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Theorizing atonality: Herbert Eimert's and Jefim Golyscheff's contributions to composing with twelve tones

Weaver, Jennifer L

2014

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Lehrbuch der Zwoelftontechnik by Herbert Eimert English translation and appendix

Hancock, Lee

2009

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Electronics in Music: Preliminary Stages

Bulletin of the Transilvania University of Brașov. Series VIII, Performing arts, 2020-08, Vol.13(62) (1), p.185-190

Vlad, Radu

2020

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Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory

Music theory spectrum, 2003-10, Vol.25 (2), p.205-241

NOLAN, CATHERINE

2003

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Webern's strongest readers

Bowlby, Timothy John

1997

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Historical memory and György Ligeti's sound -mass music 1958-1968

Iverson, Jennifer Joy

2009

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Redefining 'die reihe': information on european serial music, 1955-1962

Grant, Morag Josephine

1999

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Interactions between composers and technology in the first decades of electronic music, 1948--1968

Powers, Ollie D

1997

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EXPANSION OF SOUND RESOURCES IN FRANCE, 1913--1940, AND ITS RELATIONSHIP TO ELECTRONIC MUSIC

JAMES, RICHARD SCHMIDT

1981

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'... Music is a bit like love - you do it, but you don't talk about it'

György Ligeti's Cultural Identities, 2018, p.39-50

1, 2018

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From row to Klang: Ligeti's reception of Anton Webern's music

György Ligeti's Cultural Identities, 2018, p.163-178

1, 2018

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An Unnatural Attitude: Phenomenology in Weimar Musical Thought

Music Library Association. Notes, 2023-12, Vol.80 (2), p.358-366

Pritchard, Matthew

2023

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Volker Müller & Co.: Electronic Music and Sound Engineering at the WDR

Contemporary music review, 2020-11, Vol.39 (6), p.648-662

Romão, João

2020

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Compositional Procedures in Electronic Music and the Emergence of Time Continuum

Organised sound : an international journal of music technology, 2020-08, Vol.25 (2), p.156-167

2020

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Inventing Tradition: Webern's Piano Variations in Early Recordings

Music analysis, 2017-07, Vol.36 (2), p.163-215

COOK, NICHOLAS

2017

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Fraught Adjacencies: The Politics of German Electronic Music

Acta musicologica, 2020-01, Vol.92 (1), p.93-111

Iverson, Jennifer

2020

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Hugh Davies’s Electronic Music Documentation 1961–1968

Organised sound : an international journal of music technology, 2015-04, Vol.20 (1), p.111-121

Mooney, James

2015

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Vanguardias musicales latinoamericanas en el discurso oficial de la hispanidad

Revista musical chilena, 2019, Vol.73 (231), p.39-58

Moro Vallina, D

2019

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The Studio PANaroma and Electroacoustic Music in Brazil

Computer music journal, 2022-06, Vol.46 (1-2), p.108-119

Menezes, Flo

2022

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Histories of Hearing

Journal of the Royal Musical Association, 2022-05, Vol.147 (1), p.297-304

BIJSTERVELD, KARIN

2022

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Sprache, Dichtung, Musik: Texte zu ihrem gegenseitigen Verstandnis von Richard Wagner bis Theodor W. Adorno

Knaus, Jakob

2017

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Two Concepts of Indeterminacy in Music

The Musical quarterly, 2019-10, Vol.102 (1), p.82-110

Cline, David

2019

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The Limits of Indeterminacy: The Performance and Analysis of Selected Indeterminate Compositions by John Cage and Earle Brown

Andersen, Drake Ralph

2020

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Listener-Based Analysis of Electroacoustic Music: A Selected Chronology of Methods as Applied to Amproprification #1 and Sorstalanság

du Preez, Charles

2022

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REACTIONS TO THE FIRST MUSIC BIENNALE ZAGREB (1961) IN BELGRADIAN DAILY NEWSPAPERS

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2022-06 (32), p.199-224

Marinkovič, Miloš

2022

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Theorizing atonality: Herbert Eimert's and Jefim Golyscheff's contributions to composing with twelve tones

Lehrbuch der Zwoelftontechnik by Herbert Eimert English translation and appendix

Electronics in Music: Preliminary Stages

Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory

Webern's strongest readers

Historical memory and György Ligeti's sound -mass music 1958-1968

Redefining 'die reihe': information on european serial music, 1955-1962

Interactions between composers and technology in the first decades of electronic music, 1948--1968

EXPANSION OF SOUND RESOURCES IN FRANCE, 1913--1940, AND ITS RELATIONSHIP TO ELECTRONIC MUSIC

'... Music is a bit like love - you do it, but you don't talk about it'

From row to Klang: Ligeti's reception of Anton Webern's music

An Unnatural Attitude: Phenomenology in Weimar Musical Thought

Volker Müller & Co.: Electronic Music and Sound Engineering at the WDR

Compositional Procedures in Electronic Music and the Emergence of Time Continuum

Inventing Tradition: Webern's Piano Variations in Early Recordings

Fraught Adjacencies: The Politics of German Electronic Music

Hugh Davies’s Electronic Music Documentation 1961–1968

Vanguardias musicales latinoamericanas en el discurso oficial de la hispanidad

The Studio PANaroma and Electroacoustic Music in Brazil

Histories of Hearing

Sprache, Dichtung, Musik: Texte zu ihrem gegenseitigen Verstandnis von Richard Wagner bis Theodor W. Adorno

Two Concepts of Indeterminacy in Music

The Limits of Indeterminacy: The Performance and Analysis of Selected Indeterminate Compositions by John Cage and Earle Brown

Listener-Based Analysis of Electroacoustic Music: A Selected Chronology of Methods as Applied to Amproprification #1 and Sorstalanság

REACTIONS TO THE FIRST MUSIC BIENNALE ZAGREB (1961) IN BELGRADIAN DAILY NEWSPAPERS

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