UB Paderborn / Katalog / Suche / in CDI

1 – 25 von 510

Sortiert nach

A Response to Lerdahl

Perspectives of new music, 1996-01, Vol.34 (1), p.252-258

Boros, James

1996

Link zum Volltext

Verfügbarkeit prüfen

Composing Prototypical South Africans and Re-Sounding Buried Histories: Marked and Unmarked Instruments, and Musical Hierarchies in Proteus (2003)

Music, sound and the moving image, 2016-07, Vol.10 (1), p.53-76

Letcher, Christopher

2016

Link zum Volltext

Verfügbarkeit prüfen

Silvestre Revueltas's Colorines vis-à-vis US Musical Modernisms: A Dialogue of the Deaf?

Latin American music review, 2015-09, Vol.36 (2), p.194-230

Kolb, Roberto

2015

Link zum Volltext

Verfügbarkeit prüfen

After the End of the World: Sun Ra and the Grammar of Utopia

Black camera : the newsletter of the Black Film Center/Archives, 2013-10, Vol.5 (1), p.118-139

Reed, Anthony

2013

Link zum Volltext

Verfügbarkeit prüfen

‘Clefless’ notation, counterpoint and the fa-degree

Early music, 2008-02, Vol.36 (1), p.51-66

Mengozzi, Stefano

2008

Link zum Volltext

Verfügbarkeit prüfen

Romanticism in a New Key and the Case of Edgar Allan Poe

Studies in romanticism, 2020-12, Vol.59 (4), p.397-414

McGann, Jerome

2020

Link zum Volltext

Verfügbarkeit prüfen

Meter, Identity, Voice: Untranslating "Christabel"

Studies in English literature, 1500-1900, 2003-10, Vol.43 (4), p.773-797

Russett, Margaret

2003

Link zum Volltext

Verfügbarkeit prüfen

Perfect Beauty: Echoes of Dionysius of Halicarnassus in the Poetry and Music of the Trecento

MLN, 2019-09, Vol.134 (6), p.S-167-S-183

Weiss, Susan Forscher

2019

Link zum Volltext
ProQuest

Three-voice textures in the mid-15th-century English Mass cycle

Early music, 2017-02, Vol.45 (1), p.41-54

Cook, James

2017

Link zum Volltext

Verfügbarkeit prüfen

A Lesson in Grammar: Dickinson's 'Grasped by God' and 'Drowning is not so pitiful'

The Emily Dickinson journal, 2006, Vol.15 (1), p.16-34

Zapedowska, Magdalena

2006

Link zum Volltext

Verfügbarkeit prüfen

Punctuation as Rhetorical Notation? From Colon to Semicolon

The Huntington Library quarterly, 2019-04, Vol.82 (1), p.87-106

Rhodes, Neil

2019

Link zum Volltext

Verfügbarkeit prüfen

"To Heare It by Mouth": Speech and Accent in Early Modern Language Learning

The Huntington Library quarterly, 2019-04, Vol.82 (1), p.63-86

Gallagher, John

2019

Link zum Volltext

Verfügbarkeit prüfen

A Most Copious Digression: An Erasmian Analysis of the Rhetoric of Virginia Woolf's Comments on Letters in Jacob's Room

College literature, 2018-06, Vol.45 (3), p.543-566

Arrington, Phillip

2018

Link zum Volltext

Verfügbarkeit prüfen

Remembering Klopstock's Mitausdruck

Goethe yearbook, 2019, Vol.26 (1), p.101-122

Pao, Lea

2019

Link zum Volltext

Verfügbarkeit prüfen

'Invisible, as Music –': What the Earliest Musical Settings of Emily Dickinson's Poems, Including Two Previously Unknown, Tell Us about Dickinson's Musicality

The Emily Dickinson journal, 2019-01, Vol.28 (2), p.73-105

Holmes, Gerard

2019

Link zum Volltext

Verfügbarkeit prüfen

MEANING, UNDERSTANDING, AND KNOWING-WHAT: AN INDIAN GRAMMARIAN NOTION OF INTUITION (PRATIBHĀ)

Philosophy east & west, 2014-04, Vol.64 (2), p.404-424

Ho, Chien-hsing

2014

Link zum Volltext

Verfügbarkeit prüfen

AGAINST METAPHOR: SAMUEL BECKETT AND THE INFLUENCE OF SCIENCE

Diacritics, 2013-01, Vol.41 (4), p.36-58

DUFFY, NIKOLAI

2013

Link zum Volltext

Verfügbarkeit prüfen

From “Sabotage” to “Sledgehammer”: Trailers, Songs, and the Musical Marketing of Star Trek Beyond (2016)

Music and the moving image, 2018-04, Vol.11 (1), p.40-65

Summers, Tim

2018

Link zum Volltext

Verfügbarkeit prüfen

From Theory to Grammar: Wittgenstein and the Aesthetic of the Ordinary

New literary history, 1994-10, Vol.25 (4), p.899-923

Perloff, Marjorie

1994

Link zum Volltext

Verfügbarkeit prüfen

Another French Face: Maurice Rollinat's Musical Interpretations of Poe's Poetry

The Edgar Allan Poe review, 2015-04, Vol.16 (1), p.19-43

Weiner, Bruce I.

