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Anthony Burgess and William S. Burroughs: Shared Enemies, Opposed Friends

Journal of modern literature, 2020-09, Vol.44 (1), p.59-76

Darlington, Joseph

2020

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Recording the Emergency: On the Historical Fiction of Jin Zhimang, Anthony Burgess, and Han Suyin

Journal of the Malaysian Branch of the Royal Asiatic Society, 2023-06, Vol.96 (1), p.121-148

Chan, Jonathan

2023

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Exposure Frequency in L2 Reading: An Eye-Movement Perspective of Incidental Vocabulary Learning

Studies in second language acquisition, 2018-06, Vol.40 (2), p.269-293

Mohamed, Ayman A

2018

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Ambiguities of Violence in Beethoven's Ninth through the Eyes of Stanley Kubrick's A Clockwork Orange

The German quarterly, 2011-04, Vol.84 (2), p.159-176

Hoyng, Peter

2011

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Turnspits and Other Malenky Machines: Laziness and Cowardice in Burgess's A Clockwork Orange

The Journal of aesthetic education, 2022-12, Vol.56 (4), p.79-96

Frauen, Jan-Boje

2022

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A Perfect Crime (review)

World Literature Today, 2016, Vol.90 (1), p.56-57

Bokemper, Daniel

2016

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Silencing the Linguistic Other: The Underclass as Noise Pollution in George Lamming's The Emigrants and Anthony Burgess's A Clockwork Orange

Journal of narrative theory, 2021-01, Vol.51 (1), p.54-83

Solinger, Frederick J

2021

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Fossils of Tomorrow: Len Lye, J. G. Ballard, and Planetary Futures

Modern fiction studies, 2018-12, Vol.64 (4), p.659-679

Davis, Thomas S

2018

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A New Gang in Town: Kubrick's A Clockwork Orange as Adaptation and Subversion of the 1950's Juvenile Delinquent Cyce

Literature film quarterly, 2015-10, Vol.43 (4), p.291

Kirby, Jennifer

2015

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‘ALL RIGHT, THAT'S NOT A LITERAL TRANSLATION’: CRIBS, LICENCE, AND EMBELLISHMENT IN THE BURGESS VERSIONS OF BELLI'S SONETTI ROMANESCHI

The Modern language review, 2013-07, Vol.108 (3), p.700-720

Howard, Paul

2013

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Observe All: On the Staging of Fundamental Fantasy, Jouissance, and Gaze in Stanley Kubrick’s A Clockwork Orange

American imago, 2013-07, Vol.70 (2), p.225-247

Matthys, Wim

2013

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The Ethics of Ethics and Literature

World literature today, 2014-09, Vol.88 (5), p.23-26

Kingwell, Mark

2014

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PLAYING THE SQUARE CIRCLE: MUSICAL FORM AND POLYPHONY IN THE WAKE

European Joyce studies, 2010-01 (18), p.90

Shockley, Alan

2010

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"Half God, half man": Kazantzakis, Scorseese, and The Last Temptation

The Harvard theological review, 2007-01, Vol.100 (1), p.65

Holderness, Graham

2007

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'Free to fall': Transgressive Intertextuality in Carl Shuker's "The Lazy Boys"

Journal of New Zealand literature, 2010-01, Vol.28 (28), p.86-104

Wenley, Stephen

2010

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Sex, Violence and Concrete: The Post-war Dystopian Vision of London in Nineteen Eighty-Four

Critical survey (Oxford, England), 2008-01, Vol.20 (1), p.69-79

Phillips, Lawrence

2008

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Nameless Names: Pope, Curll, and the Uses of Anonymity

New literary history, 2002-04, Vol.33 (2), p.233-245

Rogers, Pat

2002

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Propeller's Staging of "Rose Rage"

Medieval & Renaissance drama in England, 2005-01, Vol.17, p.239-254

TATSPAUGH, PATRICIA

2005

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Science Fiction: Serious Reading, Critical Reading

