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Dionne Brand and Afua Cooper: Diaspora and Continuities Shaped by National and Regional Cultures

African American review, 2018-10, Vol.51 (3), p.197-209

Martins, Maria Lúcia Milléo

2018

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Walking Around the Fences: Troy Maxson and the Ideology of "Going Down Swinging"

African American review, 2014-06, Vol.47 (2/3), p.301-312

Letzler, David

2014

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Reading the Body Racial in Black Canadian/Black Scottish Nonfiction: Dorothy Mills Proctor and Jackie Kay

African American review, 2018-10, Vol.51 (3), p.167-179

Holgado, Miasol Eguíbar

2018

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Aesthetic Resistance: Racist Visual Tropes and the Oppositional Gaze in Joel Christian Gill’s Tales of the Talented Tenth

African American review, 2020-10, Vol.53 (3), p.181-200

Greenwell, Amanda M

2020

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Resistance and Revolution: Fanon, Himes, and 'a literature of combat'

African American review, 2021-09, Vol.54 (3), p.199-217

Scully, Matthew

2021

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James Baldwin’s Readers: White Innocence and the Reception of “Letter from a Region in My Mind”

African American review, 2022-03, Vol.55 (1), p.69-85

Fried, Ben

2022

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From Obama's Presidency to Beatty's Booker Prize: On the Notion of the 'Racial Sellout'

African American review, 2021-09, Vol.54 (3), p.219-232

Afflerbach, Ian

2021

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"When He Is Least Himself": Dunbar and Double Consciousness in African American Poetry

African American review, 2007-06, Vol.41 (2), p.277-282

Mullen, Harryette

2007

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The Past is Never Past: The Call and Response between Marvel's Black Panther and Early Black Speculative Fiction

African American review, 2020-06, Vol.53 (2), p.95-109

Babb, Valerie

2020

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The 'Funny Fairies from Downstairs': Queer Creativity in William Demby's Love Story Black

African American review, 2022-06, Vol.55 (2), p.191-206

Schmidt, Tyler T

2022

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Decolonizing Schomburg

African American review, 2021-03, Vol.54 (1), p.129-142

González, Lisa Sánchez

2021

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'The Myth and Ritual Business': Ralph Ellison, Stanley Edgar Hyman, and American Sacramentalism

African American review, 2020-06, Vol.53 (2), p.111-126

Crable, Bryan

2020

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Transnational and Intertextual Geographies of Race, Sex, and Masculinity: Cecil Brown's The Life and Loves of Mr. Jiveass Nigger

African American review, 2019-12, Vol.52 (4), p.357-372

Bone, Martyn

2019

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Notes of a Native Novelist: Institutional Blackness and Critical Uplift in Percival Everett's Self-Help Satire Glyph

African American review, 2019-04, Vol.52 (1), p.61-74

Kohrs, Johannes

2019

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Afroperipheralism and the Transposition of Black Diasporic Culture in the Canadian Glocal City: Compton's The Outer Harbour and Brand's Love Enough

African American review, 2018-10, Vol.51 (3), p.181-195

Fraile-Marcos, Ana María

2018

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"The Kindergarten of New Consciousness": Gwendolyn Brooks and the Social Construction of Childhood

African American review, 2000-10, Vol.34 (3), p.483-499

Flynn, Richard

2000

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"Razed to the Knees": The Anti-Heroic Body in James McCune Smith's "The Heads of Colored People"

African American review, 2018-04, Vol.51 (1), p.7-21

Crane, Jacob

2018

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"The Sea Ain' Got No Back Door": The Problems of Black Consciousness in Paule Marshall's Brown Girl, Brownstones

African American review, 1998-12, Vol.32 (4), p.597-606

Jones, Gavin

1998

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"The mind is a strange and terrible vehicle": Fractured Time and Multidimensional Sound in "No Name in the Street"

African American review, 2013-12, Vol.46 (4), p.587-604

Mathes, Carter

2013

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Crossing the Threshold: Zora Neale Hurston, Racial Performance, and "Seraph on the Suwanee"

African American review, 2013-07, Vol.46 (2/3), p.217-235

Hardison, Ayesha K.

2013

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Moving In and Stepping Out: Gwendolyn Brooks's Children at Midcentury

African American review, 2014-03, Vol.47 (1), p.145-160

Phillips, Michelle H.

2014

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LeRoi Jones's Radio and the Literary "Break" from Ellison to Burroughs

African American review, 2014-06, Vol.47 (2/3), p.357-374

Harrison, K. C.

2014

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William Wells Brown, "Three Years in Europe", and Fugitive Tourism

African American review, 2011-09, Vol.44 (3), p.453-470

Baraw, Charles

2011

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Parody and Double Consciousness in the Language of Early Black Musical Theatre

African American review, 1995-07, Vol.29 (2), p.317-323

Krasner, David

1995

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Southern Patriarchy and the Figure of the White Woman in Gwendolyn Brooks's "A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon"

African American review, 2011-12, Vol.44 (4), p.667-685

McKibbin, Molly Littlewood

2011

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Dionne Brand and Afua Cooper: Diaspora and Continuities Shaped by National and Regional Cultures

Walking Around the Fences: Troy Maxson and the Ideology of "Going Down Swinging"

Reading the Body Racial in Black Canadian/Black Scottish Nonfiction: Dorothy Mills Proctor and Jackie Kay

Aesthetic Resistance: Racist Visual Tropes and the Oppositional Gaze in Joel Christian Gill’s Tales of the Talented Tenth

Resistance and Revolution: Fanon, Himes, and 'a literature of combat'

James Baldwin’s Readers: White Innocence and the Reception of “Letter from a Region in My Mind”

From Obama's Presidency to Beatty's Booker Prize: On the Notion of the 'Racial Sellout'

"When He Is Least Himself": Dunbar and Double Consciousness in African American Poetry

The Past is Never Past: The Call and Response between Marvel's Black Panther and Early Black Speculative Fiction

The 'Funny Fairies from Downstairs': Queer Creativity in William Demby's Love Story Black

Decolonizing Schomburg

'The Myth and Ritual Business': Ralph Ellison, Stanley Edgar Hyman, and American Sacramentalism

Transnational and Intertextual Geographies of Race, Sex, and Masculinity: Cecil Brown's The Life and Loves of Mr. Jiveass Nigger

Notes of a Native Novelist: Institutional Blackness and Critical Uplift in Percival Everett's Self-Help Satire Glyph

Afroperipheralism and the Transposition of Black Diasporic Culture in the Canadian Glocal City: Compton's The Outer Harbour and Brand's Love Enough

"The Kindergarten of New Consciousness": Gwendolyn Brooks and the Social Construction of Childhood

"Razed to the Knees": The Anti-Heroic Body in James McCune Smith's "The Heads of Colored People"

"The Sea Ain' Got No Back Door": The Problems of Black Consciousness in Paule Marshall's Brown Girl, Brownstones

"The mind is a strange and terrible vehicle": Fractured Time and Multidimensional Sound in "No Name in the Street"

Crossing the Threshold: Zora Neale Hurston, Racial Performance, and "Seraph on the Suwanee"

Moving In and Stepping Out: Gwendolyn Brooks's Children at Midcentury

LeRoi Jones's Radio and the Literary "Break" from Ellison to Burroughs

William Wells Brown, "Three Years in Europe", and Fugitive Tourism

Parody and Double Consciousness in the Language of Early Black Musical Theatre

Southern Patriarchy and the Figure of the White Woman in Gwendolyn Brooks's "A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon"

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