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A Hemingway Story

The Kenyon review, 1997-04, Vol.19 (2), p.141-147

Dubus, Andre

1997

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Snippets and Seeds: Twenty-Second Installment

Salmagundi (Saratoga Springs), 1995-04 (106/107), p.185-192

ARNHEIM, RUDOLF

1995

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Some Responsibilities for English Teachers Who Already Face an Impossible Job

English journal, 1977-09, Vol.66 (6), p.27-32

Donelson, Ken

1977

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Crossroads of the Imagination: A Possible Musical Origin for the Character of Jupiter in Poe's "The Gold-B ug"

The Journal of American folklore, 2016-07, Vol.129 (513), p.345

Vukmirovich, John

2016

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WHEN JAZZ BROKE OPERA: SOUND AND MYTH IN …(IPHIGENIA)

Ramus, 2023-06, Vol.52 (1), p.45-49

Kheshti, Roshanak

2023

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The Reverberating Flesh: Refiguring Blackness and Sex in Ralph Ellison's Musical Basements

The Arizona quarterly, 2021, Vol.77 (1), p.1-32

Corey, Alex W

2021

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Romanticism in a New Key and the Case of Edgar Allan Poe

Studies in romanticism, 2020-12, Vol.59 (4), p.397-414

McGann, Jerome

2020

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A GRAMMAR OF LITTLE MANHOOD: Ralph Ellison and the Queer Little Man at Chehaw Station

Callaloo, 2012-01, Vol.35 (1), p.245-266

Boggs, Nicholas

2012

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“Let the World Be a Black Poem:” Tierra Whack, Evie Shockley, and Douglas Kearney’s Poetic Experiments towards the End of Grammar

Boyden, Kayla Jasmine

2021

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THE ISSUE OF IS: A COMMENTARY ON THE CASE AGAINST THE VERB "TO BE"

Etc., 2023-01, Vol.80 (1), p.45-81

Strate, Lance

2023

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Piano and Pen: Music as Kenneth Burke's Secular Conversion

Rhetoric Society quarterly, 2011-10, Vol.41 (5), p.439-454

Overall, Joel

2011

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A Lesson in Grammar: Dickinson's 'Grasped by God' and 'Drowning is not so pitiful'

The Emily Dickinson journal, 2006, Vol.15 (1), p.16-34

Zapedowska, Magdalena

2006

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A meeting of the disciplines: Musical structures in Ernest Hemingway's early fiction

Hausmann, Janis Marie Hebert

2003

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"SOMETHING LIKE THAT": A PRONOUN'S LIFE IN POETRY

The Sewanee review, 2017-07, Vol.125 (3), p.614-635

JARMAN, MARK

2017

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'Invisible, as Music –': What the Earliest Musical Settings of Emily Dickinson's Poems, Including Two Previously Unknown, Tell Us about Dickinson's Musicality

The Emily Dickinson journal, 2019-01, Vol.28 (2), p.73-105

Holmes, Gerard

2019

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Grammar Lessons

Morano, Michele Mary

2001

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The language of image: Competing grammars in the verse of H.D

Springer, Michael

2010

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Beloved and Julia Kristeva's The Semiotic and The Symbolic

Theory and practice in language studies, 2012-07, Vol.2 (7), p.1491

Sadehi, Camelia Talebian

2012

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Reflections on a Musical Performance: Staging a Dialogue between Beethoven and Stevens

The Wallace Stevens journal, 2019, Vol.43 (2), p.168-178

Steinberg, Mark

2019

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Whaz up with Our Books? Changing Picture Book Codes and Teaching Implications

The Reading teacher, 2001-12, Vol.55 (4), p.362-370

Goldstone, Bette P.

2001

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Constructing and Engaging Biography: Considerations for High School English Teachers

English journal, 2012-05, Vol.101 (5), p.44-50

Edmondson, Jacqueline

High school edition, 2012

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A "High Tension" in Langston Hughes's Musical Verse

Melus, 2012-12, Vol.37 (4), p.165-185

Nielson, Erik

2012

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Syntax

The Kenyon review, 2003-01, Vol.25 (1), p.144

Ellen Bryant Voigt

2003

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Migration Blues in Jazz Styling: Spinning Them Overlooked Jazz and Blues Numbers in Brian Chikwava's Fiction

Research in African literatures, 2016-12, Vol.47 (4), p.152-170

Okonkwo, Christopher N

2016

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"TREBLINKA, A RATHER MUSICAL WORD": CAROLE MASO'S POST-HOLOCAUST NARRATIVE

Modern fiction studies, 2007-04, Vol.53 (1), p.1-26

Silbergleid, Robin

2007

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A Hemingway Story

Snippets and Seeds: Twenty-Second Installment

Some Responsibilities for English Teachers Who Already Face an Impossible Job

Crossroads of the Imagination: A Possible Musical Origin for the Character of Jupiter in Poe's "The Gold-B ug"

WHEN JAZZ BROKE OPERA: SOUND AND MYTH IN …(IPHIGENIA)

The Reverberating Flesh: Refiguring Blackness and Sex in Ralph Ellison's Musical Basements

Romanticism in a New Key and the Case of Edgar Allan Poe

A GRAMMAR OF LITTLE MANHOOD: Ralph Ellison and the Queer Little Man at Chehaw Station

“Let the World Be a Black Poem:” Tierra Whack, Evie Shockley, and Douglas Kearney’s Poetic Experiments towards the End of Grammar

THE ISSUE OF IS: A COMMENTARY ON THE CASE AGAINST THE VERB "TO BE"

Piano and Pen: Music as Kenneth Burke's Secular Conversion

A Lesson in Grammar: Dickinson's 'Grasped by God' and 'Drowning is not so pitiful'

A meeting of the disciplines: Musical structures in Ernest Hemingway's early fiction

"SOMETHING LIKE THAT": A PRONOUN'S LIFE IN POETRY

'Invisible, as Music –': What the Earliest Musical Settings of Emily Dickinson's Poems, Including Two Previously Unknown, Tell Us about Dickinson's Musicality

Grammar Lessons

The language of image: Competing grammars in the verse of H.D

Beloved and Julia Kristeva's The Semiotic and The Symbolic

Reflections on a Musical Performance: Staging a Dialogue between Beethoven and Stevens

Whaz up with Our Books? Changing Picture Book Codes and Teaching Implications

Constructing and Engaging Biography: Considerations for High School English Teachers

A "High Tension" in Langston Hughes's Musical Verse

Syntax

Migration Blues in Jazz Styling: Spinning Them Overlooked Jazz and Blues Numbers in Brian Chikwava's Fiction

"TREBLINKA, A RATHER MUSICAL WORD": CAROLE MASO'S POST-HOLOCAUST NARRATIVE

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