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Maidenhead to Conventicle: The Curious Transformation of a Woodcut

Library, 2020-03, Vol.21 (1), p.102-109

Williams, William Proctor

2020

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Inclusive Ignorance: The Anthology, English Studies, and Higher Education in the United States

Notes and Queries, 2006-12, Vol.53 (4), p.536-542

Williams, W. P.

2006

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Correspondence

Library, 2020-09, Vol.21 (3), p.392

William Proctor Williams

2020

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Correspondence

Library, 2020-09, Vol.21 (3), p.392-392

Williams, William Proctor

2020

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Correspondence

Library, 2020, Vol.21 (3), p.392-392

Williams, William Proctor

2020

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Lukas Erne , Shakespeare and the Book Trade

Notes and queries, 2019-03, Vol.66 (1), p.144-146

Williams, William Proctor

2019

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MacDonald P. Jackson , Determining The Shakespeare Canon: Arden of Faversham and ‘A Lover’s Complaint

Notes and queries, 2019-03, Vol.66 (1), p.141-143

Williams, William Proctor

2019

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Barbara Ravelhofer (ed.), James Shirley and Early Modern Theatre: New Critical Perspectives

Notes and queries, 2018-12, Vol.65 (4), p.580-582

Proctor Williams, William

2018

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Gary Taylor and Gabriel Egan (eds), The New Oxford Shakespeare: Authorship Companion

Notes and queries, 2018-03, Vol.65 (1), p.131-134

Williams, William Proctor

2018

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Sara Munson Deats and Robert A. Logan (eds), Christopher Marlowe at 450

Notes and queries, 2017-01, p.gjw272

Williams, William Proctor

2017

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Andrew Duxfield, Christopher Marlowe and the Failure to Unify

Notes and queries, 2016-12, Vol.63 (4), p.637-638

Williams, William Proctor

2016

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Joseph A. Dane, Blind Impressions: Methods and Mythologies in Book History

Notes and queries, 2016-09, Vol.63 (3), p.499-501

Williams, William Proctor

2016

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Review: Shakespeare: A New Image

Notes and Queries, 2005-06, Vol.52 (2), p.252-253

Williams, William Proctor

2005

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Review: The Shakespeare Company, 1594–1642

Notes and Queries, 2005-06, Vol.52 (2), p.253-254

Williams, William Proctor

2005

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Horror Franchise Cinema

1, 2022

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'Stolne and Surreptitious': Heywood as a Test Case

Early theatre, 2014-07, Vol.17 (2), p.134-145

Williams, William Proctor

2014

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Early Modern Playhouse Manuscripts and the Editing of Shakespeare by Paul Werstine (review)

Shakespeare quarterly, 2013, Vol.64 (4), p.473-475

Williams, William Proctor

2013

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Maidenhead Lost in the Digital Age

Notes and queries, 2015-06, Vol.62 (2), p.251-253

Williams, William Proctor

2015

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The Shakespeare “First Folio”: The History of the Book, vol. 1, An Account of the First Folio Based on its Sales and Prices, 1623–2000

Notes and queries, 2002-06, Vol.49 (2), p.289-290

Williams, William Proctor

2002

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Global Convergence Cultures: Transmedia Earth

1st, 2018

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Vnder the Handes of . . .: Zachariah Pasfield and the Licensing of Playbooks

Shakespeare's Stationers, 2012, p.63-94

2012

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Introduction: Entire Hands and Main Fingers

Early theatre, 2014-12, Vol.17 (2), p.119-121

2014

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Index to the Court Books of the Stationers' Company, 1679–1717 . Alison Shell , Alison Emblow , Robin Myers

The Papers of the Bibliographical Society of America, 2008-06, Vol.102 (2), p.266-268

Williams, William Proctor

2008

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New approaches to Thomas Heywood: Introduction: Entire Hands and Main Fingers

Early theatre, 2014-07, Vol.17 (2), p.119

2014

Volltextzugriff (PDF)

Inclusive ignorance: the anthology, English studies, and higher education in the United States

Notes and queries, 2006-12, Vol.53 (4), p.536-542

Williams, William Proctor

2006

Volltextzugriff (PDF)

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Maidenhead to Conventicle: The Curious Transformation of a Woodcut

Inclusive Ignorance: The Anthology, English Studies, and Higher Education in the United States

Correspondence

Correspondence

Correspondence

Lukas Erne , Shakespeare and the Book Trade

MacDonald P. Jackson , Determining The Shakespeare Canon: Arden of Faversham and ‘A Lover’s Complaint

Barbara Ravelhofer (ed.), James Shirley and Early Modern Theatre: New Critical Perspectives

Gary Taylor and Gabriel Egan (eds), The New Oxford Shakespeare: Authorship Companion

Sara Munson Deats and Robert A. Logan (eds), Christopher Marlowe at 450

Andrew Duxfield, Christopher Marlowe and the Failure to Unify

Joseph A. Dane, Blind Impressions: Methods and Mythologies in Book History

Review: Shakespeare: A New Image

Review: The Shakespeare Company, 1594–1642

Horror Franchise Cinema

'Stolne and Surreptitious': Heywood as a Test Case

Early Modern Playhouse Manuscripts and the Editing of Shakespeare by Paul Werstine (review)

Maidenhead Lost in the Digital Age

The Shakespeare “First Folio”: The History of the Book, vol. 1, An Account of the First Folio Based on its Sales and Prices, 1623–2000

Global Convergence Cultures: Transmedia Earth

Vnder the Handes of . . .: Zachariah Pasfield and the Licensing of Playbooks

Introduction: Entire Hands and Main Fingers

Index to the Court Books of the Stationers' Company, 1679–1717 . Alison Shell , Alison Emblow , Robin Myers

New approaches to Thomas Heywood: Introduction: Entire Hands and Main Fingers

Inclusive ignorance: the anthology, English studies, and higher education in the United States

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