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The Perils of Self-Consciousness: Heinrich von Kleist's "Über das Marionettentheater" in David Foster Wallace's Infinite Jest

Critique - Bolingbroke Society, 2017-10, Vol.58 (5), p.548-557

Steinhilber, Dominik

2017

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“To Wipe the Dragon’s Den off the Face of the Earth”: Heinrich von Kleist on the Dynamics of Spontaneous Violence

Novoe literaturnoe obozrenie, 2023 (1), p.272-288

Maximov, Boris

2023

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Odysseys of Recognition: Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist

Wiggins, Ellwood

1, 2019

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Green Glasses in the Classroom: Teaching Heinrich von Kleist

Publications of the English Goethe Society, 2022-05, Vol.91 (2), p.110-123

Dirscherl, Margit

2022

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From Customary Law to Codification: Secret Tribunal Scenes in Goethe's Götz von Berlichingen and Kleist's Käthchen of Heilbronn

Law and literature, 2022-06, Vol.34 (2), p.191-205

Vecchiato, Daniele

2022

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Religion, Naturalism, and the Paranormal in Heinrich von Kleist’s “St. Cäcilie” and “Der Zweikampf”

Seminar : a journal of Germanic studies (Toronto), 2015-09, Vol.51 (3), p.261-280

Spencer, Tom

2015

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"What Is New?": Reading Kleist's Michael Kohlhaas (1810) as a Reflection on the Procedural Nature of Justice

Law and literature, 2022-06, Vol.34 (2), p.239-255

Maaßen, Jessica M.

2022

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The Marionette of Heinrich von Kleist: A Dancing Model

Dance chronicle, 2019-05, Vol.42 (2), p.217-243

Vittori, Giulia

2019

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Revelation in the Public Sphere: Religion and Violence in Heinrich von Kleist’s “Die heilige Cäcilie oder die Gewalt der Musik (Eine Legende)”

Seminar : a journal of Germanic studies (Toronto), 2014-09, Vol.50 (3), p.295-313

Krimmer, Elisabeth

2014

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Simultaneity. A Narrative Figure in Kleist

MLN, 2006-04, Vol.121 (3), p.514-521

Theisen, Bianca

2006

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Family, Intercategorical Complexity, and Kleist's Die Verlobung in St. Domingo

The Germanic review, 2017-07, Vol.92 (3), p.223-244

Byrd, Vance

2017

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“A Genuinely Funny German Farce” Turns into a Very Irish Play: The Broken Jug (1994), John Banville’s Adaptation of Heinrich von Kleist’s Der zerbrochne Krug (1807)

Angermion (Berlin), 2011-11, Vol.4 (2011), p.75-94

Fattori, Anna

2011

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The Paradox of Romantic Ekphrasis. Metacritic Discourse, Perception and Imagination in Art Description

Metacritic Journal for Comparative Studies and Theory, 2017-07, Vol.3 (1), p.151-179

2017

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In Citation: "A Violation of the Law of Boundaries" in Schiller and Kleist

The Germanic review, 2014-01, Vol.89 (1), p.60-75

Höcker, Arne

2014

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Currents in the Cross-Legal: Recontextualizing Terence Rattigan’s The Winslow Boy

New theatre quarterly, 2015-05, Vol.31 (2), p.99-115

Feldman, Alex

2015

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Dancing with Words. Kleist's 'Marionette Theatre'

MLN, 2006-04, Vol.121 (3), p.522-529

Theisen, Bianca

2006

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Charting the Body Politic: Heinrich von Kleist's «Charité-Vorfall

Colloquia Germanica, 1997-01, Vol.30 (1), p.1-23

NOBILE, NANCY

1997

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Kleist and the Uncertainty of Things

The Germanic review, 2023-01, Vol.98 (1), p.96-108

Landgraf, Edgar

2023

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The Open Wound of Beauty: Kafka Reading Kleist

The Germanic review, 2006-10, Vol.81 (4), p.340-359

Engelstein, Stefani

2006

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Defending the Premodern Household against the Bourgeois Family: Anti-Enlightenment Anticolonialism in Heinrich von Kleist's "Die Verlobung in St. Domingo"

Colloquia Germanica, 1999-01, Vol.32 (2), p.165-199

PAN, DAVID

1999

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Family Violence in Heinrich von Kleist's "Der Findling"

Colloquia Germanica, 1996-01, Vol.29 (4), p.287-302

NEWMAN, GAIL M.

1996

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The Ties that Bind Hans Bellmer's Tenir au Frais to Heinrich Von Kleist

History of photography, 2012-11, Vol.36 (4), p.414-421

Donkin, Hazel

2012

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Remembering What Remained: German Studies Association 2012 Presidential Address

German studies review, 2013-05, Vol.36 (2), p.347-361

Brockmann, Stephen

2013

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Innocence, Interrupted: Bewusstsein and the Body in Heinrich von Kleist

Colloquia Germanica, 2012-01, Vol.45 (2), p.129-143

PETERSON, NORA MARTIN

2012

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Between the Lines: Punctuation in English Translations of Die Marquise von O

Oxford German studies, 2023-10, Vol.52 (4), p.454-480

MagShamhráin, Rachel

2023

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The Perils of Self-Consciousness: Heinrich von Kleist's "Über das Marionettentheater" in David Foster Wallace's Infinite Jest

“To Wipe the Dragon’s Den off the Face of the Earth”: Heinrich von Kleist on the Dynamics of Spontaneous Violence

Odysseys of Recognition: Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist

Green Glasses in the Classroom: Teaching Heinrich von Kleist

From Customary Law to Codification: Secret Tribunal Scenes in Goethe's Götz von Berlichingen and Kleist's Käthchen of Heilbronn

Religion, Naturalism, and the Paranormal in Heinrich von Kleist’s “St. Cäcilie” and “Der Zweikampf”

"What Is New?": Reading Kleist's Michael Kohlhaas (1810) as a Reflection on the Procedural Nature of Justice

The Marionette of Heinrich von Kleist: A Dancing Model

Revelation in the Public Sphere: Religion and Violence in Heinrich von Kleist’s “Die heilige Cäcilie oder die Gewalt der Musik (Eine Legende)”

Simultaneity. A Narrative Figure in Kleist

Family, Intercategorical Complexity, and Kleist's Die Verlobung in St. Domingo

“A Genuinely Funny German Farce” Turns into a Very Irish Play: The Broken Jug (1994), John Banville’s Adaptation of Heinrich von Kleist’s Der zerbrochne Krug (1807)

The Paradox of Romantic Ekphrasis. Metacritic Discourse, Perception and Imagination in Art Description

In Citation: "A Violation of the Law of Boundaries" in Schiller and Kleist

Currents in the Cross-Legal: Recontextualizing Terence Rattigan’s The Winslow Boy

Dancing with Words. Kleist's 'Marionette Theatre'

Charting the Body Politic: Heinrich von Kleist's «Charité-Vorfall

Kleist and the Uncertainty of Things

The Open Wound of Beauty: Kafka Reading Kleist

Defending the Premodern Household against the Bourgeois Family: Anti-Enlightenment Anticolonialism in Heinrich von Kleist's "Die Verlobung in St. Domingo"

Family Violence in Heinrich von Kleist's "Der Findling"

The Ties that Bind Hans Bellmer's Tenir au Frais to Heinrich Von Kleist

Remembering What Remained: German Studies Association 2012 Presidential Address

Innocence, Interrupted: Bewusstsein and the Body in Heinrich von Kleist

Between the Lines: Punctuation in English Translations of Die Marquise von O

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