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COUNT MICHAŁ JAN BORCH AS PATRON AND COLLECTOR: ART BETWEEN ITALY AND THE INFLANTY VOIVODESHIP IN THE AGE OF PARTITION

Baltic journal of art history, 2022-01, Vol.22, p.9-70

Sargent Noyes, Ruth

2022

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‘Purest Bones, Sweet Remains, and Most Sacred Relics.’ Re-Fashioning St. Kazimierz Jagiellończyk (1458–84) as a Medieval Saint between Counter-Reformation Italy and Poland-Lithuania

Religions (Basel, Switzerland ), 2021-11, Vol.12 (11), p.1011

Noyes, Ruth Sargent

2021

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The Art and Culture of Scandinavian Central Europe, 1550–1720. Kristoffer Neville. University Park: Pennsylvania State University Press, 2019. xvi + 222 pp. + color pls. $89.95

Renaissance Quarterly, 2021-07, Vol.74 (2), p.599-601

Noyes, Ruth Sargent

2021

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Mattheus Greuter's Sunspot Etchings for Galileo Galilei's Macchie Solari (1613)

The Art bulletin (New York, N.Y.), 2016-12, Vol.98 (4), p.466-487

Noyes, Ruth S.

2016

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Rubens’s Chiesa Nuova altarpiece and the question of Counter-Reformation iconoclasm

Res (Cambridge, Mass.), 2017-11, Vol.67 (67/68), p.177-192

NOYES, RUTH S.

2017

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On the Fringes of Center: Disputed Hagiographic Imagery and the Crisis over the Beati moderni in Rome ca. 1600

Renaissance quarterly, 2011-09, Vol.64 (3), p.800-846

Noyes, Ruth S.

2011

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"AUT NUMQUID POST ANNOS MILLE QUINGENTOS DOCENDA EST ECCLESIA CATHOLICA QUOMODO SACRAE IMAGINES PINGANTUR?" POST-TRIDENTINE IMAGE REFORM AND THE MYTH OF GABRIELE PALEOTTI

The Catholic historical review, 2013-04, Vol.99 (2), p.239-261

Noyes, Ruth S.

2013

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“To see at Least in an Image the Semblance of a Friend ...” Representing the Family of Pacowie Between Baroque Tuscany and Lithuania

Kauno istorijos metraštis, 2022, Vol.20 (20), p.161-176

Noyes, Ruth Sargent

2022

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Art and Reform in the Late Renaissance: After Trent, edited by Jesse Locker

Journal of Jesuit studies, 2020-04, Vol.7 (3), p.507-510

Noyes, Ruth Sargent

2020

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The Paracca Family of Architects and Druja Synagogue: Magnate Patrons and Jewish Clients of Eighteenth-century “Vilnius Baroque”

Ars Judaica : the Bar-Ilan journal of Jewish art, 2021-01, Vol.17 (1), p.25-59

2021

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Globalizing early modern central and eastern European art : a discussion forum

Art East Central, 2022 (2), p.11-47

2022

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‘Baltic catacombs.’ Translating corpisanti catacomb relic-sculptures between Rome, Polish Livonia, and the Lithuanian Grand Duchy circa 1750-1800

Open research Europe, 2021, Vol.1, p.18-18

2021

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On the Fringes of Center: Disputed Hagiographic Imagery and the Crisis over theBeati moderniin Rome ca. 1600

Renaissance quarterly, 2011-09, Vol.64 (3), p.800-846

Noyes, Ruth S.

2011

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RESEARCH IN THE SCHOOL OF CLASSICAL STUDIES AT THE AMERICAN ACADEMY IN ROME (2013-2014)

Memoirs of the American Academy in Rome, 2015-01, Vol.59/60, p.421-426

2015

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A me toccano masticare pillole amare. Rubens, the oratorians and the crisis over the Beati moderni in Rome circa 1600: Towards a revised geography of the Catholic Reformation

Noyes, Ruth S

2010

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Figuring Faith and Female Power in the Art of Rubens

Seventeenth - Century News (Online), 2022, Vol.80 (1/2), p.71-76

Noyes, Ruth Sargent

2022

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Representing from Life in Seventeenth-century Italy

Seventeenth - Century News (Online), 2022, Vol.80 (1/2), p.77-81

Noyes, Ruth Sargent

2022

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Sheila McTighe. Representing from Life in Seventeenth-century Italy

Seventeenth-Century News, 2022, Vol.80 (1-2), p.77

Noyes, Ruth Sargent

2022

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J. Vanessa Lyon. Figuring Faith and Female Power in the Art of Rubens

