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Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Journal of popular culture, 2008-10, Vol.41 (5), p.762-783

GRAY, W. RUSSEL

2008

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Pragmatic Truth, Lies, and the Black Bird: Dashiell Hammett's The Maltese Falcon

Clues (Bowling Green, Ohio), 2020-04, Vol.38 (1), p.92-102

LaViolette, Marc

2020

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Diamonds and Racism in Dashiell Hammett's The Dain Curse: An Intertextual Study

Clues (Bowling Green, Ohio), 2018-04, Vol.36 (1), p.69-77

Bernstein, Matthew

2018

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Politics and the 1920s Writings of Dashiell Hammett

American studies (Lawrence), 2012-01, Vol.52 (1), p.77-98

Zumoff, J. A.

2012

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The Radicalization of Dashiell Hammett

Monthly Review, 2018, Vol.70 (5), p.58-60

Ruben, Albert

2018

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Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

The Arizona quarterly, 2021, Vol.77 (1), p.33-56

Rolens, Clare

2021

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(Re)Model(ed) Towns and the Remodeling of American Ideology: The Expansion of Middle-Class Hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

Clues (Bowling Green, Ohio), 2012-04, Vol.30 (1), p.42-53

Decker, Mark T.

2012

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"There's Something Wrong Somewhere": Disenfranchisement and Diegesis in David Goodis's Down There

Connotations (Münster in Westfalen, Germany), 2021-01, Vol.30, p.37-47

Snyder, Robert Lance

2021

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On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

Clues (Bowling Green, Ohio), 2005-01, Vol.23 (2), p.11-20

Rivett, Julie M

2005

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Theme Issue: Dashiell Hammett: The Maltese Falcon at Seventy-Five

Clues (Bowling Green, Ohio), 2005-01, Vol.23 (2), p.4

Layman, Richard

2005

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FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Modern fiction studies, 2003-12, Vol.49 (4), p.629-659

Raczkowski, Christopher T.

2003

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Watchful Eyes and Smiling Masks in The Maltese Falcon

Clues (Bowling Green, Ohio), 2017-10, Vol.35 (2), p.18-27

Clausson, Nils

2017

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Sof’town Sleuths: The Hard-Boiled Genre Goes to Jo’Burg

Cambridge journal of postcolonial literary inquiry, 2018-01, Vol.5 (1), p.20-35

Ball, Tyler Scott

2018

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Introduction: Unknown Legends

The Faulkner journal, 2014-04, Vol.28 (1), p.3-10

Dussere, Erik

2014

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A MYSTERIOUS WOMAN ENTERS A GRUMPY DETECTIVE’S OFFICE: WHY IS HARD-BOILED GENRE STILL ENTERTAINING US?

British and American studies : B.A.S, 2017, Vol.23 (23), p.121-130

Budac, Alexandru

2017

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Judging From a Cover, and Writing Like Dashiell Hammett

The New York times, 2012-03-08, p.A27

Newman, Andy

2012

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Tijuana the American Town: Images of the Corrupt City in Hammett's "The Golden Horseshoe"

Clues (Bowling Green, Ohio), 2008-07, Vol.26 (4), p.35-48

Zumoff, J. A.

2008

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Writers in Cinema

Film international (Göteborg, Sweden), 2010-08, Vol.8 (4), p.7-18

McMahon, Gary

2010

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"What's in a Name?": La Paloma and the Secret of Dashiell Hammett's THE MALTESE FALCON

The Explicator, 2012-10, Vol.70 (4), p.339-340

Doloff, Steven

2012

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Jordan Harper Levels Up with 'Everybody Knows'

Publishers Weekly, 2022-11, Vol.269 (46)

Adams, David

2022

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Hammett and Macdonald

Clues (Bowling Green, Ohio), 2005-01, Vol.23 (2), p.51-63

Nolan, Tom

2005

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Genre: Daphne du Maurier, Barbara Cartland, Catherine Cookson, et al.; Bret Harte, Zane Grey, et al.; Raymond Chandler, Dashiell Hammett, Elmore Leonard, Agatha Christie, Dorothy L. Sayers, et al.; H. P. Lovecraft, Stephen King, et al.; Robert A. Heinlein, Isaac Asimov, Arthur C. Clarke, Ray Bradbury, Philip K. Dick, Ursula Le Guin, et al

The Novel, 2014, p.851-881

Schmidt, Michael

2014

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Sherlock Holmes: The Case of the Perpetual Detective

Storytelling (Richmond, Ky.), 2006-10, Vol.6 (1), p.7-17

Cawelti, John

2006

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Hardboiled Activist: The Work and Politics of Dashiell Hammett

Clues, 2019, Vol.37 (1), p.107-108

Hamilton, Cynthia S

2019

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Dashiell Hammett and Classical Hollywood Cinema

Literature-Film Quarterly, 2015, Vol.43 (3), p.236-240

Miklitsch, Robert

2015

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Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Pragmatic Truth, Lies, and the Black Bird: Dashiell Hammett's The Maltese Falcon

Diamonds and Racism in Dashiell Hammett's The Dain Curse: An Intertextual Study

Politics and the 1920s Writings of Dashiell Hammett

The Radicalization of Dashiell Hammett

Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

(Re)Model(ed) Towns and the Remodeling of American Ideology: The Expansion of Middle-Class Hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

"There's Something Wrong Somewhere": Disenfranchisement and Diegesis in David Goodis's Down There

On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

Theme Issue: Dashiell Hammett: The Maltese Falcon at Seventy-Five

FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Watchful Eyes and Smiling Masks in The Maltese Falcon

Sof’town Sleuths: The Hard-Boiled Genre Goes to Jo’Burg

Introduction: Unknown Legends

A MYSTERIOUS WOMAN ENTERS A GRUMPY DETECTIVE’S OFFICE: WHY IS HARD-BOILED GENRE STILL ENTERTAINING US?

Judging From a Cover, and Writing Like Dashiell Hammett

Tijuana the American Town: Images of the Corrupt City in Hammett's "The Golden Horseshoe"

Writers in Cinema

"What's in a Name?": La Paloma and the Secret of Dashiell Hammett's THE MALTESE FALCON

Jordan Harper Levels Up with 'Everybody Knows'

Hammett and Macdonald

Sherlock Holmes: The Case of the Perpetual Detective

Hardboiled Activist: The Work and Politics of Dashiell Hammett

Dashiell Hammett and Classical Hollywood Cinema

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