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The Problem with David: Masculinity and Morality in Biblical Cinema

The journal of religion and film, 2018-04, Vol.22 (1)

McGeough, Kevin M

2018

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Climbing a ladder to heaven. Gnostic vision of the world in Jacob's Ladder (1990)

The journal of religion and film, 2015-09, Vol.19 (2), p.0_1

Kwiatkowski, Fryderyk

2015

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Rivette’s The Nun: Religion between Sadism and Masochism

The journal of religion and film, 2016-04, Vol.20 (1), p.I

2016

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Problematizing the Human-Technology Relationship through Techno-Spiritual Myths Presented in The Machine, Transcendence and Her

The journal of religion and film, 2016-04, Vol.20 (1), p.I

Campbell, Heidi A

2016

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Spirit(uality) in the Films of Terrence Malick

The journal of religion and film, 2013-04, Vol.17 (1), p.0_1

Barnett, Christopher B

2013

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Screening religiosity in contemporary Polish films. The Role of Religious Motifs in Visual Communication

The journal of religion and film, 2018-12, Vol.22 (3), p.1-30

Marczak, Mariola

2018

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The Problem of Evil and Humans’ Relationship with God in Terrence Malick’s The Tree of Life

The journal of religion and film, 2013-04, Vol.17 (1), p.0_1

Manninen, Bertha Alvarez

2013

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Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat

The journal of religion and film, 2018-12, Vol.22 (3), p.1-33

Roy, Baijayanti

2018

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“Aftertones of Infinity”: Biblical and Darwinian Evocations in Terrence Malick’s The Tree of Life and To the Wonder

The journal of religion and film, 2016-04, Vol.20 (1), p.I

Robbins, Gregory Allen

2016

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You’ve Gotta Keep the Faith: Making Sense of Disaster in Post 9/11 Apocalyptic Cinema

The journal of religion and film, 2015-09, Vol.19 (2), p.0_1

Leggatt, Matthew

2015

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Jest in Time: The Problems and Promises of the Holy Fool in Francesco, giullare di Dio, Ordet, and Ikiru

The journal of religion and film, 2013-04, Vol.17 (1), p.0_1

Doebler, Peter L

2013

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Trickster Ambivalence in Kwaw Ansah’s Praising the Lord Plus One

The journal of religion and film, 2018-12, Vol.22 (3), p.1-22

Opoku-Agyemang, Adwoa

2018

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Representations of Nineteenth Century Mormonism in A Mormon Maid: A Cinematic Analysis

The journal of religion and film, 2018-12, Vol.22 (3), p.1-25

Weagel, Elisabeth

2018

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Eternal Now: Recent Time Loop Movies and the Sanctity of the Moment

The journal of religion and film, 2018-12, Vol.22 (3), p.1-11

Lyden, John C

2018

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Love-Jihad’ and Bollywood: Constructing Muslims as ‘Other

The journal of religion and film, 2018-12, Vol.22 (3), p.1-36

Khatun, Nadira

2018

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Myth and Monstrosity: Teaching Indigenous Films

The journal of religion and film, 2018-12, Vol.22 (3), p.1-32

Derry, Ken

2018

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A Journey into the Heart of God: Darren Aronofsky’s Noah (2014) as a subversive Kabbalistic Text

The journal of religion and film, 2018-12, Vol.22 (3), p.1-30

2018

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Ask the Beasts of the Southern Wild: Exploring Human Identity as Beast, Being and Beholder in Ask the Beasts: Darwin and the God of Love and Beasts of the Southern Wild

The journal of religion and film, 2018-12, Vol.22 (3), p.1-51

Clary, Stephanie Cherpak

2018

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Solidarity Beyond Obligation: Three Billboards Outside of Ebbing, Missouri

The journal of religion and film, 2018-12, Vol.22 (3), p.1-34

Chiou, Grace

2018

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Scorsese’s Silence: Film as Practical Theodicy

The journal of religion and film, 2017-10, Vol.21 (2), p.COVM

Deweese-Boyd, Ian

2017

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A Fight over Souls: Documentary Films on the Rwandan Genocide with a Christian Theme

The journal of religion and film, 2017-10, Vol.21 (2), p.COVI

Gustafsson, Tommy

2017

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Depictions of Catholic and Protestant Bodies in Elizabeth (dir. Kapur, 1998)

The journal of religion and film, 2017-10, Vol.21 (2), p.COVJ

2017

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Now That was a Nice Hanging: The Hateful Eight as Parable?

The journal of religion and film, 2017-10, Vol.21 (2), p.COVL

Walsh, Richard G

2017

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“Those who don’t remember don’t exist anywhere:” Historical Redemption in Patricio Guzmán’s Nostalgia for the Light (2010)

The journal of religion and film, 2017-10, Vol.21 (2), p.COVN

Vera, Cristina Ruiz-Poveda

2017

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Fixing Ground Zero: Race and Religion in Francis Lawrence’s I Am Legend

The journal of religion and film, 2017-10, Vol.21 (2), p.COVH

Heyes, Michael E

2017

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The Problem with David: Masculinity and Morality in Biblical Cinema

Climbing a ladder to heaven. Gnostic vision of the world in Jacob's Ladder (1990)

Rivette’s The Nun: Religion between Sadism and Masochism

Problematizing the Human-Technology Relationship through Techno-Spiritual Myths Presented in The Machine, Transcendence and Her

Spirit(uality) in the Films of Terrence Malick

Screening religiosity in contemporary Polish films. The Role of Religious Motifs in Visual Communication

The Problem of Evil and Humans’ Relationship with God in Terrence Malick’s The Tree of Life

Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat

“Aftertones of Infinity”: Biblical and Darwinian Evocations in Terrence Malick’s The Tree of Life and To the Wonder

You’ve Gotta Keep the Faith: Making Sense of Disaster in Post 9/11 Apocalyptic Cinema

Jest in Time: The Problems and Promises of the Holy Fool in Francesco, giullare di Dio, Ordet, and Ikiru

Trickster Ambivalence in Kwaw Ansah’s Praising the Lord Plus One

Representations of Nineteenth Century Mormonism in A Mormon Maid: A Cinematic Analysis

Eternal Now: Recent Time Loop Movies and the Sanctity of the Moment

Love-Jihad’ and Bollywood: Constructing Muslims as ‘Other

Myth and Monstrosity: Teaching Indigenous Films

A Journey into the Heart of God: Darren Aronofsky’s Noah (2014) as a subversive Kabbalistic Text

Ask the Beasts of the Southern Wild: Exploring Human Identity as Beast, Being and Beholder in Ask the Beasts: Darwin and the God of Love and Beasts of the Southern Wild

Solidarity Beyond Obligation: Three Billboards Outside of Ebbing, Missouri

Scorsese’s Silence: Film as Practical Theodicy

A Fight over Souls: Documentary Films on the Rwandan Genocide with a Christian Theme

Depictions of Catholic and Protestant Bodies in Elizabeth (dir. Kapur, 1998)

Now That was a Nice Hanging: The Hateful Eight as Parable?

“Those who don’t remember don’t exist anywhere:” Historical Redemption in Patricio Guzmán’s Nostalgia for the Light (2010)

Fixing Ground Zero: Race and Religion in Francis Lawrence’s I Am Legend

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