Seventeenth-Century News, 2022, Vol.80 (1-2), p.71

Noyes, Ruth Sargent

2022

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The Vaughan Williams Memorial Library Catalogue of the English Folk Dance and Song Society. Acquisitions to the library of books, pamphlets, periodicals, sheet music and manuscripts, from its inception to 1971. London: Mansell, 1973. xiv, 769 pp

Yearbook of the International Folk Music Council, 1974, Vol.6, p.147-148

Noyes, Ruth

1974

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The Vaughan Williams Memorial Library Catalogue of the English Folk Dance and Song Society

Yearbook of the International Folk Music Council, 1974, Vol.6, p.147-148

Noyes, Ruth

1974

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Colorado

The Suffragist, 1915-01, Vol.3 (5), p.7

Noyes, Ruth

1915

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Improving reporting of meta-ethnography: the eMERGe reporting guidance

BMC medical research methodology, 2019-01, Vol.19 (1), p.25-25, Article 25

2019

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A methodological systematic review of meta-ethnography conduct to articulate the complex analytical phases

BMC medical research methodology, 2019-02, Vol.19 (1), p.35-35, Article 35

2019

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Using qualitative evidence in decision making for health and social interventions: an approach to assess confidence in findings from qualitative evidence syntheses (GRADE-CERQual)

PLoS medicine, 2015-10, Vol.12 (10), p.e1001895-e1001895

2015

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COUNT MICHAŁ JAN BORCH AS PATRON AND COLLECTOR: ART BETWEEN ITALY AND THE INFLANTY VOIVODESHIP IN THE AGE OF PARTITION

‘Purest Bones, Sweet Remains, and Most Sacred Relics.’ Re-Fashioning St. Kazimierz Jagiellończyk (1458–84) as a Medieval Saint between Counter-Reformation Italy and Poland-Lithuania

The Art and Culture of Scandinavian Central Europe, 1550–1720. Kristoffer Neville. University Park: Pennsylvania State University Press, 2019. xvi + 222 pp. + color pls. $89.95

Mattheus Greuter's Sunspot Etchings for Galileo Galilei's Macchie Solari (1613)

Rubens’s Chiesa Nuova altarpiece and the question of Counter-Reformation iconoclasm

On the Fringes of Center: Disputed Hagiographic Imagery and the Crisis over the Beati moderni in Rome ca. 1600

"AUT NUMQUID POST ANNOS MILLE QUINGENTOS DOCENDA EST ECCLESIA CATHOLICA QUOMODO SACRAE IMAGINES PINGANTUR?" POST-TRIDENTINE IMAGE REFORM AND THE MYTH OF GABRIELE PALEOTTI

“To see at Least in an Image the Semblance of a Friend ...” Representing the Family of Pacowie Between Baroque Tuscany and Lithuania

Art and Reform in the Late Renaissance: After Trent, edited by Jesse Locker

The Paracca Family of Architects and Druja Synagogue: Magnate Patrons and Jewish Clients of Eighteenth-century “Vilnius Baroque”

Globalizing early modern central and eastern European art : a discussion forum

‘Baltic catacombs.’ Translating corpisanti catacomb relic-sculptures between Rome, Polish Livonia, and the Lithuanian Grand Duchy circa 1750-1800

On the Fringes of Center: Disputed Hagiographic Imagery and the Crisis over theBeati moderniin Rome ca. 1600

RESEARCH IN THE SCHOOL OF CLASSICAL STUDIES AT THE AMERICAN ACADEMY IN ROME (2013-2014)

A me toccano masticare pillole amare. Rubens, the oratorians and the crisis over the Beati moderni in Rome circa 1600: Towards a revised geography of the Catholic Reformation

Figuring Faith and Female Power in the Art of Rubens

Representing from Life in Seventeenth-century Italy

Sheila McTighe. Representing from Life in Seventeenth-century Italy

J. Vanessa Lyon. Figuring Faith and Female Power in the Art of Rubens

The Vaughan Williams Memorial Library Catalogue of the English Folk Dance and Song Society. Acquisitions to the library of books, pamphlets, periodicals, sheet music and manuscripts, from its inception to 1971. London: Mansell, 1973. xiv, 769 pp

The Vaughan Williams Memorial Library Catalogue of the English Folk Dance and Song Society

Colorado

Improving reporting of meta-ethnography: the eMERGe reporting guidance

A methodological systematic review of meta-ethnography conduct to articulate the complex analytical phases

Using qualitative evidence in decision making for health and social interventions: an approach to assess confidence in findings from qualitative evidence syntheses (GRADE-CERQual)

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