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Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre

1, 2022

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Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre

Journal of Contemporary Drama in English, 2020-11, Vol.8 (2), p.295-312

2020

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Jürs-Munsby, Karen, Jerome Carroll, and Steve Giles, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. London: Bloomsbury, 2013, vii + 324 pp., £65 (hardback), £19.99 (paperback), £19.99 (PDF ebook)

Journal of Contemporary Drama in English, 2015-11, Vol.3 (2), p.355-358

Tonnies, Merle

2015

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The immobility of power in British political theatre after 2000: Absurdist dystopias

Zeitschrift für germanistische Linguistik, 2017, Vol.5 (1), p.156

Tönnies, Merle

2017

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The Use of Comic Effects in Memoirs of British Asian Adolescence: 21st-Century Writers Looking Back at the 1970s and 1980s

Anglistik, 2016, Vol.27 (1), p.113

Tönnies, Merle

2016

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The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power

StoryWorlds, 2017-12, Vol.9 (1-2), p.95-120

Tönnies, Merle

2017

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The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias

Journal of Contemporary Drama in English, 2017-04, Vol.5 (1), p.156-172

Tönnies, Merle

2017

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“Who’s Going to Mobilise Darkness and Silence?”: The Construction of Dystopian Spaces in Contemporary British Drama

Journal of Contemporary Drama in English, 2021-05, Vol.9 (1), p.20-42

2021

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Introduction: Performing the Future

Journal of Contemporary Drama in English, 2021-05, Vol.9 (1), p.1-19

2021

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Martin Middeke, Peter Paul Schnierer & Aleks Sierz (eds.). The Methuen Drama Guide to Contemporary British Playwrights

Anglia (Tübingen), 2013-04, Vol.131 (1), p.183-188

Tönnies, Merle

2013

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Feminizing a Classical Male Plot Model? Black British Women Writers and the 'Bildungsroman'

Anglistik, 2013, Vol.24 (1), p.51

Tönnies, Merle

2013

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55. Introduction to the study of British culture

English and American studies in German, 2010-10, Vol.2009 (2010), p.99-101

2010

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“Let the Doors Be Shut upon”… COVID-19: Relocating the Globe Theatre Stage to the Net

Twenty-First Century Anxieties, 2022, Vol.32, p.225-242

2022

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The Spectre of Utopia/Dystopia: The Representation of Anthropogenic Global Climate Change as Culture-War Issue in Richard Bean’s The Heretic (2011)

Twenty-First Century Anxieties, 2022, Vol.32, p.165-184

2022

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“I Am the Abyss into Which People Dread to Fall”: Encountering Anxiety in Dystopian Drama

Twenty-First Century Anxieties, 2022, Vol.32, p.185-200

2022

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Dystopian Dramaturgies: Living in the Ruins

Twenty-First Century Anxieties, 2022, Vol.32, p.87-102

2022

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“To Watch is not Enough”: Utopia, Performance, and Hope(lessness)

Twenty-First Century Anxieties, 2022, Vol.32, p.27-42

2022

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Civil Wars and Republics in Contemporary (Dystopian) Drama

Twenty-First Century Anxieties, 2022, Vol.32, p.149-164

2022

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A Description of This World as if It Were a Beautiful Place: From Avant-Garde Destruction to Dys(u)topias

Twenty-First Century Anxieties, 2022, Vol.32, p.103-116

2022

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“Something’s Missing”: Feeling the Structures of Project Neoliberal Dystopia

Twenty-First Century Anxieties, 2022, Vol.32, p.11-26

2022

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Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahern’s Flawed Series

Twenty-First Century Anxieties, 2022, Vol.32, p.73-86

2022

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“Hiding from the World”: Dystopian Subjectivity in Martin Crimp’s In the Republic of Happiness

Twenty-First Century Anxieties, 2022, Vol.32, p.209-224

2022

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Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary British Dys/Utopian Theatre

Twenty-First Century Anxieties, 2022, Vol.32, p.1-10

2022

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Towards a Genealogy of the British Feminist Dystopian Play

Twenty-First Century Anxieties, 2022, Vol.32, p.57-72

2022

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Environment, Virus, Dystopia: Disruptive Spatial Representations

Twenty-First Century Anxieties, 2022, Vol.32, p.43-56

2022

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Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre

Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre

Jürs-Munsby, Karen, Jerome Carroll, and Steve Giles, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. London: Bloomsbury, 2013, vii + 324 pp., £65 (hardback), £19.99 (paperback), £19.99 (PDF ebook)

The immobility of power in British political theatre after 2000: Absurdist dystopias

The Use of Comic Effects in Memoirs of British Asian Adolescence: 21st-Century Writers Looking Back at the 1970s and 1980s

The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power

The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias

“Who’s Going to Mobilise Darkness and Silence?”: The Construction of Dystopian Spaces in Contemporary British Drama

Introduction: Performing the Future

Martin Middeke, Peter Paul Schnierer & Aleks Sierz (eds.). The Methuen Drama Guide to Contemporary British Playwrights

Feminizing a Classical Male Plot Model? Black British Women Writers and the 'Bildungsroman'

55. Introduction to the study of British culture

“Let the Doors Be Shut upon”… COVID-19: Relocating the Globe Theatre Stage to the Net

The Spectre of Utopia/Dystopia: The Representation of Anthropogenic Global Climate Change as Culture-War Issue in Richard Bean’s The Heretic (2011)

“I Am the Abyss into Which People Dread to Fall”: Encountering Anxiety in Dystopian Drama

Dystopian Dramaturgies: Living in the Ruins

“To Watch is not Enough”: Utopia, Performance, and Hope(lessness)

Civil Wars and Republics in Contemporary (Dystopian) Drama

A Description of This World as if It Were a Beautiful Place: From Avant-Garde Destruction to Dys(u)topias

“Something’s Missing”: Feeling the Structures of Project Neoliberal Dystopia

Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahern’s Flawed Series

“Hiding from the World”: Dystopian Subjectivity in Martin Crimp’s In the Republic of Happiness

Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary British Dys/Utopian Theatre

Towards a Genealogy of the British Feminist Dystopian Play

Environment, Virus, Dystopia: Disruptive Spatial Representations

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