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A Literature of Their Own: British Women Novelists from Bronte to Lessing

Showalter, Elaine

1, 1977

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"Safely to Their Own Borders": Proto-Zionism, Feminism, and Nationalism in Daniel Deronda

ELH, 1993-10, Vol.60 (3), p.733-758

Meyer, Susan

1993

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Psychological Compassion as Portrayed in Dorothea in Eliot’s Middlemarch and Louisa in Dickens’ Hard Times

Theory and practice in language studies, 2021-10, Vol.11 (10), p.1181-1186

2021

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Questioning Motherhood: Figures of Domesticity and Emancipation in George Eliot's Fiction

Etudes anglaises, 2020-01, Vol.73 (1), p.84-122

Drouet-Richet, Stephanie

2020

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George Eliot’s Feminine Assertion in Middlemarch

Theory and practice in language studies, 2017-07, Vol.7 (7), p.540

2017

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"ARMING HERSELF IN LEADEN STUPOR: JANET'S REPENTANCE" AND THE ROLE OF FEMALE ALCOHOLISM

George Eliot-George Henry Lewes studies, 2013-10 (64/65), p.72-89

KIND, LEAH A.

2013

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SEXUAL POLITICS AND THE POETESS: GEORGE ELIOT ON MARRIAGE IN "HOW LISA LOVED THE KING"

George Eliot-George Henry Lewes studies, 2013-10 (64/65), p.1-15

WILLIAMS, WENDY

2013

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Eternal City or the Stuff of Nightmares? The Characterisation of Rome in Portrait of a Lady and Middlemarch

Cahiers victoriens & édouardiens, 2012-04, Vol.75 (75 Printemps), p.187-198

Hunt, Hannah

2012

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"Whose Injury Is Like Mine?" Emily Brontë, George Eliot, and the Sincere Postures of Suffering Men

Novel : a forum on fiction, 2010-06, Vol.43 (2), p.271-293

Morrison, Kevin A.

2010

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“THE USUAL SAD CATASTROPHE”: FROM THE STREET TO THE PARLOR IN ADAM BEDE

Victorian literature and culture, 2004-09, Vol.32 (2), p.305-326

Jones, Miriam

2004

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Female Sexuality and Triangular Desire in Vanity Fair and The Mill on the Floss

Papers on language & literature, 1999-09, Vol.35 (4), p.391-391

Dee, Phyllis Susan

1999

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The Gendered Politics of the Gaze: Henry James and George Eliot

Mosaic (Winnipeg), 1997-03, Vol.30 (1), p.39-54

JOHNSON, PATRICIA E.

1997

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The Traffic in Men: Female Kinship in Three Novels by George Eliot

Style (University Park, PA), 1998-03, Vol.32 (1), p.18-35

Vigderman, Patricia

1998

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George Eliot's Pulse

Differences (Bloomington, Ind.), 1994-04, Vol.6 (1), p.28-45

Hertz, Neil

1994

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CONSTRUCTIONS OF MASCULINITY IN ADAM BEDE AND WIVES AND DAUGHTERS

Victorian review, 1996-12, Vol.22 (2), p.127-151

PANEK, JENNIFER

1996

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Feminine Godhead, Feminist Symbol: The Madonna in George Eliot, Ludwig Feuerbach, Anna Jameson, and Margaret Fuller

Journal of feminist studies in religion, 1996-04, Vol.12 (1), p.41-70

Adams, Kimberly VanEsveld

1996

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A blurred picture: adolescent girls growing up in Fanny Burney, George Eliot, Rosamond Lehmann, Elizabeth Bowen and Dacia Maraini

Journal of European studies, 1995-06, Vol.25 (98), p.141

Giobbi, Giuliana

1995

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George Eliot's 'Janet's Repentance': The first literary por

The Midwest quarterly (Pittsburg), 1993-10, Vol.35 (1), p.95

1993

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Locking George Sand in the Attic: Female Passion and Domestic Realism in the Victorian Novel

University of Toronto quarterly, 1994-04, Vol.63 (3), p.408-428

Perkin, J. Russell

1994

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Deceiving Images, Revealing Images: The Portrait in Victorian Women's Writing

Victorian poetry, 1995-10, Vol.33 (3/4), p.450-475

Onslow, Barbara

1995

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Body Language, the Idea of the Actress, and Some Nineteenth-Century Actress-Heroines

New theatre quarterly, 1992-08, Vol.8 (31), p.226-240

Hankey, Julie

1992

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Dinah's Blush, Maggie's Arm: Class, Gender, and Sexuality in George Eliot's Early Novels

Victorian studies, 1993-01, Vol.36 (2), p.155-178

Homans, Margaret

1993

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Determined Heroines: George Eliot, Augusta Webster, and Closet Drama by Victorian Women

Victorian poetry, 1995-04, Vol.33 (1), p.89-109

Brown, Susan

1995

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Inheritance as the Key to all Mythologies: George Eliot and Legal Practice

Mosaic (Winnipeg), 1995-03, Vol.28 (1), p.49-68

MILTON, PAUL

1995

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When George Eliot Reads Milton: The Muse in a Different Voice

ELH, 1990-04, Vol.57 (1), p.197-221

Postlethwaite, Diana

1990

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A Literature of Their Own: British Women Novelists from Bronte to Lessing

"Safely to Their Own Borders": Proto-Zionism, Feminism, and Nationalism in Daniel Deronda

Psychological Compassion as Portrayed in Dorothea in Eliot’s Middlemarch and Louisa in Dickens’ Hard Times

Questioning Motherhood: Figures of Domesticity and Emancipation in George Eliot's Fiction

George Eliot’s Feminine Assertion in Middlemarch

"ARMING HERSELF IN LEADEN STUPOR: JANET'S REPENTANCE" AND THE ROLE OF FEMALE ALCOHOLISM

SEXUAL POLITICS AND THE POETESS: GEORGE ELIOT ON MARRIAGE IN "HOW LISA LOVED THE KING"

Eternal City or the Stuff of Nightmares? The Characterisation of Rome in Portrait of a Lady and Middlemarch

"Whose Injury Is Like Mine?" Emily Brontë, George Eliot, and the Sincere Postures of Suffering Men

“THE USUAL SAD CATASTROPHE”: FROM THE STREET TO THE PARLOR IN ADAM BEDE

Female Sexuality and Triangular Desire in Vanity Fair and The Mill on the Floss

The Gendered Politics of the Gaze: Henry James and George Eliot

The Traffic in Men: Female Kinship in Three Novels by George Eliot

George Eliot's Pulse

CONSTRUCTIONS OF MASCULINITY IN ADAM BEDE AND WIVES AND DAUGHTERS

Feminine Godhead, Feminist Symbol: The Madonna in George Eliot, Ludwig Feuerbach, Anna Jameson, and Margaret Fuller

A blurred picture: adolescent girls growing up in Fanny Burney, George Eliot, Rosamond Lehmann, Elizabeth Bowen and Dacia Maraini

George Eliot's 'Janet's Repentance': The first literary por

Locking George Sand in the Attic: Female Passion and Domestic Realism in the Victorian Novel

Deceiving Images, Revealing Images: The Portrait in Victorian Women's Writing

Body Language, the Idea of the Actress, and Some Nineteenth-Century Actress-Heroines

Dinah's Blush, Maggie's Arm: Class, Gender, and Sexuality in George Eliot's Early Novels

Determined Heroines: George Eliot, Augusta Webster, and Closet Drama by Victorian Women

Inheritance as the Key to all Mythologies: George Eliot and Legal Practice

When George Eliot Reads Milton: The Muse in a Different Voice

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