori

Asahel

German and Hebrew: Histories of a Conversation

Embodied Memory: The Theatre of George Tabori

Jews and the Making of Modern German Theatre

'Monsieur Gouffe', Man-Monkey: An Early Icon of the Illegitimate Theatre

Escape Artistry: Elisabeth Bergner and Jewish Disappearance in "Der träumende Mund" (Czinner, 1932)

Open Wounds: Holocaust Theater and the Legacy of George Tabori ed. by Martin Kagel and David Z. Saltz (review)

Shylock the German

Open Wounds: Holocaust Theater and the Legacy of George Tabori ed. by Martin Kagel and David Z. Saltz (review)

When Translation Reshapes Reception: The Curious Case of Zeruya Shalev in the German Literary Sphere of World Literature

Dancing to the Court Jew's Tune: Joseph 'Jud' Süss Oppenheimer and the Politics of the Ballroom

Jewish Responsibility During the Holocaust: Miller's Broken Glass and Megged's Hanna Senesh

Paul Celan y la literatura del futuro

‘Scott of the Antarctic’ on the German Stage: Reinhard Goering's Die Südpolexpedition des Kapitäns Scott

German–Hebrew Encounters in the Poetry and Correspondence of Yehuda Amichai and Paul Celan

German-Hebrew encounters in the poetry and correspondence of Yehuda Amichai and Paul Celan

Challenging the Ghosts: Leopold Jessner's Hamlet

Reading Nascent Capitalism in Part II of Thomas Heywood's If You Know Not Me, You Know Nobody

Unindexed Back Matter

TABORI, GEORGE (1914-)

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