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Acts of Revision: Bernard Shaw, Noël Coward, and “Born Bosses”

Journal of modern literature, 2017-06, Vol.40 (4), p.166-185

Wixson, Christopher

2017

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Eighteenth-Century Literary Precursors of Mrs Warren’s Profession

University of Toronto quarterly, 2012-04, Vol.81 (2), p.187-207

Kent, Brad

2012

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Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy

Comparative drama, 2011-09, Vol.45 (3), p.271-288

Cardullo, Bert

2011

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Gendered Information Networks and the Telephone Voice in Shaw's "Pygmalion" and "Village Wooing"

Texas studies in literature and language, 2018-03, Vol.60 (1), p.32-55

JANECHEK, JENNIFER

2018

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Yeats, The Arrow, and the Aesthetics of a “national, moral culture”: The Blanco Posnet Affair

Journal of modern literature, 2015-01, Vol.38 (2), p.16-28

McKenna, Bernard

2015

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All Winged Their Supermen: Mina Loy, Olive Moore, and the Transhumanist Imagination

ELH, 2023-12, Vol.90 (4), p.1159-1186

Linett, Maren

2023

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A Respectful Distance: James Joyce and His Dublin Townsman Bernard Shaw

Journal of modern literature, 1986-03, Vol.13 (1), p.61-75

Weintraub, Stanley

1986

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Parodying the L5 virgin: Bernard Shaw and the playing of Pygmalion

The Yale journal of criticism, 2000-10, Vol.13 (2), p.321

Marshik, Celia

2000

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Strategic Pessimism: Gissing, Wells, and the British Socialist Novel

ELH, 2020-09, Vol.87 (3), p.707-732

Durnan, Kailana

2020

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Dionysus the New Woman: Maenadic and Feminist Intersections in Lillah McCarthy's 1908 Bacchae

Theatre notebook, 2021-02, Vol.75 (1), p.51-70

Bullen, David

2021

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Caught in the Act: Photography on the Victorian Stage

Victorian studies, 2016-09, Vol.59 (1), p.35-64

Novak, Daniel A

2016

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The Crowd in Imogen's Bedroom: Allusion and Ethics in "Cymbeline"

Shakespeare quarterly, 2015-12, Vol.66 (4), p.440-462

Barret, J. K.

2015

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REDISCOVERING NORA CHARRINGTON, ACTRESS AND FABIAN 1

Theatre notebook, 2019-05, Vol.73 (2), p.18-44

Ince, Bernard

2019

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Seeing Things: The Dilemma of Visual Subjectivity at the Dawn of the Bacteriological Age in Strindberg’s The Father

Configurations (Baltimore, Md.), 2016-12, Vol.24 (1), p.25-52

Nixon, Kari

2016

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Nietzsche, Shaw, Stoppard: Theater and Philosophy in the British Tradition

Philosophy and literature, 2012-04, Vol.36 (1), p.79-95

Kornhaber, David

2012

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The Cross Currents of Modern Theatre and China's National Theatre Movement of 1925–1926

Asian theatre journal, 2016-03, Vol.33 (1), p.1-35

Liu, Siyuan

2016

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Laboratory, Library, Database: London's Avant-Garde Drama Societies and Ephemeral Repertoire

Modernism/modernity (Baltimore, Md.), 2017-09, Vol.24 (3)

Franks, Matthew

2017

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From Experiment to Epidemic: Embodiment in the Decadent Modernism of Arthur Machen's "The Great God Pan" and "The Inmost Light"

Mosaic (Winnipeg), 2016-03, Vol.49 (1), p.19-35

LOVATT, GABRIEL

2016

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Excavating Evidence from Frederic Leighton's Paintings of the Female Nude

Victorian studies, 2014-03, Vol.56 (3), p.442-457

Hammerschlag, Keren Rosa

2014

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Arcibravo, GBS

The Opera quarterly, 1998-07, Vol.14 (4), p.5-15

Schmidgall, Gary

1998

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"I just die for some authority!": Barriers to Utopia in Howard Brenton's "Greenland"

Comparative drama, 2012-03, Vol.46 (1), p.41-55

Adiseshiah, Siân

2012

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The Voices of Irish Identity: A Taxonomy of Cinematic Accents

Cinema journal, 2020-07, Vol.59 (4), p.173-189

O'Riordan, Nicholas

2020

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An Energy Revolution for the Greenhouse Century

Social research, 2006-10, Vol.73 (3), p.981-1000

Hoffert, Martin

2006

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Shakespeare's Last Act: The Starry Messenger and the Galilean Book in Cymbeline

Configurations (Baltimore, Md.), 2004-09, Vol.12 (3), p.401-434

Maisano, Scott

2004

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Introduction

Cinema journal, 2014-04, Vol.53 (3), p.123

Lenos, Melissa

2014

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Acts of Revision: Bernard Shaw, Noël Coward, and “Born Bosses”

Eighteenth-Century Literary Precursors of Mrs Warren’s Profession

Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy

Gendered Information Networks and the Telephone Voice in Shaw's "Pygmalion" and "Village Wooing"

Yeats, The Arrow, and the Aesthetics of a “national, moral culture”: The Blanco Posnet Affair

All Winged Their Supermen: Mina Loy, Olive Moore, and the Transhumanist Imagination

A Respectful Distance: James Joyce and His Dublin Townsman Bernard Shaw

Parodying the L5 virgin: Bernard Shaw and the playing of Pygmalion

Strategic Pessimism: Gissing, Wells, and the British Socialist Novel

Dionysus the New Woman: Maenadic and Feminist Intersections in Lillah McCarthy's 1908 Bacchae

Caught in the Act: Photography on the Victorian Stage

The Crowd in Imogen's Bedroom: Allusion and Ethics in "Cymbeline"

REDISCOVERING NORA CHARRINGTON, ACTRESS AND FABIAN 1

Seeing Things: The Dilemma of Visual Subjectivity at the Dawn of the Bacteriological Age in Strindberg’s The Father

Nietzsche, Shaw, Stoppard: Theater and Philosophy in the British Tradition

The Cross Currents of Modern Theatre and China's National Theatre Movement of 1925–1926

Laboratory, Library, Database: London's Avant-Garde Drama Societies and Ephemeral Repertoire

From Experiment to Epidemic: Embodiment in the Decadent Modernism of Arthur Machen's "The Great God Pan" and "The Inmost Light"

Excavating Evidence from Frederic Leighton's Paintings of the Female Nude

Arcibravo, GBS

"I just die for some authority!": Barriers to Utopia in Howard Brenton's "Greenland"

The Voices of Irish Identity: A Taxonomy of Cinematic Accents

An Energy Revolution for the Greenhouse Century

Shakespeare's Last Act: The Starry Messenger and the Galilean Book in Cymbeline

Introduction

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