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The Work of the Witness: Leonard Woolf, Imperialism, and Totalitarianism

Partial answers, 2019, Vol.17 (2), p.209-226

Koppen, Randi

2019

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The Return of Omniscience in Contemporary Fiction

Narrative (Columbus, Ohio), 2009-05, Vol.17 (2), p.143-161

Dawson, Paul

2009

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Narrating ageing: Deconstructing negative conceptions of old age in four contemporary English novels

Journal of aging studies, 2013-01, Vol.27 (1), p.47-51

Oró-Piqueras, Maricel

2013

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BRITISH JEWISH HOLOCAUST FICTION

The Edinburgh Companion to Modern Jewish Fiction, 2015, p.267

2015

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Celebrate at home: post-millennial Indian fiction in English and the reception of 'Bharati Fantasy' in global and domestic literary markets

Contemporary South Asia, 2014-10, Vol.22 (4), p.350-361

Dawson Varughese, E.

2014

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Life Is a Terminal Illness: The War against Time and Aging in David Mitchell’s The Bone Clocks

Hungarian journal of English and American studies, 2020-04, Vol.26 (1), p.107-122

Albert, Noémi

2020

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Free Indirect Discourse and Narrative Authority in "Emma"

Narrative (Columbus, Ohio), 2004-01, Vol.12 (1), p.35-54

Gunn, Daniel P.

2004

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No country, this, for old men: A View of the Aging Artist through Intertexts in J. M. Coetzee’s Disgrace

Hungarian journal of English and American studies, 2020-04, Vol.26 (1), p.85-106

Reichmann, Angelika

2020

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Death on the Page, Rebirth on the Screen: Literature Between Translation and Adaptation, Ghassan Kanafani's Men in the Sun as a Case Study

The Journal of Holy Land and Palestine Studies : a multidisciplinary journal, 2022-04, Vol.21 (1), p.21-47

2022

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Haunted histories, animate futures: Recovering Noongar knowledge through Kim Scott's 'that deadman dance'

Commonwealth (Rodez, France), 2018-10, Vol.41 (1), p.63-74

White, Laura A

2018

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Ambiguity and Historicism: Interpreting "Confessions of a Thug"

Narrative (Columbus, Ohio), 2004-01, Vol.12 (1), p.3-21

Poovey, Mary

2004

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"I wou'd be a Man-Woman": Roxana's Amazonian Threat to the Ideology of Marriage

Texas studies in literature and language, 2004-09, Vol.46 (3), p.363-386

Maurer, Shawn Lisa

2004

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The Civil Imaginary in Gordimer's First Novels

English in Africa, 2002-05, Vol.29 (1), p.27-54

Dimitriu, Ileana

2002

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Revisions of Early Editions of "The Story of an African Farm"

English in Africa, 2001-10, Vol.28 (2), p.65-77

Voss, Tony

2001

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'Desolation,' Destitution, Dereliction

English in Africa, 1999-05, Vol.26 (1), p.33-43

Hooper, Myrtle

1999

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Romancing the East Cape Frontier: Prelude to the South African High Romance of Empire

English in Africa, 1997-10, Vol.24 (2), p.1-14

van Wyk Smith, Malvern

1997

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This Rape Is Political: The Siting of Women's Experience in Novels by Aidoo, Ngugi, Farah and El Saadawi

English in Africa, 2000-05, Vol.27 (1), p.1-35

Dunton, Chris

2000

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Zakes Mda and the (South) African Renaissance: Reading "She Plays with the Darkness"

English in Africa, 2000-05, Vol.27 (1), p.55-74

Jacobs, J. U.

2000

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Life & Times of John C

English in Africa, 1998-05, Vol.25 (1), p.61-70

Phillips, Caryl

1998

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Mobilizing Chivalry: Rape in British Novels about the Indian Uprising of 1857

Victorian studies, 1992-10, Vol.36 (1), p.5-30

Paxton, Nancy L.

1992

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Translating Caradoc Evans's Welsh English

Style (University Park, PA), 1996-09, Vol.30 (3), p.433-444

Hopkins, Chris

1996

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The Content of the Form: Romance and Realism in Douglas Blackburn's "Leaven"

English in Africa, 1994-07, Vol.21 (1/2), p.93-102

Shum, Matthew

1994

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Plotting South African History: Narrative in Sol Plaatje's "Mhudi"

English in Africa, 1997-05, Vol.24 (1), p.37-58

Chennells, Anthony

1997

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The Use of Popular Forms and Characterisation in Ngugi's Post-Colonial Narrative

English in Africa, 1997-05, Vol.24 (1), p.71-87

Ogude, James A.

1997

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Nadine Gordimer's Intertextuality: Authority and Authorship in "My Son's Story"

English in Africa, 1993-10, Vol.20 (2), p.25-45

Jacobs, J. U.

1993

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The Work of the Witness: Leonard Woolf, Imperialism, and Totalitarianism

The Return of Omniscience in Contemporary Fiction

Narrating ageing: Deconstructing negative conceptions of old age in four contemporary English novels

BRITISH JEWISH HOLOCAUST FICTION

Celebrate at home: post-millennial Indian fiction in English and the reception of 'Bharati Fantasy' in global and domestic literary markets

Life Is a Terminal Illness: The War against Time and Aging in David Mitchell’s The Bone Clocks

Free Indirect Discourse and Narrative Authority in "Emma"

No country, this, for old men: A View of the Aging Artist through Intertexts in J. M. Coetzee’s Disgrace

Death on the Page, Rebirth on the Screen: Literature Between Translation and Adaptation, Ghassan Kanafani's Men in the Sun as a Case Study

Haunted histories, animate futures: Recovering Noongar knowledge through Kim Scott's 'that deadman dance'

Ambiguity and Historicism: Interpreting "Confessions of a Thug"

"I wou'd be a Man-Woman": Roxana's Amazonian Threat to the Ideology of Marriage

The Civil Imaginary in Gordimer's First Novels

Revisions of Early Editions of "The Story of an African Farm"

'Desolation,' Destitution, Dereliction

Romancing the East Cape Frontier: Prelude to the South African High Romance of Empire

This Rape Is Political: The Siting of Women's Experience in Novels by Aidoo, Ngugi, Farah and El Saadawi

Zakes Mda and the (South) African Renaissance: Reading "She Plays with the Darkness"

Life & Times of John C

Mobilizing Chivalry: Rape in British Novels about the Indian Uprising of 1857

Translating Caradoc Evans's Welsh English

The Content of the Form: Romance and Realism in Douglas Blackburn's "Leaven"

Plotting South African History: Narrative in Sol Plaatje's "Mhudi"

The Use of Popular Forms and Characterisation in Ngugi's Post-Colonial Narrative

Nadine Gordimer's Intertextuality: Authority and Authorship in "My Son's Story"

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