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“Thinking's a Dizzy Business”: Ratiocination's Collapse in Dashiell Hammett's The Dain Curse

Journal of American culture (Malden, Mass.), 2020-09, Vol.43 (3), p.198-207

Snyder, Robert Lance

2020

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Going Blood-Simple in Poisonville: Hard-Boiled Masculinity in Dashiell Hammett’s Red Harvest

Men and masculinities, 2004-07, Vol.7 (1), p.52-76

Breu, Christopher

2004

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Incomplete descriptions in Raymond’s Secret Agent X-9

The comics grid, 2013-06, Vol.3 (1), p.5

Labarre, Nicolas

2013

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Performing (in) The Maltese Falcon

Journal of adaptation in film & performance, 2024-03, Vol.17 (1), p.79-90

Leitch, Thomas

2024

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Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Journal of popular culture, 2022-12, Vol.55 (6), p.1230-1250

Jones, D michael

2022

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Supresión y adición en textos literarios a la luz del corpus COVALT

Revista española de lingüística aplicada, 2020-08, Vol.33 (1), p.114-139

Guzmán Pitarch, Josep

2020

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How The Pink Panther came alive and how The Thin Man grew fatter: Hungry franchises and the adaptation industry

Journal of adaptation in film & performance, 2020-05, Vol.13 (2), p.149-162

Schwanebeck, Wieland

2020

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Reviews: 16

Journal of American studies, 2013-02, Vol.47 (1)

TANI, STEFANO

2013

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Reviews: 4

Journal of American studies, 2013-08, Vol.47 (3)

OAKLEY, HELEN

2013

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The image of the Maltese falcon: Reconsidering an American icon

European journal of American culture, 2008-01, Vol.26 (3), p.199-215

Torgerson, Douglas

2008

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DASHIELL HAMMETT

Notes and queries, 1974-05, Vol.21 (5), p.181-a-181

GODSHALK, W. L.

1974

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Writers in Cinema

Film international (Göteborg, Sweden), 2010-08, Vol.8 (4), p.7-18

McMahon, Gary

2010

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“Emergent Noir”: Film Noir and the Great Depression in High Sierra (1941) and This Gun for Hire (1942)

Journal of American studies, 2008-12, Vol.42 (3), p.415-448

DINERSTEIN, JOEL

2008

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Editorial: Crossing Borders

Journal of popular culture, 2007-04, Vol.40 (2), p.197-198

Hoppenstand, Gary

2007

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Briefcases for Hire: American Hardboiled to Legal Fiction

Journal of American culture (Malden, Mass.), 2006-09, Vol.29 (3), p.307-320

2006

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On Re-Reading The Maltese Falcon

Journal of American Culture, 1995-04, Vol.18 (1), p.97-107

Abrahams, Paul P.

1995

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Frank MacShane (ed.), Selected Letters of Raymond Chandler (London: Cape, 1981, £12.50) Pp. xi, 485. - Edward Margolies, Which Way Did He Go? The Private Eye in Dashiell Hammett, Raymond Chandler, Chester Himes, and Ross Macdonald (New York: Holmes and Meier, 1982, $19.50 cloth, $9.50 paper). pp xii, 97

Journal of American studies, 1983-08, Vol.17 (2), p.276-277

Smith, David

1983

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John S. Whitley, Detectives and Friends: Dashiell Hammett's “The Glass Key” and Raymond Chandler's “The Long Goodbye” (Exeter: Univ. of Exeter, American Arts Documentation Centre, 1981, £1.00/$3.00). Pp. 38

Journal of American studies, 1982-08, Vol.16 (2), p.292-293

Smith, David

1982

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Mirrors of Madness: Paul Auster's The New York Trilogy

Critique - Bolingbroke Society, 1995-10, Vol.37 (1), p.17-33

Alford, Steven E.

1995

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Supralegal Justice: Are Real Juries Acting Like Fictional Detectives?

Journal of American Culture, 1998-03, Vol.21 (1), p.1-5

Gray, W. Russel

1998

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WhitleyJohn S., Detectives and Friends: Dashiell Hammett's “The Glass Key” and Raymond Chandler's “The Long Goodbye” (Exeter: Univ. of Exeter, American Arts Documentation Centre, 1981, £1.00/$3.00). Pp. 38

Journal of American Studies, 1982, Vol.16 (2), p.292-293

Smith, David

1982

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Hammett's the Maltese Falcon

The Explicator, 1996-04, Vol.54 (3), p.173-174

Miller, R. H.

1996

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Crime Beat: A Decade of Covering Cops and Killers

Journal of Popular Culture, 2007, Vol.40 (4), p.730-731

Booth, Philip

2007

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Film Noir: From Berlin to Sin City

Film International, 2006, Vol.4 (2), p.81

Freedman, Carl

2006

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The Incomplete Projects: Marxism, Modernity, and the Politics of Culture

Rethinking Marxism, 2005, Vol.17 (4), p.650-652

Rieder, John

2005

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“Thinking's a Dizzy Business”: Ratiocination's Collapse in Dashiell Hammett's The Dain Curse

Going Blood-Simple in Poisonville: Hard-Boiled Masculinity in Dashiell Hammett’s Red Harvest

Incomplete descriptions in Raymond’s Secret Agent X-9

Performing (in) The Maltese Falcon

Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Supresión y adición en textos literarios a la luz del corpus COVALT

How The Pink Panther came alive and how The Thin Man grew fatter: Hungry franchises and the adaptation industry

Reviews: 16

Reviews: 4

The image of the Maltese falcon: Reconsidering an American icon

DASHIELL HAMMETT

Writers in Cinema

“Emergent Noir”: Film Noir and the Great Depression in High Sierra (1941) and This Gun for Hire (1942)

Editorial: Crossing Borders

Briefcases for Hire: American Hardboiled to Legal Fiction

On Re-Reading The Maltese Falcon

John S. Whitley, Detectives and Friends: Dashiell Hammett's “The Glass Key” and Raymond Chandler's “The Long Goodbye” (Exeter: Univ. of Exeter, American Arts Documentation Centre, 1981, £1.00/$3.00). Pp. 38

Mirrors of Madness: Paul Auster's The New York Trilogy

Supralegal Justice: Are Real Juries Acting Like Fictional Detectives?

WhitleyJohn S., Detectives and Friends: Dashiell Hammett's “The Glass Key” and Raymond Chandler's “The Long Goodbye” (Exeter: Univ. of Exeter, American Arts Documentation Centre, 1981, £1.00/$3.00). Pp. 38

Hammett's the Maltese Falcon

Crime Beat: A Decade of Covering Cops and Killers

Film Noir: From Berlin to Sin City

The Incomplete Projects: Marxism, Modernity, and the Politics of Culture

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