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Notes for a Critique of the Political Economy of Art

Život umjetnosti, 2019-01, Vol.104 (1), p.25

Dedić, Nikola

2019

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People and motorcycles: Java as phenomenon of the Soviet motor-culture

Studia Slavica et Balcanica Petropolitana, 2019, Vol.25 (1), p.53-64

Tverdyukova, Elena Dmitrievna

2019

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The Labour of Abstraction: Seven Transitional Theses on Marxism and Accelerationism

Logos (Moscow, Russia), 2018, Vol.28 (2), p.55-64

Pasquinelli, Matteo

2018

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Music festivals as a space for construction of local identities on the example of the manifestation jazz in the garden

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2023-01, Vol.2023 (35), p.37-52

2023

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Self-Understanding of the Crisis in the Humanities against the “Invasive” Instrumental Rationality

Anafora, 2020-12, Vol.VII (2), p.341

Lošonc, Alpar

2020

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The empire never ended: Hegel, postmodernism and comedy

Filozofija i društvo (Zbornik radova), 2024, Vol.35 (2), p.317-343

Bordons, Iñigo

2024

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Towards an an-archic ethos

Filozofija i društvo (Zbornik radova), 2024, Vol.35 (2), p.435-450

Marneros, Christos

2024

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Hegel and the end of the end of grand narratives

Filozofija i društvo (Zbornik radova), 2024, Vol.35 (2), p.243-256

Browning, Gary

2024

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A CONTRIBUTION TO THE STUDY OF THE OPUS OF ARCHITECT DRAGISA BRASOVAN (1887-1965) - newly found projects, accomplishments, and documents

Zbornik Matice srpske za likovne umetnosti, 2016-01 (44), p.347

2016

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REPRESENTATION OF POWER IN A SMALL FORMAT: THE EQUESTRIAN SCULPTURE OF KING LOUIS XIV FROM THE STATE ART COLLECTION OF THE ROYAL COMPOUND IN BELGRADE

Zbornik Matice srpske za likovne umetnosti, 2016-01 (44), p.85

2016

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PAVILION OF THE KINGDOM OF YUGOSLAVIA'S THE 1937 PARIS INTERNATIONAL EXPOSITION - INTERIOR OF NATIONAL PAVILION AND BOSNIAN HOUSE AS AN INSTRUMENT OF PROPAGANDA

Zbornik Matice srpske za likovne umetnosti, 2016-01 (44), p.273

Biljman, Tamara S

2016

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Pictures, titles, personifications

Filozofija i društvo (Zbornik radova), 2021, Vol.32 (4), p.739-750

Cipranic, Milos

2021

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On the dark sides of the “exposed” cultural life. An objection to the recently raised, optimistic tone in cultural theory

Filozofija i društvo (Zbornik radova), 2020, Vol.31 (4), p.515-568

Liebsch, Burkhard

2020

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Two faces of mystification: the representation of the holocaust in Arnold Schoenberg's a survivor from Warsaw and Steve Reich's different trains

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2022, Vol.2022 (32), p.183-198

Mevorah, Vera

2022

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Learning traditional singing in Serbian clubs in Vienna - economic aspects between amateurism and professionalism

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2022-01, Vol.2022 (32), p.225-244

Rasic, Milos

2022

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Arti Musices Pannoniarum - the compositional practice in Vojvodina in the social-historical and musico-historical context

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2022-01, Vol.2022 (33), p.153-171

Sovtic, Nemanja

2022

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(Re)examining the relationship between music and dance from the perspective of learning and memorizing folk dance choreography

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2022-01, Vol.2022 (33), p.231-252

Krasin-Matic, Maja

2022

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On the meaning of the chordophone musical instruments in the scenes of the mocking of Christ in Serbian medieval art

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2022-01, Vol.2022 (33), p.193-208

Gavrilovic, Andjela

2022

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THE PEOPLE'S FRONT OF YUGOSLAVIA: CHARACTER, UNIQUENESS AND FUNCTION

