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Beyond the Boundaries of the Blues: Diane McKinney-Whetstone's Blues Dancing as Middle-Class Blues Narrative

Critique - Bolingbroke Society, 2006-10, Vol.48 (1), p.44-57

Tettenborn, Éva

2006

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How to "Heal a Mouth Shut This Way:" "Safe Subjects" and the Black Musical Substructure of Yusef Komunyakaa's Poetic Thought

The Black scholar, 2013-03, Vol.43 (1-2), p.103-125

Pavlic, Ed

2013

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Visualising risk in Pat Grant's Blue: xenophobia and graphic narrative

Textual practice, 2017-04, Vol.31 (3), p.537-552

Nabizadeh, Golnar

2017

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Bhangra blues: Melancholy, memory, and history in Gurinder Chadha's I'm British But

Journal of postcolonial writing, 2011-02, Vol.47 (1), p.89-100

2011

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New media beyond neo-imperialism: Betty Boop and Sita Sings the Blues

Journal of postcolonial writing, 2013-12, Vol.49 (5), p.565-581

Annett, Sandra

2013

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Late Style and Speaking Out: J. A. Symonds's In the Key of Blue

English studies, 2013-04, Vol.94 (2), p.206-231

Regis, Amber K.

2013

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Betty, Zorg & Me - Sex, Freedom, Art

English studies in Africa, 2019-01, Vol.62 (1), p.81-89

Krueger, Anton

2019

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Joan Didion's memoirs: substance & style

Prose studies, 2017-01, Vol.39 (1), p.39-60

Vandenberg, Kathleen M.

2017

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Colorful bits of experience: From Bluestocking to blue movie

English studies, 2006-02, Vol.87 (1), p.78-98

2006

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No other Tale to Tell: "Sonny's Blues" and Waiting for the Rain

Critique - Bolingbroke Society, 1995-03, Vol.36 (3), p.195-209

Tsomondo, Thorell

1995

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A third biblical foundation of James Baldwin's "Sonny's Blues"

The Explicator, 2023-01, Vol.81 (1), p.6-8

Richards, Isaac James

2023

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Decolonizing the Ear: Echolocating "Race" in French Rap Music

Contemporary French and francophone studies, 2022-08, Vol.26 (4-5), p.470-480

Champion, Giulia

2022

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Hayden's Homage to the Empress of the Blues

The Explicator, 1999, Vol.57 (2), p.112-113

Genge, Susan

1999

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The Sonnet in Bob Dylan's TANGLED UP IN BLUE

The Explicator, 2011-01, Vol.69 (1), p.41-44

Mitchell, Domhnall

2011

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Nuvole barocche: Clouds as synesthetic metaphors across baroque poetry and music

Romance quarterly, 2021-04, Vol.68 (2), p.102-113

Refini, Eugenio

2021

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City Branding and the Popular Music Star: The Case of Mina, Cremona, and 'Cremona canta Mina' (2018)

Italian studies, 2019-10, Vol.74 (4), p.413-426

Haworth, Rachel

2019

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Lover of Music, Enemy of Stone: Toward a Material Modernity of Stimmung

The Germanic review, 2018-10, Vol.93 (4), p.373-393

Pedersen, Michael Karlsson

2018

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The Counterpoint Music of the Exile in Fulvio Tomizza's La ragazza di Petrovia

Romance studies : a journal of the University of Wales, 2016-04, Vol.34 (2), p.114-124

Deganutti, Marianna

2016

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Extreme Heavy Metal Music and Critical Theory

The Germanic review, 2015-10, Vol.90 (4), p.285-303

Morris, Martin

2015

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The Sociology of the Ghetto in James Baldwin's SONNY'S BLUES

The Explicator, 2018-07, Vol.76 (3), p.161-165

Kim, Eui Young

2018

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From Wiseguys to Whiteguys: The Italian American Gangster, Whiteness, and Modernity in Don DeLillo's Underworld and Frank Lentricchia's The Music of the Inferno

Critique - Bolingbroke Society, 2016-05, Vol.57 (3), p.254-267

Pardini, Samuele F. S.

2016

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From handsome sailor to cute youth: the material force of innocence in Herman Melville's Billy Budd, Sailor

Textual practice, 2022-01, Vol.36 (1), p.158-178

Andersen, Iben Engelhardt

2022

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Taking a chance on love: scenes, scripts, and affects in Four Saints in Three Acts and Jazz-Cabaret songs and performances of the 1930s

Textual practice, 2022-12, Vol.36 (12), p.2060-2077

Moon, Michael

2022

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Penelope Fitzgerald's Human Voices: voice, truth and human fortitude

Textual practice, 2017-01, Vol.31 (1), p.27-57

Knight, Christopher J.

2017

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Transnational 'Italian' Stardom: Lara Saint Paul and the Performativity of Race

Italian studies, 2018-10, Vol.73 (4), p.351-364

2018

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1 – 25 von 751

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Beyond the Boundaries of the Blues: Diane McKinney-Whetstone's Blues Dancing as Middle-Class Blues Narrative

How to "Heal a Mouth Shut This Way:" "Safe Subjects" and the Black Musical Substructure of Yusef Komunyakaa's Poetic Thought

Visualising risk in Pat Grant's Blue: xenophobia and graphic narrative

Bhangra blues: Melancholy, memory, and history in Gurinder Chadha's I'm British But

New media beyond neo-imperialism: Betty Boop and Sita Sings the Blues

Late Style and Speaking Out: J. A. Symonds's In the Key of Blue

Betty, Zorg & Me - Sex, Freedom, Art

Joan Didion's memoirs: substance & style

Colorful bits of experience: From Bluestocking to blue movie

No other Tale to Tell: "Sonny's Blues" and Waiting for the Rain

A third biblical foundation of James Baldwin's "Sonny's Blues"

Decolonizing the Ear: Echolocating "Race" in French Rap Music

Hayden's Homage to the Empress of the Blues

The Sonnet in Bob Dylan's TANGLED UP IN BLUE

Nuvole barocche: Clouds as synesthetic metaphors across baroque poetry and music

City Branding and the Popular Music Star: The Case of Mina, Cremona, and 'Cremona canta Mina' (2018)

Lover of Music, Enemy of Stone: Toward a Material Modernity of Stimmung

The Counterpoint Music of the Exile in Fulvio Tomizza's La ragazza di Petrovia

Extreme Heavy Metal Music and Critical Theory

The Sociology of the Ghetto in James Baldwin's SONNY'S BLUES

From Wiseguys to Whiteguys: The Italian American Gangster, Whiteness, and Modernity in Don DeLillo's Underworld and Frank Lentricchia's The Music of the Inferno

From handsome sailor to cute youth: the material force of innocence in Herman Melville's Billy Budd, Sailor

Taking a chance on love: scenes, scripts, and affects in Four Saints in Three Acts and Jazz-Cabaret songs and performances of the 1930s

Penelope Fitzgerald's Human Voices: voice, truth and human fortitude

Transnational 'Italian' Stardom: Lara Saint Paul and the Performativity of Race

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