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"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

Frontiers (Boulder), 2021-01, Vol.42 (1), p.27-57

Hammer, K Allison

2021

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PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Callaloo, 2017-01, Vol.40 (2), p.157-173

Colbert, Soyica

2017

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Ethics and Human Rights in Anglophone African Women's Literature: Feminist Empathy

Research in African Literatures, 2018-06, Vol.49 (2), p.213-218

Nkealah, Naomi

2018

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Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

Texas studies in literature and language, 2017-06, Vol.59 (2), p.234-267

VANHOUTTE, JACQUELINE

2017

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At the Heart of Shange's Feminism: An Interview

African American review, 2017-12, Vol.50 (4), p.751-764

Lester, Neal A.

2017

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NP van Wyk Louw's animals and figures: An ecocritical reading: NP van Wyk Louw se diere en gestaltes herbesoek: 'n Ekokritiese lesing

Tydskrif vir geesteswetenskappe, 2020-06, Vol.60 (2), p.434

Marais, Johann Lodewyk

2020

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Staging a New Literary History: Suzan-Lori Parks's Venus, In the Blood, and Fucking A

Comparative drama, 2008-07, Vol.42 (2), p.181-203

Schafer, Carol

2008

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The Evolution of Female Characters From Antiquity to Modernity: An Examination of Marinna Carr's and Carol Lashof's Adaptations of Classical Mythology

Journal of language teaching and research, 2024-03, Vol.15 (2), p.374-382

2024

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DEREK WALCOTT/AUGUST WILSON: Homage to 20th Century Masters of WORD

Black renaissance, 2017-09, Vol.17 (2), p.30-174

Harrison, Paul Carter

2017

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On SHOT!: A Rationale for Research and Dramas Depicting Violence in the ’Hood

Theatre topics, 2013-09, Vol.23 (2), p.169-183

Williams-Witherspoon, Kimmika L. H

2013

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Art, Activism, and Uncompromising Attitude in Georgia Douglas Johnson's Lynching Plays

African American review, 2005-04, Vol.39 (1/2), p.87-102

Stephens, Judith L.

2005

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The Immigrant Critic as a Writer: Spirituality in Mikhail Nu’ayma’s Ayoub (1967)

Theory and practice in language studies, 2023-08, Vol.13 (8), p.2019-2025

2023

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Soyinka and the Dead Dramatist

Comparative drama, 2010-03, Vol.44 (1), p.29-44

Graham, Kenneth J. E.

2010

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Stevens and the Necessity of Distance: International Influence and the Theater Auditorium

The Wallace Stevens journal, 2022-01, Vol.46 (1), p.82-96

Simpson, Hannah

2022

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Early Black Women Playwrights and the Dual Liberation Motif

African American review, 1994-07, Vol.28 (2), p.205-221

Harris, Will

1994

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"This Thing Called Playwrighting": An Interview with Sonia Sanchez on the Art of Her Drama

African American review, 2005-04, Vol.39 (1/2), p.119-132

2005

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Rewriting History: Narrative Resistance and Poetic Justice in Martin McDonagh’s A Very Very Very Dark Matter

Hungarian journal of English and American studies, 2020-10, Vol.26 (2), p.255-272

Lanters, José

2020

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Blacking Out the Archive in Jasminne Mendez's City without Altar

Chiricú, 2024-09, Vol.8 (1), p.63-80

Rodríguez, Judith

2024

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The Pervasive Force of Music in African, Caribbean, and African American Drama

Research in African literatures, 2003-07, Vol.34 (2), p.145-154

Morales, Donald M.

2003

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The Whole Air of Exile Is Yours: Modern Inquisitorial Fiction and the Facts of the Early (Latin) American Jewish Experience

American Jewish history, 2018-07, Vol.102 (3), p.351-374

WARSHAWSKY, MATTHEW D.

2018

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Oedipus and Afrikaans Theater

Comparative drama, 2010-12, Vol.44/45 (4), p.477-493

Van Zyl Smit, Betine

2010

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The Redness of Blackness: Revisiting Derek Walcott's Mulatto Aesthetics

Caribbean quarterly, 2006-03, Vol.52 (1), p.12-25

Oloruntoba-Oju, Omotayo

2006

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Fugitive Fictions

African American review, 2003-07, Vol.37 (2/3), p.321-331

Nielsen, Aldon

2003

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The People and Places of Experimental Theatre Scholarship: A Computational Overview

Theatre survey, 2023-01, Vol.64 (1), p.71-90

Escobar Varela, Miguel

2023

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Introduction. Contemporary Nigerian Literature in English: An Orchestra of Pluralities

Etudes anglaises, 2022-07, Vol.75 (2), p.131-146

Guignery, Vanessa

2022

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"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Ethics and Human Rights in Anglophone African Women's Literature: Feminist Empathy

Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

At the Heart of Shange's Feminism: An Interview

NP van Wyk Louw's animals and figures: An ecocritical reading: NP van Wyk Louw se diere en gestaltes herbesoek: 'n Ekokritiese lesing

Staging a New Literary History: Suzan-Lori Parks's Venus, In the Blood, and Fucking A

The Evolution of Female Characters From Antiquity to Modernity: An Examination of Marinna Carr's and Carol Lashof's Adaptations of Classical Mythology

DEREK WALCOTT/AUGUST WILSON: Homage to 20th Century Masters of WORD

On SHOT!: A Rationale for Research and Dramas Depicting Violence in the ’Hood

Art, Activism, and Uncompromising Attitude in Georgia Douglas Johnson's Lynching Plays

The Immigrant Critic as a Writer: Spirituality in Mikhail Nu’ayma’s Ayoub (1967)

Soyinka and the Dead Dramatist

Stevens and the Necessity of Distance: International Influence and the Theater Auditorium

Early Black Women Playwrights and the Dual Liberation Motif

"This Thing Called Playwrighting": An Interview with Sonia Sanchez on the Art of Her Drama

Rewriting History: Narrative Resistance and Poetic Justice in Martin McDonagh’s A Very Very Very Dark Matter

Blacking Out the Archive in Jasminne Mendez's City without Altar

The Pervasive Force of Music in African, Caribbean, and African American Drama

The Whole Air of Exile Is Yours: Modern Inquisitorial Fiction and the Facts of the Early (Latin) American Jewish Experience

Oedipus and Afrikaans Theater

The Redness of Blackness: Revisiting Derek Walcott's Mulatto Aesthetics

Fugitive Fictions

The People and Places of Experimental Theatre Scholarship: A Computational Overview

Introduction. Contemporary Nigerian Literature in English: An Orchestra of Pluralities

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