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From Humans to Androids to Holograms: the Persistence of Character in Star Trek: The Next Generation and Voyager

E-rea : Revue d'etudes anglophones, 2024-06, Vol.21.2 (2)

ROBLIN, Isabelle

2024

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Transmission as Fabrication in Graham Swift’s Shuttlecock (1981) and Wish You Were Here (2011)

Études britanniques contemporaines, 2024-05, Vol.66

Roblin, Isabelle

2024

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Geology as a Metaphor in Graham Swift’s Ever After (1992)

Études britanniques contemporaines, 2023-05, Vol.64 (64)

Roblin, Isabelle

2023

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Alison Case’s Nelly Dean (2016): An Exceptional Neo-Victorian Novel?

Études britanniques contemporaines, 2020-04, Vol.58 (58)

Roblin, Isabelle

2020

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A Cultural Reconstruction: From Pathos to Comedy, Alfred, Lord Tennyson Reimagined in A.S. Byatt’s ‘The Conjugial Angel’ (1992) and Lynne Truss’ Tennyson’s Gift (1996)

Études britanniques contemporaines, 2018-06, Vol.54 (54)

Roblin, Isabelle

2018

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Idiomatic Confluences: Xenisms in Salman Rushdie's Haroun and the Sea of Stories (1990) and Kamila Shamsie's In the City by the Sea (1998)

Études britanniques contemporaines, 2017-06, Vol.52

Roblin, Isabelle

2017

Volltextzugriff (PDF)

Peter VERSTRATEN (2009), Film Narratology

Communication, 2016-09

Roblin, Isabelle

2016

Volltextzugriff (PDF)

Reunion, a Novella by Fred Uhlman (1971) adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (auto)biography to politics

Interfaces (Dijon. En ligne), 2016, Vol.37 (37), p.163-179

Roblin, Isabelle

2016

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‘Run, Forrest, run!’ … or not? The Remarkable Migration of Forrest Gump from Winston Groom’s 1986 Novel to Robert Zemeckis’ 1994 Film

E-rea : Revue d'etudes anglophones, 2015-12, Vol.13 (13.1)

ROBLIN, Isabelle

2015

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I, Claudius (1976) vs Rome (2005), or Ancient Rome revisited by television

TV series (Le Havre), 2015-10, Vol.7

Roblin, Isabelle

2015

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Mortelle traversée : The Comfort of Stangers, roman de Ian McEwan (1981), scénario de Harold Pinter (1989) et film de Paul Shrader (1990)

Études britanniques contemporaines, 2015-05, Vol.48 (48)

Roblin, Isabelle

2015

Volltextzugriff (PDF)

Anne CRÉMIEUX et Ariane HUDELET (2020), La sérialité à l’écran. Comprendre les séries anglophones: Tours, Presses universitaires François Rabelais

Communication, 2023-12 (vol. 40/2)

Roblin, Isabelle

2023

Volltextzugriff (PDF)

From Greenwich to Pittsburgh: the Americanisation of Graham Swift’s Waterland in Stephen Gyllenhaal’s 1992 Cinematic Adaptation of the Novel

Études britanniques contemporaines, 2011-12, Vol.41 (41), p.37-48

Roblin, Isabelle

2011

Volltextzugriff (PDF)

Character Migration in Anglophone Literature

E-rea : Revue d'etudes anglophones, 2015-12, Vol.13

2015

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De quelques héritages victoriens dans Ever After de Graham Swift (1992)

LISA (Caen, France), 2009-03, Vol.7 (Vol. VII – n°3), p.290-301

Roblin, Isabelle

2009

Volltextzugriff (PDF)

Idiomatic Confluences: Xenisms in Salman Rushdie's Haroun and the Sea of Stories (1990) and Kamila Shamsie's

Études britanniques contemporaines, 2017-05 (52)

Roblin, Isabelle

2017

Volltextzugriff (PDF)

Laura MATTOON D’AMORE (dir.) (2014), Smart Chicks on Screen. Representing Women’s Intellect in Film and Television: Lanham (Maryland), Rowan & Littlefield

Communication, 2016-08 (vol. 34/1)

Roblin, Isabelle

2016

Volltextzugriff (PDF)

Peter VERSTRATEN (2009), Film Narratology: traduit du néerlandais par Stefan van der LECQ, Toronto, University of Toronto Press

Communication, 2016-08 (vol. 34/1)