English journal, 2004-11, Vol.94 (2), p.85-90

High school edition, 2004

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"O My Brothers": Reading the Anti-Ethics of the Pseudo-Family in Anthony Burgess's "A Clockwork Orange"

College literature, 2002-04, Vol.29 (2), p.19-36

2002

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IRA outstanding dissertation award for 1999: The influence of speech perception, oral language ability, the home literacy environment, and prereading knowledge on the

Reading research quarterly, 1999-10, Vol.34 (4), p.400

Burgess, Stephen

1999

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A Kubrick Tribute: Adapting to Cinema

Literature film quarterly, 2001-01, Vol.29 (4), p.252-255

Welsh, James M.

2001

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Stumbling Toward Ecstasy: "Cyrano de Bergerac" as Comedy in Martin's "Roxanne" and Well's "The Truth About Cats and Dogs"

Literature film quarterly, 1999-07, Vol.27 (3), p.218

Zeck, Jeanne-Marie

1999

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Two Russian Translations of A Clockwork Orange, or the Homecoming of Nadsat

Canadian Slavonic papers, 1995-03, Vol.37 (1-2), p.163-185

Windle, Kevin

1995

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Memoirs: From Scribblings into High Art

World literature today, 1999-06, Vol.73 (3), p.475-480

Schenk, Leslie

1999

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Anthony Burgess and William S. Burroughs: Shared Enemies, Opposed Friends

Recording the Emergency: On the Historical Fiction of Jin Zhimang, Anthony Burgess, and Han Suyin

Exposure Frequency in L2 Reading: An Eye-Movement Perspective of Incidental Vocabulary Learning

Ambiguities of Violence in Beethoven's Ninth through the Eyes of Stanley Kubrick's A Clockwork Orange

Turnspits and Other Malenky Machines: Laziness and Cowardice in Burgess's A Clockwork Orange

A Perfect Crime (review)

Silencing the Linguistic Other: The Underclass as Noise Pollution in George Lamming's The Emigrants and Anthony Burgess's A Clockwork Orange

Fossils of Tomorrow: Len Lye, J. G. Ballard, and Planetary Futures

A New Gang in Town: Kubrick's A Clockwork Orange as Adaptation and Subversion of the 1950's Juvenile Delinquent Cyce

‘ALL RIGHT, THAT'S NOT A LITERAL TRANSLATION’: CRIBS, LICENCE, AND EMBELLISHMENT IN THE BURGESS VERSIONS OF BELLI'S SONETTI ROMANESCHI

Observe All: On the Staging of Fundamental Fantasy, Jouissance, and Gaze in Stanley Kubrick’s A Clockwork Orange

The Ethics of Ethics and Literature

PLAYING THE SQUARE CIRCLE: MUSICAL FORM AND POLYPHONY IN THE WAKE

"Half God, half man": Kazantzakis, Scorseese, and The Last Temptation

'Free to fall': Transgressive Intertextuality in Carl Shuker's "The Lazy Boys"

Sex, Violence and Concrete: The Post-war Dystopian Vision of London in Nineteen Eighty-Four

Nameless Names: Pope, Curll, and the Uses of Anonymity

Propeller's Staging of "Rose Rage"

Science Fiction: Serious Reading, Critical Reading

"O My Brothers": Reading the Anti-Ethics of the Pseudo-Family in Anthony Burgess's "A Clockwork Orange"

IRA outstanding dissertation award for 1999: The influence of speech perception, oral language ability, the home literacy environment, and prereading knowledge on the

A Kubrick Tribute: Adapting to Cinema

Stumbling Toward Ecstasy: "Cyrano de Bergerac" as Comedy in Martin's "Roxanne" and Well's "The Truth About Cats and Dogs"

Two Russian Translations of A Clockwork Orange, or the Homecoming of Nadsat

Memoirs: From Scribblings into High Art

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