2015

Link zum Volltext

Verfügbarkeit prüfen

“We Cannot Content Ourselves with Remaining Spectators”: Musical Performance, Audience Interaction, and Nostalgia in the Films of David Lynch

Music and the moving image, 2016-04, Vol.9 (1), p.3-22

Reed, Katherine M.

2016

Link zum Volltext

Verfügbarkeit prüfen

A "High Tension" in Langston Hughes's Musical Verse

Melus, 2012-12, Vol.37 (4), p.165-185

Nielson, Erik

2012

Link zum Volltext

Verfügbarkeit prüfen

A “Sound” Approach: John Cage and Music Education

Philosophy of music education review, 2018-04, Vol.26 (1), p.46-62

Hill, Stuart Chapman

2018

Link zum Volltext

Verfügbarkeit prüfen

How Mimi Perrin Translated Jazz Instrumentals into French Song

American music (Champaign, Ill.), 2016-03, Vol.34 (1), p.87-109

Givan, Benjamin

2016

Link zum Volltext

Verfügbarkeit prüfen

Migration Blues in Jazz Styling: Spinning Them Overlooked Jazz and Blues Numbers in Brian Chikwava's Fiction

Research in African literatures, 2016-12, Vol.47 (4), p.152-170

Okonkwo, Christopher

2016

Link zum Volltext

Verfügbarkeit prüfen

1 – 25 von 510

Suche als RSS-Feed

Aktive Filter

Zeitschrift / SerieSaturday Review Of Politics, Literature, Science And Art

SpracheFranzösisch

SpracheRussisch

KollektionProject MUSE - Single title subscriptions

ThemaCriticism And Interpretation

Suchergebnisse filtern

Filter anzeigen

Nur zeigen

Geprüft (Peer-Review)
(493)
Mit Volltextzugriff
(501)

Publikationsform

Artikel
(501)
Reviews
(9)

Sprache

Englisch
(510)
Deutsch
(1)
Spanisch
(1)

Erscheinungsjahr

n.n

Thema

14 weitere anzeigen...

Weniger anzeigen...

Zeitschrift / Serie

Journal Of Modern Literature
(20)
Victorian Poetry
(18)
Melus
(16)
Mosaic
(15)
Texas Studies In Literature And Language
(15)
Research In African Literatures
(13)
College Literature
(12)
Cinema Journal
(11)
Jcms : Journal Of Cinema And Media Studies
(11)
Music & Letters
(10)

5 weitere anzeigen...

Weniger anzeigen...

Neu hinzugefügt

... seit 90 Tagen
(1)

Menü

Weitere Dienste

Einstellungen

A Response to Lerdahl

Composing Prototypical South Africans and Re-Sounding Buried Histories: Marked and Unmarked Instruments, and Musical Hierarchies in Proteus (2003)

Silvestre Revueltas's Colorines vis-à-vis US Musical Modernisms: A Dialogue of the Deaf?

After the End of the World: Sun Ra and the Grammar of Utopia

‘Clefless’ notation, counterpoint and the fa-degree

Romanticism in a New Key and the Case of Edgar Allan Poe

Meter, Identity, Voice: Untranslating "Christabel"

Perfect Beauty: Echoes of Dionysius of Halicarnassus in the Poetry and Music of the Trecento

Three-voice textures in the mid-15th-century English Mass cycle

A Lesson in Grammar: Dickinson's 'Grasped by God' and 'Drowning is not so pitiful'

Punctuation as Rhetorical Notation? From Colon to Semicolon

"To Heare It by Mouth": Speech and Accent in Early Modern Language Learning

A Most Copious Digression: An Erasmian Analysis of the Rhetoric of Virginia Woolf's Comments on Letters in Jacob's Room

Remembering Klopstock's Mitausdruck

'Invisible, as Music –': What the Earliest Musical Settings of Emily Dickinson's Poems, Including Two Previously Unknown, Tell Us about Dickinson's Musicality

MEANING, UNDERSTANDING, AND KNOWING-WHAT: AN INDIAN GRAMMARIAN NOTION OF INTUITION (PRATIBHĀ)

AGAINST METAPHOR: SAMUEL BECKETT AND THE INFLUENCE OF SCIENCE

From “Sabotage” to “Sledgehammer”: Trailers, Songs, and the Musical Marketing of Star Trek Beyond (2016)

From Theory to Grammar: Wittgenstein and the Aesthetic of the Ordinary

Another French Face: Maurice Rollinat's Musical Interpretations of Poe's Poetry

“We Cannot Content Ourselves with Remaining Spectators”: Musical Performance, Audience Interaction, and Nostalgia in the Films of David Lynch

A "High Tension" in Langston Hughes's Musical Verse

A “Sound” Approach: John Cage and Music Education

How Mimi Perrin Translated Jazz Instrumentals into French Song

Migration Blues in Jazz Styling: Spinning Them Overlooked Jazz and Blues Numbers in Brian Chikwava's Fiction

Aktive Filter

Suchergebnisse filtern