Roblin, Isabelle

2016

Volltextzugriff (PDF)

Laura MATTOON D’AMORE (dir.) (2014), Smart Chicks on Screen. Representing Women’s Intellect in Film and Television

Communication, 2016-06, Vol.34 (1)

Isabelle Roblin

2016

Volltextzugriff (PDF)

The Story of Heathcliff’s Journey Back to Wuthering Heights de Lin Haire-Sargeant (1992), ou le « deux en un » de la ré-écriture

LISA (Caen, France), 2006-12, Vol.4 (Vol. IV - n°4), p.64-75

Roblin, Isabelle

2006

Volltextzugriff (PDF)

Laurent JULLIER, Star Wars. Anatomie d’une saga

Communication, 2006-11, Vol.25 (1), p.326-329

Roblin, Isabelle

2006

Volltextzugriff (PDF)

The Persistence of Character

E-rea - Revue électronique d’études sur le monde anglophone, 2024-06, Vol.21.2

2024

Volltextzugriff (PDF)

Introduction

E-rea : Revue d'etudes anglophones, 2024-06

2024

Volltextzugriff (PDF)

The Visible/Invisible Screenwriter: The Strange Case of Harold Pinter

Adaptation : the journal of literature on screen studies, 2014-08, Vol.7 (2), p.180-190

Roblin, Isabelle

2014

Volltextzugriff (PDF)

I, Claudius (1976) vs Rome (2005), or Ancient Rome revisited by te

TV series (Le Havre), 2015-06 (7)

Roblin, Isabelle

2015

Volltextzugriff (PDF)

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From Humans to Androids to Holograms: the Persistence of Character in Star Trek: The Next Generation and Voyager

Transmission as Fabrication in Graham Swift’s Shuttlecock (1981) and Wish You Were Here (2011)

Geology as a Metaphor in Graham Swift’s Ever After (1992)

Alison Case’s Nelly Dean (2016): An Exceptional Neo-Victorian Novel?

A Cultural Reconstruction: From Pathos to Comedy, Alfred, Lord Tennyson Reimagined in A.S. Byatt’s ‘The Conjugial Angel’ (1992) and Lynne Truss’ Tennyson’s Gift (1996)

Idiomatic Confluences: Xenisms in Salman Rushdie's Haroun and the Sea of Stories (1990) and Kamila Shamsie's In the City by the Sea (1998)

Peter VERSTRATEN (2009), Film Narratology

Reunion, a Novella by Fred Uhlman (1971) adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (auto)biography to politics

‘Run, Forrest, run!’ … or not? The Remarkable Migration of Forrest Gump from Winston Groom’s 1986 Novel to Robert Zemeckis’ 1994 Film

I, Claudius (1976) vs Rome (2005), or Ancient Rome revisited by television

Mortelle traversée : The Comfort of Stangers, roman de Ian McEwan (1981), scénario de Harold Pinter (1989) et film de Paul Shrader (1990)

Anne CRÉMIEUX et Ariane HUDELET (2020), La sérialité à l’écran. Comprendre les séries anglophones: Tours, Presses universitaires François Rabelais

From Greenwich to Pittsburgh: the Americanisation of Graham Swift’s Waterland in Stephen Gyllenhaal’s 1992 Cinematic Adaptation of the Novel

Character Migration in Anglophone Literature

De quelques héritages victoriens dans Ever After de Graham Swift (1992)

Idiomatic Confluences: Xenisms in Salman Rushdie's Haroun and the Sea of Stories (1990) and Kamila Shamsie's

Laura MATTOON D’AMORE (dir.) (2014), Smart Chicks on Screen. Representing Women’s Intellect in Film and Television: Lanham (Maryland), Rowan & Littlefield

Peter VERSTRATEN (2009), Film Narratology: traduit du néerlandais par Stefan van der LECQ, Toronto, University of Toronto Press

Laura MATTOON D’AMORE (dir.) (2014), Smart Chicks on Screen. Representing Women’s Intellect in Film and Television

The Story of Heathcliff’s Journey Back to Wuthering Heights de Lin Haire-Sargeant (1992), ou le « deux en un » de la ré-écriture

Laurent JULLIER, Star Wars. Anatomie d’une saga

The Persistence of Character

Introduction

The Visible/Invisible Screenwriter: The Strange Case of Harold Pinter

I, Claudius (1976) vs Rome (2005), or Ancient Rome revisited by te

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