Istorija 20. veka (1983), 2023-01 (1), p.99

Dragišić, Olivera

2023

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The composer and his critics: The reception of Stanojlo Rajicic’s works in the light of crucial events for the development of Serbian music in the twentieth century

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2021, Vol.2021 (31), p.59-94

2021

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Music-theoretical writings of Vlastimir Trajkovic as a reflection of his advocating for a new recognition of Serbian art music

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2021, Vol.2021 (31), p.95-126

Jankovic-Begus, Jelena

2021

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Now is the “We-Time.” Heidegger’s ‘Black Notebooks’ read as self-critical reflection of Nazi involvement

Filozofija i društvo (Zbornik radova), 2021, Vol.32 (4), p.729-738

Jovanov, Rastko

2021

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“Understanding opens a wide realm of possibilities ...”. Humanities and education in a functionalized world

Filozofija i društvo (Zbornik radova), 2021, Vol.32 (4), p.629-640

2021

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Elaboration of a theory of resistance

Filozofija i društvo (Zbornik radova), 2021, Vol.32 (4), p.641-661

Wiegerling, Klaus

2021

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The Presence of Computers in Yugoslav Popular Music of the Second Half of the 1980s

Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti, 2022, Vol.2 (33), p.173-191

Milojkovic, Milan

2022

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Notes for a Critique of the Political Economy of Art

People and motorcycles: Java as phenomenon of the Soviet motor-culture

The Labour of Abstraction: Seven Transitional Theses on Marxism and Accelerationism

Music festivals as a space for construction of local identities on the example of the manifestation jazz in the garden

Self-Understanding of the Crisis in the Humanities against the “Invasive” Instrumental Rationality

The empire never ended: Hegel, postmodernism and comedy

Towards an an-archic ethos

Hegel and the end of the end of grand narratives

A CONTRIBUTION TO THE STUDY OF THE OPUS OF ARCHITECT DRAGISA BRASOVAN (1887-1965) - newly found projects, accomplishments, and documents

REPRESENTATION OF POWER IN A SMALL FORMAT: THE EQUESTRIAN SCULPTURE OF KING LOUIS XIV FROM THE STATE ART COLLECTION OF THE ROYAL COMPOUND IN BELGRADE

PAVILION OF THE KINGDOM OF YUGOSLAVIA'S THE 1937 PARIS INTERNATIONAL EXPOSITION - INTERIOR OF NATIONAL PAVILION AND BOSNIAN HOUSE AS AN INSTRUMENT OF PROPAGANDA

Pictures, titles, personifications

On the dark sides of the “exposed” cultural life. An objection to the recently raised, optimistic tone in cultural theory

Two faces of mystification: the representation of the holocaust in Arnold Schoenberg's a survivor from Warsaw and Steve Reich's different trains

Learning traditional singing in Serbian clubs in Vienna - economic aspects between amateurism and professionalism

Arti Musices Pannoniarum - the compositional practice in Vojvodina in the social-historical and musico-historical context

(Re)examining the relationship between music and dance from the perspective of learning and memorizing folk dance choreography

On the meaning of the chordophone musical instruments in the scenes of the mocking of Christ in Serbian medieval art

THE PEOPLE'S FRONT OF YUGOSLAVIA: CHARACTER, UNIQUENESS AND FUNCTION

The composer and his critics: The reception of Stanojlo Rajicic’s works in the light of crucial events for the development of Serbian music in the twentieth century

Music-theoretical writings of Vlastimir Trajkovic as a reflection of his advocating for a new recognition of Serbian art music

Now is the “We-Time.” Heidegger’s ‘Black Notebooks’ read as self-critical reflection of Nazi involvement

“Understanding opens a wide realm of possibilities ...”. Humanities and education in a functionalized world

Elaboration of a theory of resistance

The Presence of Computers in Yugoslav Popular Music of the Second Half of the 1980s

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