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The language of real life: Self-possession in the poetry of Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valéry
2010
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A voice sought in order: Poetry, science and knowing self in W. H. Auden, Fernando Pessoa, Francis Ponge, Paul Valéry, and William Carlos Williams
2000
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Fiction's Metronomes: Music, Time, and the Eighteenth-Century British Novel
2021
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Re-Construction Through Fragmentation: A Cosmodern Reading of David Mitchell's "Cloud Atlas"
2015
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New territories in Modernism: Anglophone Welsh writing, 1930–1949
2010
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Purely ornamental: Representations of Salome in the works of Stéphane Mallarmé, Gustave Moreau, Oscar Wilde, and Richard Strauss
2009
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The aesthetics and literary criticism of T.S.Eliot and Paul Valery
1973
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Community and the sublime in Dickinson, Valery and Joyce
1998
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Encounters
2006
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MOSES OFF THE MOUNTAIN: READINGS IN PAUL VALERY AND D. H. LAWRENCE
1972
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The sound of print: Voice in eighteenth-century British poetry
2005
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THE POET AS CRITIC: A STUDY OF THE RELATED CRITICAL WRITINGS OF PAUL VALERY, T. S. ELIOT AND JORGE GUILLEN
1976
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Representing dance: Early modern dance and modernist women's writing, 1880–1940
2005
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The sense of time in Spenser and Shakespeare: “The Faerie Queene”, “Macbeth” and “Hamlet”, “The Winter's Tale” and “The Tempest”
2003
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Nature and poetry: An ecocritical approach to modern poetry (from the Romantic age to the ecological age)
2004
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Keats and silence
2001
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Lo sguardo di Perseo. Italo Calvino e Joseph Conrad: Dal testo all'ipertesto
2001
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The quarrel between poetry and philosophy
2001
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Forging creation: Avant -garde collaborations between the World Wars
2002
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Sincerity's Failures: Patterns of Self-consciousness in British Romantic and Modern American Poetry
2002
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The poetics of Mallarme, Hopkins and Apollinaire
1999
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W. B. Yeats and India: A study in reception of literary influence
1998
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Modernity, ennui, and violence: Modern literature and the quest for intensity
1996
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Reference and truth in autobiography
1997
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Noma Hiroshi's struggle for the Total Novel: Critical absorption of Balzac, Joyce, and Sartre
1992
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