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Slippery Borders and Mythic Spaces: Race, Class, and Ressentiment in Lynn Nottage’s Sweat

Theatre symposium, 2022, Vol.29 (1), p.133-149

Phillips, M. Scott

2022

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Senses of Place: The Black Community in Alice Childress's Wedding Band

Journal of modern literature, 2023-06, Vol.46 (4), p.132-145

Shih, Yi-chin

2023

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African American Women Playwrights and the Empowerment of Black Women

Wallace, Sharon

2014

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American; or, The Emergence of Audiences and their Blackface Salve

J19, 2018-10, Vol.6 (2), p.403-409

Jones, Douglas A.

2018

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A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

Legacy (Amherst, Mass.), 2013-01, Vol.30 (1), p.151-171

Fox, Ann M

2013

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PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Callaloo, 2017-01, Vol.40 (2), p.157-173

Colbert, Soyica

2017

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Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Meridians (Middletown, Conn.), 2017-01, Vol.15 (2), p.330-352

Batra, Kanika

2017

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Hansberry Offstage: The playwright's lesbian writings

The Yale review, 2023-09, Vol.111 (3), p.60-75

Pollak, Alec

2023

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Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Journal of African American studies (New Brunswick, N.J.), 2021-09, Vol.25 (3), p.475-493

Vrtis, Catherine Peckinpaugh

2021

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Swap and Formation of Diasporic Identities in Amiri Baraka’s Theater: from Afrocentric Leanings to a Pan-Africanist Worldview

Journal of African American studies (New Brunswick, N.J.), 2020-03, Vol.24 (1), p.116-128

Azouz, Samy

2020

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The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan

Theatre history studies, 2020-01, Vol.39 (1), p.215-224

Burrell, Julie

2020

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What We Talk About When We Talk About Africville

African American review, 2018-10, Vol.51 (3), p.223-231

Remes, Jacob A. C.

2018

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Performing Ancestry: Reading August Wilson’s The Piano Lesson as a Performative Neo-Slave Narrative

Comparative drama, 2019-03, Vol.53 (1/2), p.59-84

Maley, Patrick

2019

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Commemorating the “Disappeared”: Maternal Activism and the Algerian Civil War in Fatima Bourega-Gallaire's La Beauté de l'icône

Research in African literatures, 2014-06, Vol.45 (2), p.26-45

Mehta, Brinda

2014

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Black Leadership at the Crossroads: Unfixing Martin Luther King Jr. in Katori Hall’s The Mountaintop

The South Atlantic quarterly, 2013-04, Vol.112 (2), p.261-283

Colbert, Soyica Diggs

2013

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African Queens and Italian History: The Cultural Politics of Memory and Resistance in Teatro delle Albe’s Lunga vita all’albero and Gabriella Ghermandi’s Regina di fiori e di perle

Research in African literatures, 2010-12, Vol.41 (4), p.26-42

Clo, Clarissa

2010

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Who Is Afraid Of Efunsetan Aniwura? Performing Power in Yoruba Masculinist Oligarchy

Journal of international women's studies, 2020-01, Vol.21 (1), p.79-88

2020

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Lifting the Veil, Breaking Silences: Muslim Women in South Africa Interrogate Multiple Marginalities

Contemporary theatre review, 2011-02, Vol.21 (1), p.20-34

Blumberg, Marcia

2011

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"Manhattan Women": Jazz, Blues, and Gender in On the Town and Wonderful Town

American music (Champaign, Ill.), 2013-03, Vol.31 (1), p.73-105

Baber, Katherine

2013

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Pan Africanism, myth and history in African and Caribbean drama

The Journal of Pan African studies, 2012-12, Vol.5 (8), p.190

Oloruntoba-Oju, Omotayo

2012

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Naima Zitane's Revolutionary Play, Dialy: Using the Vagina Trope to "Talk Back" to the Islamist Party's Calls for 'Halal' Art in Morocco

Journal of international women's studies, 2021, Vol.22 (1), p.246-269

Tazi, Maha

2021

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“I’ll explain what I can”: A conversation with Avaes Mohammad

Journal of Commonwealth literature, 2018-06, Vol.53 (2), p.223-239

Ahmed, Rehana

2018

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Racism and Identity in Onwueme's Riot in Heaven

CLCWeb : Comparative literature and culture, 2013-03, Vol.15 (1)

Iwuchukwu, Onyeka F

2013

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Between Madmen and Specialists and The Beatification of Area Boy: a comparison of style

The Journal of Pan African studies, 2015-09, Vol.8 (5), p.126

2015

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UNNATURAL CONCEPTION: (PER)FORMING HISTORY AND HISTORICAL SUBJECTIVITY IN SUZAN-LORI PARKS'S THE AMERICA PLAY AND VENUS

The Journal of American drama and theatre, 2007-01, Vol.19 (1), p.5

Lee, Sun Hee Teresa

2007

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Slippery Borders and Mythic Spaces: Race, Class, and Ressentiment in Lynn Nottage’s Sweat

Senses of Place: The Black Community in Alice Childress's Wedding Band

African American Women Playwrights and the Empowerment of Black Women

American; or, The Emergence of Audiences and their Blackface Salve

A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Hansberry Offstage: The playwright's lesbian writings

Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Swap and Formation of Diasporic Identities in Amiri Baraka’s Theater: from Afrocentric Leanings to a Pan-Africanist Worldview

The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan

What We Talk About When We Talk About Africville

Performing Ancestry: Reading August Wilson’s The Piano Lesson as a Performative Neo-Slave Narrative

Commemorating the “Disappeared”: Maternal Activism and the Algerian Civil War in Fatima Bourega-Gallaire's La Beauté de l'icône

Black Leadership at the Crossroads: Unfixing Martin Luther King Jr. in Katori Hall’s The Mountaintop

African Queens and Italian History: The Cultural Politics of Memory and Resistance in Teatro delle Albe’s Lunga vita all’albero and Gabriella Ghermandi’s Regina di fiori e di perle

Who Is Afraid Of Efunsetan Aniwura? Performing Power in Yoruba Masculinist Oligarchy

Lifting the Veil, Breaking Silences: Muslim Women in South Africa Interrogate Multiple Marginalities

"Manhattan Women": Jazz, Blues, and Gender in On the Town and Wonderful Town

Pan Africanism, myth and history in African and Caribbean drama

Naima Zitane's Revolutionary Play, Dialy: Using the Vagina Trope to "Talk Back" to the Islamist Party's Calls for 'Halal' Art in Morocco

“I’ll explain what I can”: A conversation with Avaes Mohammad

Racism and Identity in Onwueme's Riot in Heaven

Between Madmen and Specialists and The Beatification of Area Boy: a comparison of style

UNNATURAL CONCEPTION: (PER)FORMING HISTORY AND HISTORICAL SUBJECTIVITY IN SUZAN-LORI PARKS'S THE AMERICA PLAY AND VENUS

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