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White Man Tells the Blues: The Power of Music and Narrative in Patrick Neate’s Twelve Bar Blues

Zeitschrift für Anglistik und Amerikanistik, 2006-01, Vol.54 (1), p.33-49

Reinfandt, Christoph

2006

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GAYL JONES'S CORREGIDORA AND SONG FOR ANNINHO: HISTORICAL REVISION, FEMALE DIASPORA, AND MUSIC

Ilha do Desterro, 2014-12 (67), p.37-49

Piñero, María Rocío Cobo

2014

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Beyond the Boundaries of the Blues: Diane McKinney-Whetstone's Blues Dancing as Middle-Class Blues Narrative

Critique - Bolingbroke Society, 2006-10, Vol.48 (1), p.44-57

Tettenborn, Éva

2006

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Introduction: Special issue on Afro-Americanophilia in Germany

Portal (Sydney, N.S.W.), 2015-01, Vol.12 (2), p.1-14

2015

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Visualising risk in Pat Grant's Blue: xenophobia and graphic narrative

Textual practice, 2017-04, Vol.31 (3), p.537-552

Nabizadeh, Golnar

2017

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Troubled reading: ‘Sonny’s blues’ and empathy

Literator, 2015-01, Vol.36 (1), p.1-e6

Kowalska, Eva

2015

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Bhangra blues: Melancholy, memory, and history in Gurinder Chadha's I'm British But

Journal of postcolonial writing, 2011-02, Vol.47 (1), p.89-100

2011

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New media beyond neo-imperialism: Betty Boop and Sita Sings the Blues

Journal of postcolonial writing, 2013-12, Vol.49 (5), p.565-581

Annett, Sandra

2013

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The Whale in the Cape Verde Islands: Seascapes as a Cultural Construction from the Viewpoint of History, Literature, Local Art and Heritage

Humanities (Basel), 2020-09, Vol.9 (3), p.1

2020

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Late Style and Speaking Out: J. A. Symonds's In the Key of Blue

English studies, 2013-04, Vol.94 (2), p.206-231

Regis, Amber K.

2013

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Betty, Zorg & Me - Sex, Freedom, Art

English studies in Africa, 2019-01, Vol.62 (1), p.81-89

Krueger, Anton

2019

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Joan Didion's memoirs: substance & style

Prose studies, 2017-01, Vol.39 (1), p.39-60

Vandenberg, Kathleen M.

2017

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Set Thine House in Order: Black Feminism and the Sermon as Sonic Art in The Amen Corner

Religions (Basel, Switzerland ), 2019-04, Vol.10 (4), p.271

Hill, Melanie R.

2019

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Colorful bits of experience: From Bluestocking to blue movie

English studies, 2006-02, Vol.87 (1), p.78-98

2006

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No other Tale to Tell: "Sonny's Blues" and Waiting for the Rain

Critique - Bolingbroke Society, 1995-03, Vol.36 (3), p.195-209

Tsomondo, Thorell

1995

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A third biblical foundation of James Baldwin's "Sonny's Blues"

The Explicator, 2023-01, Vol.81 (1), p.6-8

Richards, Isaac James

2023

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Decolonizing the Ear: Echolocating "Race" in French Rap Music

Contemporary French and francophone studies, 2022-08, Vol.26 (4-5), p.470-480

Champion, Giulia

2022

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The Sonnet in Bob Dylan's TANGLED UP IN BLUE

The Explicator, 2011-01, Vol.69 (1), p.41-44

Mitchell, Domhnall

2011

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City Branding and the Popular Music Star: The Case of Mina, Cremona, and 'Cremona canta Mina' (2018)

Italian studies, 2019-10, Vol.74 (4), p.413-426

Haworth, Rachel

2019

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The Counterpoint Music of the Exile in Fulvio Tomizza's La ragazza di Petrovia

Romance studies : a journal of the University of Wales, 2016-04, Vol.34 (2), p.114-124

Deganutti, Marianna

2016

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Extreme Heavy Metal Music and Critical Theory

The Germanic review, 2015-10, Vol.90 (4), p.285-303

Morris, Martin

2015

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Music, politics and identity: from Cool Britannia to Grime4Corbyn. The radical tradition in music, in its multifarious forms, has never gone away

Soundings (London, England), 2017-12 (67), p.50-61

Jones, Rhian E

2017

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The Sociology of the Ghetto in James Baldwin's SONNY'S BLUES

The Explicator, 2018-07, Vol.76 (3), p.161-165

Kim, Eui Young

2018

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From Wiseguys to Whiteguys: The Italian American Gangster, Whiteness, and Modernity in Don DeLillo's Underworld and Frank Lentricchia's The Music of the Inferno

Critique - Bolingbroke Society, 2016-05, Vol.57 (3), p.254-267

Pardini, Samuele F. S.

2016

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Walter Reisch: The musical writer

Journal of screenwriting, 2019-09, Vol.10 (3), p.295-306

Tieber, Claus

2019

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White Man Tells the Blues: The Power of Music and Narrative in Patrick Neate’s Twelve Bar Blues

GAYL JONES'S CORREGIDORA AND SONG FOR ANNINHO: HISTORICAL REVISION, FEMALE DIASPORA, AND MUSIC

Beyond the Boundaries of the Blues: Diane McKinney-Whetstone's Blues Dancing as Middle-Class Blues Narrative

Introduction: Special issue on Afro-Americanophilia in Germany

Visualising risk in Pat Grant's Blue: xenophobia and graphic narrative

Troubled reading: ‘Sonny’s blues’ and empathy

Bhangra blues: Melancholy, memory, and history in Gurinder Chadha's I'm British But

New media beyond neo-imperialism: Betty Boop and Sita Sings the Blues

The Whale in the Cape Verde Islands: Seascapes as a Cultural Construction from the Viewpoint of History, Literature, Local Art and Heritage

Late Style and Speaking Out: J. A. Symonds's In the Key of Blue

Betty, Zorg & Me - Sex, Freedom, Art

Joan Didion's memoirs: substance & style

Set Thine House in Order: Black Feminism and the Sermon as Sonic Art in The Amen Corner

Colorful bits of experience: From Bluestocking to blue movie

No other Tale to Tell: "Sonny's Blues" and Waiting for the Rain

A third biblical foundation of James Baldwin's "Sonny's Blues"

Decolonizing the Ear: Echolocating "Race" in French Rap Music

The Sonnet in Bob Dylan's TANGLED UP IN BLUE

City Branding and the Popular Music Star: The Case of Mina, Cremona, and 'Cremona canta Mina' (2018)

The Counterpoint Music of the Exile in Fulvio Tomizza's La ragazza di Petrovia

Extreme Heavy Metal Music and Critical Theory

Music, politics and identity: from Cool Britannia to Grime4Corbyn. The radical tradition in music, in its multifarious forms, has never gone away

The Sociology of the Ghetto in James Baldwin's SONNY'S BLUES

From Wiseguys to Whiteguys: The Italian American Gangster, Whiteness, and Modernity in Don DeLillo's Underworld and Frank Lentricchia's The Music of the Inferno

Walter Reisch: The musical writer

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