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Learning production probabilities for musical grammars

Journal of new music research, 2016-10, Vol.45 (4), p.295-313

Quick, Donya

2016

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Wittgenstein and the Limits of Musical Grammar

The British journal of aesthetics, 2013-07, Vol.53 (3), p.299-319

APPELQVIST, Hanne

2013

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Using Formal Grammars as Musical Genome

Applied sciences, 2021-05, Vol.11 (9), p.4151

2021

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Exploring individual differences in musical rhythm and grammar skills in school-aged children with typically developing language

Scientific reports, 2023-02, Vol.13 (1), p.2201-14, Article 2201

2023

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Plans, Affordances, and Combinatory Grammar

Linguistics and philosophy, 2002-12, Vol.25 (5/6), p.723-753

Steedman, Mark

2002

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GenoMus: Representing Procedural Musical Structures with an Encoded Functional Grammar Optimized for Metaprogramming and Machine Learning

Applied sciences, 2022-08, Vol.12 (16), p.8322

2022

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Learning regular grammars to model musical style: Comparing different coding schemes

Grammatical Inference, 2006, p.211-222

2006

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Theoretical elements and musical grammar in Romanian-Byzantine church music: Philotheus the Romanian

The Journal of musicological research, 1983-01, Vol.4 (3-4), p.213-266

Barbu-Bucur, Sebastian

1983

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Corteggiamento e musica: un approccio evolutivo

Rivista internazionale di filosofia e psicologia, 2013-08, Vol.4 (2), p.226-233

Danae Crocchiola

2013

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The Challenge of Optical Music Recognition

Computers and the humanities, 2001-05, Vol.35 (2), p.95-121

2001

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Modeling Musical Structure with Parametric Grammars

Mathematics and Computation in Music, p.85-96

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On Learnability of Restricted Classes of Categorial Grammars

Studia logica, 2007-03, Vol.85 (2), p.153-169

Dziemidowicz-Gryz, Barbara

2007

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P8.7 Visual segmentation of musical chunks embedded in finite-state grammar strings: a neuro-behavioral approach

Clinical neurophysiology, 2011, Vol.122, p.S96-S97

2011

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The Grammar Of Musical Communication: Two Versions Of Counterpoint In Early Romantic Literature

European romantic review, 2002-01, Vol.13 (2), p.153-160

Chapin, Keith

2002

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Johann Nikolaus Forkel on the Listening Practices of ‘Kenner’ and ‘Liebhaber’

Music & letters, 2003-08, Vol.84 (3), p.414-433

Riley, Matthew

2003

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Taste, Power, and Trying to Understand Op. 36: British Attempts to Popularize Schoenberg

Music & letters, 2003-11, Vol.84 (4), p.608-643

Earle, Ben

2003

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Early neuronal responses in right limbic structures mediate harmony incongruity processing in musical experts

NeuroImage (Orlando, Fla.), 2008-10, Vol.42 (4), p.1597-1608

2008

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On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars

Contemporary music review, 2003-09, Vol.22 (3), p.91-111

2003

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From learning to creativity: Identifying the behavioural and neural correlates of learning to predict human judgements of musical creativity

NeuroImage (Orlando, Fla.), 2020-02, Vol.206, p.116311-116311, Article 116311

2020

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Cognitive constraints on compositional systems

Contemporary music review, 1992-01, Vol.6 (2), p.97-121

Lerdahl, Fred

1992

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Response to the Review by Terry Knight of "Possible Palladian Villas" (MIT Press, 1992)

Journal of architectural education (1984), 1995-09, Vol.49 (1), p.58-60

Seebohm, Thomas

1995

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Translating Adorno: Language, Music, and Performance

The Musical quarterly, 1995-04, Vol.79 (1), p.55-65

Gillespie, Susan

1995

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'Authentic' Listening?

Early music, 1997-11, Vol.25 (4), p.567-567

Bent, Margaret

1997

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A Robust Parser-Interpreter for Jazz Chord Sequences

Journal of new music research, 2014-10, Vol.43 (4), p.355-374

2014

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Listening as discovery learning

Contemporary music review, 1989-01, Vol.4 (1), p.327-340

Marsden, Alan A.

1989

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Learning production probabilities for musical grammars

Wittgenstein and the Limits of Musical Grammar

Using Formal Grammars as Musical Genome

Exploring individual differences in musical rhythm and grammar skills in school-aged children with typically developing language

Plans, Affordances, and Combinatory Grammar

GenoMus: Representing Procedural Musical Structures with an Encoded Functional Grammar Optimized for Metaprogramming and Machine Learning

Learning regular grammars to model musical style: Comparing different coding schemes

Theoretical elements and musical grammar in Romanian-Byzantine church music: Philotheus the Romanian

Corteggiamento e musica: un approccio evolutivo

The Challenge of Optical Music Recognition

Modeling Musical Structure with Parametric Grammars

On Learnability of Restricted Classes of Categorial Grammars

P8.7 Visual segmentation of musical chunks embedded in finite-state grammar strings: a neuro-behavioral approach

The Grammar Of Musical Communication: Two Versions Of Counterpoint In Early Romantic Literature

Johann Nikolaus Forkel on the Listening Practices of ‘Kenner’ and ‘Liebhaber’

Taste, Power, and Trying to Understand Op. 36: British Attempts to Popularize Schoenberg

Early neuronal responses in right limbic structures mediate harmony incongruity processing in musical experts

On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars

From learning to creativity: Identifying the behavioural and neural correlates of learning to predict human judgements of musical creativity

Cognitive constraints on compositional systems

Response to the Review by Terry Knight of "Possible Palladian Villas" (MIT Press, 1992)

Translating Adorno: Language, Music, and Performance

'Authentic' Listening?

A Robust Parser-Interpreter for Jazz Chord Sequences

Listening as discovery learning

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