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In Secrecy's Shadow: The OSS and CIA in Hollywood Cinema 1941–1979

Willmetts, Simon

2016

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The CIA and Time Magazine : Journalistic Ethics and Newsroom Dissent

Diplomatic history, 2024-08

Willmetts, Simon

2024

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Forbidden history: CIA censorship, The Invisible Government, and the origins of the "deep state" conspiracy theory

Intelligence and national security, 2024-02, Vol.39 (2), p.281-297

Willmetts, Simon

2024

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The many realisms of John le Carré

Intelligence and national security, 2023-02, Vol.38 (2), p.204-217

Willmetts, Simon

2023

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The cultural turn in intelligence studies

Intelligence and national security, 2019-09, Vol.34 (6), p.800-817

Willmetts, Simon

2019

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Digital Dystopia: Surveillance, Autonomy, and Social Justice in Gary Shteyngart's Super Sad True Love Story

American quarterly, 2018-06, Vol.70 (2), p.267-289

Willmetts, Simon

2018

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The Burgeoning Fissures of Dissent: Allen Dulles and the Selling of the CIA in the Aftermath of the Bay of Pigs

History (London), 2015-04, Vol.100 (340), p.167-188

Willmetts, Simon

2015

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Secrecy, Censorship, and Beltway Books: The CIA's Publications Review Board

International journal of intelligence and counterintelligence, 2011-06, Vol.24 (2), p.239-252

2011

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In secrecy's shadow: the OSS and CIA in Hollywood cinema, 1939-1979

Willmetts, Simon

2016

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The CIA and the invention of tradition

The journal of intelligence history, 2015-07, Vol.14 (2), p.112-128

Willmetts, Simon

2015

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The Burgeoning Fissures of Dissent: A llen D ulles and the Selling of the CIA in the Aftermath of the Bay of Pigs

History (London), 2015-04, Vol.100 (340), p.167-188

Willmetts, Simon

2015

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Quiet Americans: The CIA and Early Cold War Hollywood Cinema

Journal of American studies, 2013-02, Vol.47 (1), p.127-147

WILLMETTS, SIMON

2013

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Quiet Americans: The CIA and Hollywood in the Early Cold War

In Secrecy's Shadow, 2016, p.121-169

Willmetts, Simon

2016

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The Death of the ‘Big Lie’ and the Emergence of Postmodern Incredulity in the Spy Cinema of the 1960s

In Secrecy's Shadow, 2016, p.170-221

Willmetts, Simon

2016

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The Facts of War: Cinematic Intelligence and the Office of Strategic Services

In Secrecy's Shadow, 2016, p.22-76

Willmetts, Simon

2016

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‘What is Past is Prologue’: Hollywood's History of the OSS and the Establishment of the CIA

In Secrecy's Shadow, 2016, p.77-120

Willmetts, Simon

2016

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Secrecy, Conspiracy, Cinema and the CIA in the 1970s

In Secrecy's Shadow, 2016, p.222-271

Willmetts, Simon

2016

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Filming Treachery: British Cinema and Television's Fascination with the Cambridge Five

Journal of British cinema and television, 2013-01, Vol.10 (1), p.49-70

2013

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SELECT FILMOGRAPHY

In Secrecy's Shadow, 2016, p.280

Willmetts, Simon

2016

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FILM AND TELEVISION INDEX

In Secrecy's Shadow, 2016, p.297

Willmetts, Simon

2016

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Reconceiving Realism: Intelligence Historians and the Fact/Fiction Dichotomy

Intelligence Studies in Britain and the US, 2013, p.146-171

2013

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Film and TV Index

In Secrecy's Shadow, 2022, p.297-298

Willmetts, Simon

2022

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Secrecy, Conspiracy, Cinema and the CIA in the 1970s

In Secrecy's Shadow, 2022, p.222-271

Willmetts, Simon

2022

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RECONCEIVING REALISM: INTELLIGENCE HISTORIANS AND THE FACT/FICTION DICHOTOMY

Intelligence Studies in Britain and the US, 2022, p.146-171

Willmetts, Simon

2022

Volltextzugriff (PDF)

Bibliography

In Secrecy's Shadow, 2022, p.282-296

Willmetts, Simon

2022

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In Secrecy's Shadow: The OSS and CIA in Hollywood Cinema 1941–1979

The CIA and Time Magazine : Journalistic Ethics and Newsroom Dissent

Forbidden history: CIA censorship, The Invisible Government, and the origins of the "deep state" conspiracy theory

The many realisms of John le Carré

The cultural turn in intelligence studies

Digital Dystopia: Surveillance, Autonomy, and Social Justice in Gary Shteyngart's Super Sad True Love Story

The Burgeoning Fissures of Dissent: Allen Dulles and the Selling of the CIA in the Aftermath of the Bay of Pigs

Secrecy, Censorship, and Beltway Books: The CIA's Publications Review Board

In secrecy's shadow: the OSS and CIA in Hollywood cinema, 1939-1979

The CIA and the invention of tradition

The Burgeoning Fissures of Dissent: A llen D ulles and the Selling of the CIA in the Aftermath of the Bay of Pigs

Quiet Americans: The CIA and Early Cold War Hollywood Cinema

Quiet Americans: The CIA and Hollywood in the Early Cold War

The Death of the ‘Big Lie’ and the Emergence of Postmodern Incredulity in the Spy Cinema of the 1960s

The Facts of War: Cinematic Intelligence and the Office of Strategic Services

‘What is Past is Prologue’: Hollywood's History of the OSS and the Establishment of the CIA

Secrecy, Conspiracy, Cinema and the CIA in the 1970s

Filming Treachery: British Cinema and Television's Fascination with the Cambridge Five

SELECT FILMOGRAPHY

FILM AND TELEVISION INDEX

Reconceiving Realism: Intelligence Historians and the Fact/Fiction Dichotomy

Film and TV Index

Secrecy, Conspiracy, Cinema and the CIA in the 1970s

RECONCEIVING REALISM: INTELLIGENCE HISTORIANS AND THE FACT/FICTION DICHOTOMY

Bibliography

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