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“Befo’ de Wah”: Sounding Out Ill-Legibility in Charles W. Chesnutt’s Conjure Stories

Humanities (Basel), 2022-10, Vol.11 (6), p.137

MacDonald, Cameron

2022

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The View from the Sea: The Power of a Blue Comparative Literature

Humanities (Basel), 2020-09, Vol.9 (3), p.68

Ritson, Katie

2020

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Comics, emceeing and graffiti: A graphic narrative about the relationship between hip-hop culture and comics culture

Studies in comics, 2022-11, Vol.12 (2), p.239-248

Degand, Darnel

2022

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Black, White, and Blue: Racial Politics in B.B. King's Music from the 1960s

Journal of popular culture, 2011-04, Vol.44 (2), p.195-216

ADELT, ULRICH

2011

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Remembering the Jazz Orpheus: Barney and the Blue Note by Loustal and Paringaux

Journal of popular culture, 2010-04, Vol.43 (2), p.348-367

SCREECH, MATTHEW

2010

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Tone patches, mosaics, and motives in Béla Bartók's Duke bluebeard's castle's sixth door scene 'The lake of tears'

Semiotica, 2004-01, Vol.150 (1-4), p.307-332

Honti, Rita

2004

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Humeaneyes ("one particular shade of blue")

Cogent arts & humanities, 2016-12, Vol.3 (1), p.1128628

2016

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The Waltz King, Johann Baptist Strauss II (1825–1899): a psychobiography from a componential creativity perspective

Cogent arts & humanities, 2024-12, Vol.11 (1)

2024

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The Minóy Machine

Arts (Basel), 2022-06, Vol.11 (3), p.54

Nechvatal, Joseph

2022

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Blue or pink? That is the question: Homophobia and its influence on the gendering of colour symbolism

Clothing cultures, 2014-10, Vol.1 (3), p.289-302

Kang, Eun Jung

2014

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Black Vocality as Cultural Capital

Voice & speech review, 2023-05, Vol.17 (2), p.207-220

Mohammed, Michael

2023

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Jane Austen: The Musician as Author

Humanities (Basel), 2022-06, Vol.11 (3), p.73

Dooley, Gillian

2022

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Experiencing contemporary 'nature': virtual and physical designed landscapes of the Blue Mountains, Australia

Technoetic arts : a journal of speculative research, 2010-11, Vol.8 (2), p.149-158

Porter, Nicole

2010

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The Soul of the Phonograph: Media-Technologies, Auditory Experience, and Literary Modernism in the Age of COVID-19

Humanities (Basel), 2020-09, Vol.9 (3), p.82

Goebel, Rolf J

2020

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Olga Albizu’s Lyrical Abstraction and the Borders of the Canvas

Arts (Basel), 2023-01, Vol.12 (1), p.20

Flecha Vega, Raquel

2023

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“Translation as Mutation”: Ciaran Carson’s In the Light of

Estudios irlandeses, 2019-03, Vol.14 (14), p.41-50

Delattre, Elizabeth

2019

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Weeping in the Face of Fortune: Eco-Alienation in the Niger-Delta Ecopoetics

Humanities (Basel), 2020-09, Vol.9 (3), p.54

2020

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A Change Is Gonna Come: Music, Race and the Soul of America

Journal of American Studies, 2002, Vol.36 (3), p.567-568

Willett, Ralph

2002

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Man up! Masculinity and (Homo)sexuality in René Depestre’s Transatlantic World

Humanities (Basel), 2019-09, Vol.8 (3), p.150

2019

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Horslips in Irish Musical and Literary Culture

Estudios irlandeses, 2008-01, Vol.3 (3), p.132-141

Murphy, John L

2008

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This Country Ain’t Low—The Country Music of Dolly Parton and Johnny Cash as a Form of Redistributive Politics

Arts (Basel), 2023-01, Vol.12 (1), p.17

Ben Mna, Ilias

2023

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The Strangest Music in the World: Self-Supervised Creativity and Nostalgia for the Future in Robotic Rock Band “The Three Sirens”

Arts (Basel), 2022-12, Vol.12 (1), p.2

2022

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Effectiveness of music education in developing and fostering reading and writing for learners

Reading & writing (Cape Town, South Africa), 2023, Vol.14 (1), p.1-10

Yende, Sakhiseni J.

2023

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Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs

Arts (Basel), 2023-02, Vol.12 (1), p.38

2023

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Bossa Nova and Beyond: Brazilian CCM Styles and the Hybrid Singer

Voice & speech review, 2022-09, Vol.16 (3), p.304-314

Silva, Luciano Simões

2022

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“Befo’ de Wah”: Sounding Out Ill-Legibility in Charles W. Chesnutt’s Conjure Stories

The View from the Sea: The Power of a Blue Comparative Literature

Comics, emceeing and graffiti: A graphic narrative about the relationship between hip-hop culture and comics culture

Black, White, and Blue: Racial Politics in B.B. King's Music from the 1960s

Remembering the Jazz Orpheus: Barney and the Blue Note by Loustal and Paringaux

Tone patches, mosaics, and motives in Béla Bartók's Duke bluebeard's castle's sixth door scene 'The lake of tears'

Humeaneyes ("one particular shade of blue")

The Waltz King, Johann Baptist Strauss II (1825–1899): a psychobiography from a componential creativity perspective

The Minóy Machine

Blue or pink? That is the question: Homophobia and its influence on the gendering of colour symbolism

Black Vocality as Cultural Capital

Jane Austen: The Musician as Author

Experiencing contemporary 'nature': virtual and physical designed landscapes of the Blue Mountains, Australia

The Soul of the Phonograph: Media-Technologies, Auditory Experience, and Literary Modernism in the Age of COVID-19

Olga Albizu’s Lyrical Abstraction and the Borders of the Canvas

“Translation as Mutation”: Ciaran Carson’s In the Light of

Weeping in the Face of Fortune: Eco-Alienation in the Niger-Delta Ecopoetics

A Change Is Gonna Come: Music, Race and the Soul of America

Man up! Masculinity and (Homo)sexuality in René Depestre’s Transatlantic World

Horslips in Irish Musical and Literary Culture

This Country Ain’t Low—The Country Music of Dolly Parton and Johnny Cash as a Form of Redistributive Politics

The Strangest Music in the World: Self-Supervised Creativity and Nostalgia for the Future in Robotic Rock Band “The Three Sirens”

Effectiveness of music education in developing and fostering reading and writing for learners

Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs

Bossa Nova and Beyond: Brazilian CCM Styles and the Hybrid Singer

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