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‘Lieber ein Ende mit Schrecken als ein Schrecken ohne Ende’: Aspects of Apocalypse in Words and Music, Mainly German

Neophilologus, 2013-10, Vol.97 (4), p.733-752

Bridgham, Fred

2013

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Life-Destroying Diagrams

Brinkema, Eugenie

1, 2022

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The Invention of Reality Required No More Records: Christoph Ransmayr’s Role as Cultural Ecological Archivist

Colloquia Germanica, 2021-01, Vol.53 (2/3), p.141-160

Graml, Gundolf

2021

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Repetition and breakdown: Freud, Winnicott, and death

International journal of psychoanalysis, 2022-07, Vol.103 (4), p.619-638

Picht, Johannes

2022

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Measuring human trace fear conditioning

Psychophysiology, 2022-12, Vol.59 (12), p.e14119-n/a

2022

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RESTORING SAFETY: AN ATTACHMENT‐BASED APPROACH TO CLINICAL WORK WITH A TRAUMATIZED TODDLER

Infant mental health journal, 2016-01, Vol.37 (1), p.80-92

Ribaudo, Julie

2016

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50 Schlusselideen der Zukunft

2014., 2014

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From horror to ethical responsibility: Carl Gustav Jung and Stephen King encounter the dark half within us, between us and in the world

Journal of analytical psychology, 2020-02, Vol.65 (1), p.219-234

Tozzi, Chiara

2020

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'For Beauty is nothing but the barely endurable onset of Terror': Outline of a general psychoanalytic aesthetics

International journal of psychoanalysis, 2017-06, Vol.98 (3), p.657-681

Leikert, Sebastian

2017

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Mary Shelley's Frankenstein: what made the Monster monstrous?

Journal of analytical psychology, 2015-02, Vol.60 (1), p.1-11

Britton, Ronald

2015

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Die Singulare Waffe: Was bleibt vom Atomzeitalter?

Eisenbart, Constanze

2012 edition., 2012

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Multiword Units and N-Grams Naming FEAR in the Israel-Corpus

Computational and Corpus-Based Phraseology, 2019, Vol.11755, p.86-98

2019

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Human Sacrifice and the Evolution of Thinking: A Critical Assessment of Christoph Türcke’s Philosophy of Dreams

Epistemological Dimensions of Evolutionary Psychology, 2014, p.223-238

2014

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Soziale Gerontologie in gesellschaftlicher Verantwortung

2013., 2013

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“A Temporality of Imminent, Never-Consummated Arrival”: Contemporary German Documentaries on North Korea

German studies review, 2023-05, Vol.46 (2), p.285-305

Zhou, Qingyang Freya

2023

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Appropriating the civil sphere: the construction of German collective identity by right-wing populist actors during the Covid-19 pandemic

American journal of cultural sociology, 2023-03, Vol.12 (2), p.320-346

Zavershinskaia, Polina

2023

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The Boundaries of "Mitleidsdramaturgie": Some Clarifications concerning Lessing's Concept of 'mitleid'

The Modern language review, 2006-07, Vol.101 (3), p.743-758

Martinec, Thomas

2006

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Culture of death in Mexico: Psychoanalytic inquiry about mourning rites and the symbolic function of society

Culture & psychology, 2021-06, Vol.27 (2), p.270-285

2021

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Ein neuer Textzeuge zu einem neunköpfigen Wesen (pBM EA 10669)

Journal of Egyptian archaeology, 2023-06, Vol.109 (1-2), p.209-221

2023

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May Ayim and Subversive Laughter: The Aesthetics of Epistemic Change

German studies review, 2022-02, Vol.45 (1), p.81-103

Colvin, Sarah

2022

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Reading literature in the Digital Age: Connecting students to texts orally and aurally

Die Unterrichtspraxis, 2023-09, Vol.56 (2), p.131-141

2023

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Searching for the Ukrainian Revolution

Slavic review, 2019-12, Vol.78 (4), p.942-948

Yekelchyk, Serhy

2019

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From Free Speech to IS - Pathological Regression of Some Traumatized Adolescents from a Migrant Background in Germany

International journal of applied psychoanalytic studies, 2016-09, Vol.13 (3), p.213-223

Leuzinger-Bohleber, Marianne

2016

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The Transgressive Approach to the Dark Tourism Experience: Stalkerism in the Chernobyl Exclusion Zone

Polish sociological review, 2022, Vol.219 (3), p.367-384

Banaszkiewicz, Magdalena

2022

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The Discursive Construction of Antisemitism in Nazi Children’s Books: Elvira Bauer’s Trust No Fox (1936) and Ernst Hiemer’s The Poisonous Mushroom (1938)

International journal for the semiotics of law = Revue internationale de sémiotique juridique, 2023-12, Vol.36 (6), p.2355-2396

Green, Daniel

2023

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‘Lieber ein Ende mit Schrecken als ein Schrecken ohne Ende’: Aspects of Apocalypse in Words and Music, Mainly German

Life-Destroying Diagrams

The Invention of Reality Required No More Records: Christoph Ransmayr’s Role as Cultural Ecological Archivist

Repetition and breakdown: Freud, Winnicott, and death

Measuring human trace fear conditioning

RESTORING SAFETY: AN ATTACHMENT‐BASED APPROACH TO CLINICAL WORK WITH A TRAUMATIZED TODDLER

50 Schlusselideen der Zukunft

From horror to ethical responsibility: Carl Gustav Jung and Stephen King encounter the dark half within us, between us and in the world

'For Beauty is nothing but the barely endurable onset of Terror': Outline of a general psychoanalytic aesthetics

Mary Shelley's Frankenstein: what made the Monster monstrous?

Die Singulare Waffe: Was bleibt vom Atomzeitalter?

Multiword Units and N-Grams Naming FEAR in the Israel-Corpus

Human Sacrifice and the Evolution of Thinking: A Critical Assessment of Christoph Türcke’s Philosophy of Dreams

Soziale Gerontologie in gesellschaftlicher Verantwortung

“A Temporality of Imminent, Never-Consummated Arrival”: Contemporary German Documentaries on North Korea

Appropriating the civil sphere: the construction of German collective identity by right-wing populist actors during the Covid-19 pandemic

The Boundaries of "Mitleidsdramaturgie": Some Clarifications concerning Lessing's Concept of 'mitleid'

Culture of death in Mexico: Psychoanalytic inquiry about mourning rites and the symbolic function of society

Ein neuer Textzeuge zu einem neunköpfigen Wesen (pBM EA 10669)

May Ayim and Subversive Laughter: The Aesthetics of Epistemic Change

Reading literature in the Digital Age: Connecting students to texts orally and aurally

Searching for the Ukrainian Revolution

From Free Speech to IS - Pathological Regression of Some Traumatized Adolescents from a Migrant Background in Germany

The Transgressive Approach to the Dark Tourism Experience: Stalkerism in the Chernobyl Exclusion Zone

The Discursive Construction of Antisemitism in Nazi Children’s Books: Elvira Bauer’s Trust No Fox (1936) and Ernst Hiemer’s The Poisonous Mushroom (1938)

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