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Electronics in Music: Preliminary Stages

Bulletin of the Transilvania University of Brașov. Series VIII, Performing arts, 2020-08, Vol.13(62) (1), p.185-190

Vlad, Radu

2020

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Iverson, Jennifer. 2018. Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde. New York: Oxford University Press

Current musicology, 2019-03 (104), p.179

Gordon, Ted

2019

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Paul Klee – între masca lui Beckett şi muzica atonală a lui Henri Pousseur

Saeculum (Sibiu, Romania), 2016, Vol.42 (2), p.138-145

Bischin, Maria-Roxana

2016

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Ghosts in the Machine : the Making of European Serialism, 1945-1955

Erwin, Max Owen

2019

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Science, scientism, and pseudoscience in 'die Reihe'

McBride, Nigel Samuel Mark

2016

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Clarence Barlow

Sound Practices in the Global South, 2022, p.19-31

Chattopadhyay, Budhaditya

2022

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Webern's strongest readers

Bowlby, Timothy John

1997

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Interpreting Discontinuity in the Late Works of Debussy

Current musicology, 2004-04 (77), p.97-115

Wheeldon, Marianne

2004

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Historical memory and György Ligeti's sound -mass music 1958-1968

Iverson, Jennifer Joy

2009

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Eimert’s complaint: on the origins of electronic music

Musical times (London, England : 1957), 2022-12, Vol.163 (1961), p.43-64

MACONIE, ROBIN

2022

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Schoenberg: dead or alive? His reception among the postwar European avant-garde

The Cambridge Companion to Schoenberg, 2010, p.258-268

Toop, Richard

2010

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Redefining 'die reihe': information on european serial music, 1955-1962

Grant, Morag Josephine

1999

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Interactions between composers and technology in the first decades of electronic music, 1948--1968

Powers, Ollie D

1997

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EXPANSION OF SOUND RESOURCES IN FRANCE, 1913--1940, AND ITS RELATIONSHIP TO ELECTRONIC MUSIC

JAMES, RICHARD SCHMIDT

1981

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Invisible Collaboration: The Dawn and Evolution of elektronische Musik

Music theory spectrum, 2017-10, Vol.39 (2), p.200-222

IVERSON, JENNIFER

2017

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Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Nono

Revisiting the Historiography of Postwar Avant-Garde Music, 2023, Vol.1, p.37-63

1, 2023

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Taking Positions: Song

Routledge Handbook to Luigi Nono and Musical Thought, 2019, p.83-121

Impett, Jonathan

1, 2019

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'... Music is a bit like love - you do it, but you don't talk about it'

György Ligeti's Cultural Identities, 2018, p.39-50

1, 2018

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From row to Klang: Ligeti's reception of Anton Webern's music

György Ligeti's Cultural Identities, 2018, p.163-178

1, 2018

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Ideas in the air

Karlheinz Stockhausen, 2017, p.1-10

Kohl, Jerome

1, 2017

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Konfliktstoff ,Pausenzeichen

Archiv für Musikwissenschaft, 2010-01, Vol.67 (1), p.52

2010

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Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde

Current Musicology, 2019 (104), p.179-185

Gordon, Ted

2019

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An Unnatural Attitude: Phenomenology in Weimar Musical Thought

Music Library Association. Notes, 2023-12, Vol.80 (2), p.358-366

Pritchard, Matthew

2023

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Volker Müller & Co.: Electronic Music and Sound Engineering at the WDR

Contemporary music review, 2020-11, Vol.39 (6), p.648-662

Romão, João

2020

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Compositional Procedures in Electronic Music and the Emergence of Time Continuum

Organised sound : an international journal of music technology, 2020-08, Vol.25 (2), p.156-167

2020

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Electronics in Music: Preliminary Stages

Iverson, Jennifer. 2018. Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde. New York: Oxford University Press

Paul Klee – între masca lui Beckett şi muzica atonală a lui Henri Pousseur

Ghosts in the Machine : the Making of European Serialism, 1945-1955

Science, scientism, and pseudoscience in 'die Reihe'

Clarence Barlow

Webern's strongest readers

Interpreting Discontinuity in the Late Works of Debussy

Historical memory and György Ligeti's sound -mass music 1958-1968

Eimert’s complaint: on the origins of electronic music

Schoenberg: dead or alive? His reception among the postwar European avant-garde

Redefining 'die reihe': information on european serial music, 1955-1962

Interactions between composers and technology in the first decades of electronic music, 1948--1968

EXPANSION OF SOUND RESOURCES IN FRANCE, 1913--1940, AND ITS RELATIONSHIP TO ELECTRONIC MUSIC

Invisible Collaboration: The Dawn and Evolution of elektronische Musik

Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Nono

Taking Positions: Song

'... Music is a bit like love - you do it, but you don't talk about it'

From row to Klang: Ligeti's reception of Anton Webern's music

Ideas in the air

Konfliktstoff ,Pausenzeichen

Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde

An Unnatural Attitude: Phenomenology in Weimar Musical Thought

Volker Müller & Co.: Electronic Music and Sound Engineering at the WDR

Compositional Procedures in Electronic Music and the Emergence of Time Continuum

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