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Not Forgotten: Rufus Thomas, Man of the House of Happiness

Southern cultures, 2013-03, Vol.19 (1), p.112-116

HACKETT, THOMAS

2013

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The History of the Grammar Patent from 1620 to 1800 and the Forms of Lily's Latin Grammar

The Papers of the Bibliographical Society of America, 2006-06, Vol.100 (2), p.177-225

Mace, Nancy A.

2006

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How Did "Computer Music Journal" Come to Exist?

Computer music journal, 2006-04, Vol.30 (1), p.10-20

Snell, John

2006

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On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars

Contemporary music review, 2003-09, Vol.22 (3), p.91-111

2003

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The Changing Relations between Grammar, Rhetoric and Music in the Early Modern Period

Making of the Humanities, Volume 1, 2010, p.263

2010

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Classical and Medieval Synopses of Doctrines

Knowledge: Its Creation, Distribution and Economic Significance, Volume II, 2014, p.22

Fritz Machlup

2014

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So Male a Speech: Linguistic Adequacy in Eighteenth-Century England

American speech, 1989-12, Vol.64 (4), p.372-379

Sklar, Elizabeth S.

1989

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Gandhi's Autobiographical Construction of Selfhood: The Story of His Experiments with Truth

Neary, Clara

1, 2023

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Figures of rhetoric/Figures of music?

Rhetorica, 1984-05, Vol.2 (1), p.1-44

Vickers, Brian

1984

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The Diffusion of the Writings of Petrus Ramus in Central Europe, c. 1570-c. 1630

Renaissance quarterly, 1993-04, Vol.46 (1), p.98-152

Freedman, Joseph S.

1993

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Edwin Ninyon Chaloner Barnes American School Musician

Bulletin of Historical Research in Music Education, 1984-01, Vol.5 (1), p.1-19

Elward, Thomas J.

1984

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Technology as a Subject of Comparative Studies: The Case of Photography

Comparative studies in society and history, 1979-07, Vol.21 (3), p.362-371

De Haas, W. G. L.

1979

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Weißt du wie das wird?

Musical times (London, England : 1957), 1996-04, Vol.137 (1838), p.25-27

Whittall, Arnold

1996

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THE MEDIAEVAL PROFESSOR

The Rise of Universities, 1957, p.27

Charles Homer Haskins

1957

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Patrons, Curators, Inventors and Thieves: The Storytelling Contest of the Cultural Industries in the Digital Age

Wheeldon, Jonathan

1, 2014

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Algorithmic Composition: Paradigms of Automated Music Generation

Nierhaus, Gerhard

1. Aufl., 2009

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A Simulation-Validated Shape Grammar for Architectural Acoustics

Nexus network journal, 2022-03, Vol.24 (1), p.55-73

2022

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Uma canção interessada: M. Camargo Guarnieri, Mário de Andrade and the politics of musical modernism in Brazil, 1900–1950

Hamilton, Sarah Malia

2003

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O egregie grammatice: the vocative problems of Latin words ending in -ius

Classical quarterly, 2000-12, Vol.50 (2), p.548-562

Dickey, Eleanor

2000

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The Grammar of Movement: A Step Towards a Corporeal Architecture

Nexus network journal, 2011-04, Vol.13 (1), p.131-149

2011

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Literacy and Orality in Eighteenth-Century Irish Song

Henigan, Julie

1, 2012

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Variation and change over time in British choral singing (1925–2019)

Laboratory phonology, 2024-06, Vol.15 (1)

2024

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Prelude: A Different Diaspora

A Traveling Homeland, 2015, p.1-8

Boyarin, Daniel

2015

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DE INTERPRETATIONE

Complete Works of Aristotle, Volume 1, 2014, p.25

2014

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The Known and the Knowing

Knowledge: Its Creation, Distribution and Economic Significance, Volume I, 2014, p.27

Fritz Machlup

2014

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Not Forgotten: Rufus Thomas, Man of the House of Happiness

The History of the Grammar Patent from 1620 to 1800 and the Forms of Lily's Latin Grammar

How Did "Computer Music Journal" Come to Exist?

On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars

The Changing Relations between Grammar, Rhetoric and Music in the Early Modern Period

Classical and Medieval Synopses of Doctrines

So Male a Speech: Linguistic Adequacy in Eighteenth-Century England

Gandhi's Autobiographical Construction of Selfhood: The Story of His Experiments with Truth

Figures of rhetoric/Figures of music?

The Diffusion of the Writings of Petrus Ramus in Central Europe, c. 1570-c. 1630

Edwin Ninyon Chaloner Barnes American School Musician

Technology as a Subject of Comparative Studies: The Case of Photography

Weißt du wie das wird?

THE MEDIAEVAL PROFESSOR

Patrons, Curators, Inventors and Thieves: The Storytelling Contest of the Cultural Industries in the Digital Age

Algorithmic Composition: Paradigms of Automated Music Generation

A Simulation-Validated Shape Grammar for Architectural Acoustics

Uma canção interessada: M. Camargo Guarnieri, Mário de Andrade and the politics of musical modernism in Brazil, 1900–1950

O egregie grammatice: the vocative problems of Latin words ending in -ius

The Grammar of Movement: A Step Towards a Corporeal Architecture

Literacy and Orality in Eighteenth-Century Irish Song

Variation and change over time in British choral singing (1925–2019)

Prelude: A Different Diaspora

DE INTERPRETATIONE

The Known and the Knowing

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