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The early dramatic works of Johann Amos Comenius in the context of his Pansophic pedagogical system: a reconciliation

Paedagogica historica, 2023-03, Vol.59 (2), p.325-341

2023

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Johann Friedrich Schubert’s Concerto for Oboe or Clarinet, Bassoon, and Orchestra: Introduction and Performing Edition

Hillman, Rob C

2021

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Invisibility and Indexicality: Reflections on the Aesthetics and Politics of Schiller's Theater

The Germanic review, 2020-10, Vol.95 (4), p.257-277

Trop, Gabriel

2020

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Reading Texts Performatively: Disruptive Gestures in Heinrich von Kleist

Goethe yearbook, 2023, Vol.30 (1), p.95-111

Pollock, Katherine

2023

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Schiller's Early Styles: Language and Gesture in Die Räuber

The Modern language review, 1999-04, Vol.94 (2), p.438-459

Guthrie, John

1999

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Schiller and the Mannheim National Theatre

Modern Language Review, 2005-01, Vol.100 (1), p.121-137

Sharpe, Lesley

2005

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Fictions of theater. Theatrical sensibility in Lessing, Rousseau, Schiller, Moritz

Myers, Amy Slaughter

2000

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The reception of Gerhart Hauptmann's dramas in Russia

Findlay, Roger L

1997

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KINETIC TECHNIQUES FOR THE ACTOR: AN ANALYSIS AND COMPARISON OF THE MOVEMENT TRAINING SYSTEMS OF FRANCOIS DELSARTE, EMILE JAQUES-DALCROZE, AND RUDOLF LABAN

HECHT, PATSY ANN CLARK

1971

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Theater des Exils: Bertolt Brechts „Der Messingkauf

White, Lydia J.

1. Aufl. 2019 edition., 2019

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J. M. R. Lenz: "Catharina von Siena". A study

Meuser, Anneliese

1998

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Frederick's Athens: crushing superstition and resuscitating the marvellous at the Königliches Opernhaus, Berlin

Cambridge opera journal, 2012-03, Vol.24 (1), p.1-42

Forment, Bruno

2012

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Casting Clara Fisher: Phrenology, Protean Farce, and the "Astonishing" Career of a Child Actress

Theatre journal (Washington, D.C.), 2016-05, Vol.68 (2), p.167-190

Schweitzer, Marlis

2016

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Quoting Poetry, Translating Music (and Vice Versa): Mediation in Tennessee Williams’s Something Cloudy, Something Clear

Journal of Contemporary Drama in English, 2015-11, Vol.3 (2), p.234-251

Michiels, Laura

2015

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Dürrenmatt in the GDR: The Dramatist's Reception up to 1980

The Modern language review, 1984-04, Vol.79 (2), p.356-371

Reid, J. H.

1984

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Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble

TDR : Drama review, 2008-12, Vol.52 (4), p.98-117

Honegger, Gitta

2008

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Berquin's Adaptations from German Dramatic Literature

Studies in philology, 1935-10, Vol.32 (4), p.608-617

Carriere, J M

1935

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Sublime Sanctity: Schiller’s New Tragic Joan

Joan of Arc on the Stage and Her Sisters in Sublime Sanctity, 2019, p.29-84

Pendergast, John

2019

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THE CLASSICAL ERA

Year's work in modern language studies, 1989-01, Vol.51, p.680-731

Tudor, J. M.

1989

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Cold Chicago: Uncivil Modernity, Urban Form, and Performance in the Upstart City

TDR : Drama review, 2009-09, Vol.53 (3), p.10-36

Kruger, Loren

2009

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NINE MUSICAL PLAYS OF RODGERS AND HAMMERSTEIN: A CRITICAL STUDY IN CONTENT AND FORM

KISLAN, RICHARD J

1970

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From a Rhetorical to a ‘Natural’ Art of Acting: What the Networks of the Seventeenth and Eighteenth Centuries Achieved

583,37, 2018, p.199-214

2018

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New Light on Handel and the Royal Academy of Music in 1720

Theatre journal (Washington, D.C.), 1983-05, Vol.35 (2), p.149-167

1983

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Theatre Exhibitions, Models and the Quest for Anschauung

Theatre research international, 2022-03, Vol.47 (1), p.79-98

SCHÜẞLER, LOTTE

2022

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Zuan Bianco and Othello: The Afro-European Military Commander in Life and Art

Shakespeare quarterly, 2023-07, Vol.74 (2), p.69-89

Kaplan, Paul H D

2023

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The early dramatic works of Johann Amos Comenius in the context of his Pansophic pedagogical system: a reconciliation

Johann Friedrich Schubert’s Concerto for Oboe or Clarinet, Bassoon, and Orchestra: Introduction and Performing Edition

Invisibility and Indexicality: Reflections on the Aesthetics and Politics of Schiller's Theater

Reading Texts Performatively: Disruptive Gestures in Heinrich von Kleist

Schiller's Early Styles: Language and Gesture in Die Räuber

Schiller and the Mannheim National Theatre

Fictions of theater. Theatrical sensibility in Lessing, Rousseau, Schiller, Moritz

The reception of Gerhart Hauptmann's dramas in Russia

KINETIC TECHNIQUES FOR THE ACTOR: AN ANALYSIS AND COMPARISON OF THE MOVEMENT TRAINING SYSTEMS OF FRANCOIS DELSARTE, EMILE JAQUES-DALCROZE, AND RUDOLF LABAN

Theater des Exils: Bertolt Brechts „Der Messingkauf

J. M. R. Lenz: "Catharina von Siena". A study

Frederick's Athens: crushing superstition and resuscitating the marvellous at the Königliches Opernhaus, Berlin

Casting Clara Fisher: Phrenology, Protean Farce, and the "Astonishing" Career of a Child Actress

Quoting Poetry, Translating Music (and Vice Versa): Mediation in Tennessee Williams’s Something Cloudy, Something Clear

Dürrenmatt in the GDR: The Dramatist's Reception up to 1980

Gossip, Ghosts, and Memory: Mother Courage and the Forging of the Berliner Ensemble

Berquin's Adaptations from German Dramatic Literature

Sublime Sanctity: Schiller’s New Tragic Joan

THE CLASSICAL ERA

Cold Chicago: Uncivil Modernity, Urban Form, and Performance in the Upstart City

NINE MUSICAL PLAYS OF RODGERS AND HAMMERSTEIN: A CRITICAL STUDY IN CONTENT AND FORM

From a Rhetorical to a ‘Natural’ Art of Acting: What the Networks of the Seventeenth and Eighteenth Centuries Achieved

New Light on Handel and the Royal Academy of Music in 1720

Theatre Exhibitions, Models and the Quest for Anschauung

Zuan Bianco and Othello: The Afro-European Military Commander in Life and Art

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