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THE POSSESSION OF SUZAN-LORI PARKS

American Theatre, 2000-10, Vol.17 (8), p.22-22

GARRETT, SHAWN-MARIE

2000

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Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

College English, 2023-01, Vol.85 (3), p.243-259

Shahbaaz, Zeba

2023

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Mental Illness in Selected Plays of Modern American Women Playwrights

The international journal of literary humanities, 2021, Vol.20 (1), p.1-10

2021

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Slippery Borders and Mythic Spaces: Race, Class, and Ressentiment in Lynn Nottage’s Sweat

Theatre symposium, 2022, Vol.29 (1), p.133-149

Phillips, M. Scott

2022

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Senses of Place: The Black Community in Alice Childress's Wedding Band

Journal of modern literature, 2023-06, Vol.46 (4), p.132-145

Shih, Yi-chin

2023

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Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

Frontiers (Boulder), 2021, Vol.42 (1), p.58-91

Burrell, Julie

2021

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"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

Frontiers (Boulder), 2021-01, Vol.42 (1), p.27-57

Hammer, K Allison

2021

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American; or, The Emergence of Audiences and their Blackface Salve

J19, 2018-10, Vol.6 (2), p.403-409

Jones, Douglas A.

2018

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A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

Legacy (Amherst, Mass.), 2013-01, Vol.30 (1), p.151-171

Fox, Ann M

2013

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Theorizing connectivities: African American women in concert dance

The Journal of Pan African studies, 2011-09, Vol.4 (6), p.56

DeFrantz, Thomas F

2011

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Under Lynching's Shadow: Grimké's Call for Domestic Reconfiguration in "Rachel"

African American review, 2014-06, Vol.47 (2/3), p.391-402

Jansen, Anne Mai Yee

2014

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PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Callaloo, 2017-01, Vol.40 (2), p.157-173

Colbert, Soyica

2017

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Resemblance in Themes of Flays by Alice Childress: A Critical Analysis

Language in India, 2024-03, Vol.24 (3), p.89

2024

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Ethics and Human Rights in Anglophone African Women's Literature: Feminist Empathy

Research in African Literatures, 2018-06, Vol.49 (2), p.213-218

Nkealah, Naomi

2018

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Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

Texas studies in literature and language, 2017-06, Vol.59 (2), p.234-267

VANHOUTTE, JACQUELINE

2017

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A Note on the Limits of Interpretation: Thoughts on Recent Miller Productions

The Arthur Miller journal, 2017-04, Vol.12 (1), p.42-51

Palmer, David

2017

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Ntozake Shange: A Cultural War Correspondent—An Interview

CLA journal, 2019-09, Vol.62 (2), p.111-131

Brown-Guillory, Elizabeth

2019

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Collaborative playbuilding and the act of crystallization

Applied theatre research, 2022-07, Vol.10 (1), p.39-53

Webb, James

2022

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Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

International journal of English studies, 2023-01, Vol.23 (1), p.147-162

Cuder-Dominguez, Pilar

2023

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Performing Gender Violence. Plays by Contemporary American Women Dramatists. Eds Barbara Ozieblo & Noelia Hernando-Real

European Journal of American Studies, 2012-11

Maufort, Marc

2012

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Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Meridians (Middletown, Conn.), 2017-01, Vol.15 (2), p.330-352

Batra, Kanika

2017

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On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling

Storytelling, self, society, 2021, Vol.17 (1), p.71-85

Burch, Milbre

2021

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Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances

Theatre history studies, 2021, Vol.40 (1), p.103-109

Dail, Chrystyna

2021

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Hansberry Offstage: The playwright's lesbian writings

The Yale review, 2023-09, Vol.111 (3), p.60-75

Pollak, Alec

2023

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Seeing Race in Post-Racial America: Spectatorship and Visibility of the Racial Experience in Branden Jacobs-Jenkins’ An Octoroon (2014)

CEA critic, 2024-03, Vol.86 (1), p.59-74

Jeon, Bomi

2024

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THE POSSESSION OF SUZAN-LORI PARKS

Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

Mental Illness in Selected Plays of Modern American Women Playwrights

Slippery Borders and Mythic Spaces: Race, Class, and Ressentiment in Lynn Nottage’s Sweat

Senses of Place: The Black Community in Alice Childress's Wedding Band

Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

American; or, The Emergence of Audiences and their Blackface Salve

A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

Theorizing connectivities: African American women in concert dance

Under Lynching's Shadow: Grimké's Call for Domestic Reconfiguration in "Rachel"

PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Resemblance in Themes of Flays by Alice Childress: A Critical Analysis

Ethics and Human Rights in Anglophone African Women's Literature: Feminist Empathy

Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

A Note on the Limits of Interpretation: Thoughts on Recent Miller Productions

Ntozake Shange: A Cultural War Correspondent—An Interview

Collaborative playbuilding and the act of crystallization

Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

Performing Gender Violence. Plays by Contemporary American Women Dramatists. Eds Barbara Ozieblo & Noelia Hernando-Real

Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling

Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances

Hansberry Offstage: The playwright's lesbian writings

Seeing Race in Post-Racial America: Spectatorship and Visibility of the Racial Experience in Branden Jacobs-Jenkins’ An Octoroon (2014)

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