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Palabra, verdad y mentira en el teatro de Juan Mayorga

Bulletin of Hispanic studies (Liverpool : Liverpool University Press : 1996), 2018-05, Vol.95 (5), p.501-517

Marrugat, Jordi

2018

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Perverse Attention(s): Djuna Barnes, John Rechy, and the Queer Modernist Aesthetics of Entrancement

Twentieth century literature, 2022-09, Vol.68 (3), p.273-294

Kindig, Patrick

2022

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Palabra, verdad y mentira en el teatro de Juan Mayorga

Bulletin of Hispanic studies (Liverpool : Liverpool University Press : 1996), 2018-05, Vol.95 (5), p.501-518

Marrugat, Jordi

2018

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John Gay's The Fan and the "Paper War" of 1713

Clio (Fort Wayne, Ind.), 2000-03, Vol.29 (3), p.249-249

DALY, PATRICK J. JR

2000

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Colonial Cosmopolitanism? Resistance, Aesthetics, and Modernism in Patrick Anderson's Prose

Canadian literature, 2017-06 (233), p.89-184

Ballantyne, Emily

2017

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The Forces of Habit and the Ethics of Self-Composture in Patrick White’s Fiction

The Comparatist, 2016-10, Vol.40 (1), p.128-143

HILSON, MICA

2016

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The Narrative Metalepsis as an Instrument of the Uncanny in Contemporary Fantastic Fiction

Journal of the fantastic in the arts, 2017-03, Vol.28 (2 (99)), p.236-252

Landais, Clotilde

2017

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A PRINCIPLE OF RELATIVITY THROUGH INDIGENOUS BIOGRAPHY

Biography (Honolulu), 2016-06, Vol.39 (3), p.248-269

LOMAWAIMA, K. TSIANINA

2016

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Hearing Voices: The Linguistic and Narrative Design of Three Eminent Shona Novels

Research in African literatures, 2017-03, Vol.48 (1), p.1-23

Flora Veit-Wild

2017

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Witnessing the Trauma of "Our Town"

Comparative drama, 2017-09, Vol.51 (3), p.338-363

Vork, Robert

2017

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“One must make a distinction, however”: Marianne Moore and Democratic Taste

Twentieth century literature, 2012-06, Vol.58 (2), p.296-332

Redding, Patrick

2012

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Poor 'Black' Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009

Theatre history studies, 2010, Vol.30 (1), p.1-13

Johnson, E. Patrick

2010

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The Sixth Extinction: The Place of D. H. Lawrence’s “Snake” and “Mountain Lion” in the Poetry of Speciocide

The D. H. Lawrence review, 2018-04, Vol.43 (1/2), p.129-150

Pearson, Patrick

2018

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Getting Under Your Skin: Sebald on Chatwin and Flaubert

The Comparatist, 2017-10, Vol.41 (1), p.273-287

FFRENCH, PATRICK

2017

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CONTACT ZONES AND BORDER CROSSINGS: WRITING DEAF LIVES

Biography (Honolulu), 2012-03, Vol.35 (2), p.342-359

LINDGREN, KRISTIN A.

2012

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“So it is I who speak”: Communicating Bodies in Samuel Beckett's Happy Days and The Unnamable

Journal of modern literature, 2019-06, Vol.42 (4), p.111-128

Whitmarsh, Patrick

2019

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Albert Halper's "A Farewell to the Rising Son:" A Newly Recovered Parody of Hemingway.(Critical essay)

The Hemingway review, 2018-03, Vol.37 (2), p.7

Hart, Michael Patrick

2018

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The Mute's Voice: The Dramatic Transformations of the Mute and Deaf-Mute in Early-Nineteenth-Century France

Criticism (Detroit), 2013-09, Vol.55 (4), p.655-675

McDonagh, Patrick

2013

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Autobiography and Departmentalization in Chamoiseau's "Chemin d'école": Representational Strategies and the Martinican Memoir

Research in African literatures, 2009-06, Vol.40 (2), p.16-39

Murdoch, H. Adlai

2009

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Fag Hag: A Theory of Effeminate Enthusiasms

Discourse (Berkeley, Calif.), 2012-01, Vol.34 (1), p.59-92

2012

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History, (Re)Memory and Cultural Self-Presencing: The Politics of Postcolonial Becoming in the Caribbean Novel

The journal of Caribbean literatures, 2011-09, Vol.7 (1), p.123-137

Tsaaior, James Tar

2011

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Jesus as the Davidic Temple Builder and Peter's Priestly Role in Matthew 16:16-19

Journal of Biblical literature, 2013-01, Vol.132 (4), p.935-953

BARBER, MICHAEL PATRICK

2013

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Mark Twain's Conscience as the "Mysterious Autocrat": Why Moral Philosophers Need Literature

Mark Twain journal (1954), 2014-04, Vol.52 (1), p.81-90

Dooley, Patrick K.

2014

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Court politics and the original two-canto: Rape of the Locke

Clio (Fort Wayne, Ind.), 2013-06, Vol.42 (3), p.331-358

Daly, Patrick J

2013

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Translating Oral Literature in Indigenous Societies: Ethnic Aesthetic Performances in Multicultural and Multilingual Settings

Journal of folklore research, 2013-01, Vol.50 (1-3), p.217-250

Neill, Sean Patrick O'

2013

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Palabra, verdad y mentira en el teatro de Juan Mayorga

Perverse Attention(s): Djuna Barnes, John Rechy, and the Queer Modernist Aesthetics of Entrancement

Palabra, verdad y mentira en el teatro de Juan Mayorga

John Gay's The Fan and the "Paper War" of 1713

Colonial Cosmopolitanism? Resistance, Aesthetics, and Modernism in Patrick Anderson's Prose

The Forces of Habit and the Ethics of Self-Composture in Patrick White’s Fiction

The Narrative Metalepsis as an Instrument of the Uncanny in Contemporary Fantastic Fiction

A PRINCIPLE OF RELATIVITY THROUGH INDIGENOUS BIOGRAPHY

Hearing Voices: The Linguistic and Narrative Design of Three Eminent Shona Novels

Witnessing the Trauma of "Our Town"

“One must make a distinction, however”: Marianne Moore and Democratic Taste

Poor 'Black' Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009

The Sixth Extinction: The Place of D. H. Lawrence’s “Snake” and “Mountain Lion” in the Poetry of Speciocide

Getting Under Your Skin: Sebald on Chatwin and Flaubert

CONTACT ZONES AND BORDER CROSSINGS: WRITING DEAF LIVES

“So it is I who speak”: Communicating Bodies in Samuel Beckett's Happy Days and The Unnamable

Albert Halper's "A Farewell to the Rising Son:" A Newly Recovered Parody of Hemingway.(Critical essay)

The Mute's Voice: The Dramatic Transformations of the Mute and Deaf-Mute in Early-Nineteenth-Century France

Autobiography and Departmentalization in Chamoiseau's "Chemin d'école": Representational Strategies and the Martinican Memoir

Fag Hag: A Theory of Effeminate Enthusiasms

History, (Re)Memory and Cultural Self-Presencing: The Politics of Postcolonial Becoming in the Caribbean Novel

Jesus as the Davidic Temple Builder and Peter's Priestly Role in Matthew 16:16-19

Mark Twain's Conscience as the "Mysterious Autocrat": Why Moral Philosophers Need Literature

Court politics and the original two-canto: Rape of the Locke

Translating Oral Literature in Indigenous Societies: Ethnic Aesthetic Performances in Multicultural and Multilingual Settings

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