UB Paderborn / Katalog / Suche / in CDI

Going Blood-Simple in Poisonville: Hard-Boiled Masculinity in Dashiell Hammett’s Red Harvest

Men and masculinities, 2004-07, Vol.7 (1), p.52-76

Breu, Christopher

2004

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Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Journal of popular culture, 2022-12, Vol.55 (6), p.1230-1250

Jones, D michael

2022

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Greasy Scummy Sumps: Translating Specialized Terminology in Detective Fiction

Przekładaniec : a journal of literary translation, 2022 (Sp. Iss.), p.70-92

Linder, Daniel

2022

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The post-modern detective: the aesthetic politics of Dashiell Hammett's 'Continental Op.'

The Midwest quarterly (Pittsburg), 1995-03, Vol.36 (3), p.237

Wheat, Edward M

1995

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(Re)Model(ed) Towns and the Remodeling of American Ideology: The Expansion of Middle-Class Hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

Clues (Bowling Green, Ohio), 2012-04, Vol.30 (1), p.42-53

Decker, Mark T.

2012

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On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

Clues (Bowling Green, Ohio), 2005-01, Vol.23 (2), p.11-20

Rivett, Julie M

2005

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Theme Issue: Dashiell Hammett: The Maltese Falcon at Seventy-Five

Clues (Bowling Green, Ohio), 2005-01, Vol.23 (2), p.4

Layman, Richard

2005

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IN A LONELY JOURNAL: A SELECTED BIBLIOGRAPHY OF SCHOLARLY ARTICLES ON FILM NOIR, 1946-2019

Post script, 2020-09, Vol.40 (1), p.51-85

Hulet, Clayton H

2020

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Lead Birds and Falling Beams

Journal of modern literature, 2004-06, Vol.27 (4), p.73-81

DeFino, Dean

2004

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Introduction: Unknown Legends

The Faulkner journal, 2014-04, Vol.28 (1), p.3-10

Dussere, Erik

2014

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The Big Empty: Chandler's Transatlantic Modernism

Modernism/modernity (Baltimore, Md.), 2013-11, Vol.20 (4), p.747-770

Norman, Will

2013

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Grafton, Sue

Encyclopædia Britannica Online, 2020

Richard Pallardy

2020

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Gothic Traces in the Metaphysical Detective Story: The Female Sleuth in Pynchon’s The Crying of Lot 49 and Gibson’s Pattern Recognition

Orbit (Cambridge), 2016-07, Vol.4 (2)

Sweeney, Susan Elizabeth

2016

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The Nouvelle Cuisine of French Crime Writing: A Conversation with Virginie Brac

World literature today, 2012-05, Vol.86 (3), p.9-11

2012

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Immigration et criminalité : esthétique et politique du roman policier d'immigration d'Afrique noire francophone

Kemajou Yawa, Solange

2018

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Neutering Neoliberalism: Masculinities and Gore Capitalism in Rubem Fonseca's Crime Novels

Hancock, David William

2016

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Jordan Harper Levels Up with 'Everybody Knows'

Publishers Weekly, 2022-11, Vol.269 (46)

Adams, David

2022

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Lew Archer, House Whisperer

South Central Review, 2010-04, Vol.27 (1/2), p.123-143

Kreyling, Michael

2010

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Hammett and Macdonald

Clues (Bowling Green, Ohio), 2005-01, Vol.23 (2), p.51-63

Nolan, Tom

2005

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Hammett's Flitcraft Parable, "The Stepfather", and the Significance of Falling Beams

Literature film quarterly, 2006-07, Vol.34 (3), p.240-248

Harris, Martin

2006

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Editorial: Crossing Borders

Journal of popular culture, 2007-04, Vol.40 (2), p.197-198

Hoppenstand, Gary

2007

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The Unseen in the Modern Image World

O'Kelly, Brendan M

2016

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The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

Framework, 2008-04, Vol.49 (1), p.7-26

Gates, Philippa

2008

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Economic Discourse in The Maltese Falcon

Clues (Bowling Green, Ohio), 2005-01, Vol.23 (2), p.21-30

Peltier, Josiane

2005

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Briefcases for Hire: American Hardboiled to Legal Fiction

Journal of American culture (Malden, Mass.), 2006-09, Vol.29 (3), p.307-320

2006

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Going Blood-Simple in Poisonville: Hard-Boiled Masculinity in Dashiell Hammett’s Red Harvest

Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Greasy Scummy Sumps: Translating Specialized Terminology in Detective Fiction

The post-modern detective: the aesthetic politics of Dashiell Hammett's 'Continental Op.'

(Re)Model(ed) Towns and the Remodeling of American Ideology: The Expansion of Middle-Class Hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

Theme Issue: Dashiell Hammett: The Maltese Falcon at Seventy-Five

IN A LONELY JOURNAL: A SELECTED BIBLIOGRAPHY OF SCHOLARLY ARTICLES ON FILM NOIR, 1946-2019

Lead Birds and Falling Beams

Introduction: Unknown Legends

The Big Empty: Chandler's Transatlantic Modernism

Grafton, Sue

Gothic Traces in the Metaphysical Detective Story: The Female Sleuth in Pynchon’s The Crying of Lot 49 and Gibson’s Pattern Recognition

The Nouvelle Cuisine of French Crime Writing: A Conversation with Virginie Brac

Immigration et criminalité : esthétique et politique du roman policier d'immigration d'Afrique noire francophone

Neutering Neoliberalism: Masculinities and Gore Capitalism in Rubem Fonseca's Crime Novels

Jordan Harper Levels Up with 'Everybody Knows'

Lew Archer, House Whisperer

Hammett and Macdonald

Hammett's Flitcraft Parable, "The Stepfather", and the Significance of Falling Beams

Editorial: Crossing Borders

The Unseen in the Modern Image World

The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

Economic Discourse in The Maltese Falcon

Briefcases for Hire: American Hardboiled to Legal Fiction

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