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East Asian-German Cinema: The Transnational Screen, 1919 to the Present

Cho, Joanne Miyang

1st, 2021

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Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998)

1, 2020

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Reviving The Elephant; or, Cinema Plays Dead

Cultural critique, 2017-09, Vol.97 (1), p.84-104

Matthew Noble-Olson

2017

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Introduction: Toward a Global History of Amateur Film Practices and Institutions

Film history (New York, N.Y.), 2018-03, Vol.30 (1), p.i-xxiii

2018

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Screening Enlightenment: Hollywood and the Cultural Reconstruction of Defeated Japan

Kitamura, Hiroshi

1, 2010

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Welcome to the Sixties!

Well Met, 2012, p.9-79

Rubin, Rachel Lee

2012

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Dark Continent, Dark Stage: Body Performance in Colonial Theatre and Cinema

Journal of black studies, 2010-07, Vol.40 (6), p.1094-1106

Konkobo, Christophe

2010

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Hispanic Cities on Film: Urban Theory in the Freshman Seminar

Arizona journal of Hispanic cultural studies, 2011-01, Vol.15 (1), p.61-76

2011

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the eyes of Agnès Varda: portraiture, cinécriture and the filmic ethnographic eye

Feminist review, 2010-10, Vol.96 (1), p.122-126

Jackson, Emma

2010

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"Atanarjuat, the Fast Runner": Culture, History, and Politics in Inuit Media

American anthropologist, 2003-12, Vol.105 (4), p.822-826

Huhndorf, Shari

2003

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Silent Film Comedy and American Culture

Bilton, Alan

1, 2013

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Zheng Junli, Complicity and the Cultural History of Socialist China, 1949–1976

The China quarterly (London), 2006-12, Vol.188 (188), p.1048-1069

Pickowicz, Paul G.

2006

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The Politics of Hollywood Cinema: Popular Film and Contemporary Political Theory

Rushton, R

1, 2013

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Two Visions of a Usable Past in (Op)position to the West: Mikhalkov's The Barber of Siberia and Sokurov's Russian Ark

The Russian review (Stanford), 2006-04, Vol.65 (2), p.250-257

HASHAMOVA, YANA

2006

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On Grief and Reason, On Poetry and Film: Elena Shvarts, Joseph Brodsky, Andrei Tarkovsky

The Russian review (Stanford), 2007-10, Vol.66 (4), p.647-670

SANDLER, STEPHANIE

2007

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Critical Historiography in "Atanarjuat the Fast Runner and Ten Canoes"

Journal of New Zealand literature, 2007-01 (24), p.135-152

Crosbie, Tom

2007

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Indiscreet Fantasies: Iberian Queer Cinema

1, 2020

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John Ford's 'My Darling Clementine' (1946)

Representations (Berkeley, Calif.), 2003-11, Vol.84 (1), p.200-212

HUTSON, RICHARD

2003

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Youth Culture, Visual Spain, and the Limits of History in Alejandro Amenábar's Abre los ojos

Revista canadiense de estudios hispánicos, 2003-01, Vol.27 (2), p.327-346

RICHARDSON, NATHAN E.

2003

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Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia

Technology and Film Scholarship, 2017, p.79-100

2017

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Gender Relations in the Films of Evgenii Bauer

The Slavonic and East European review (1928), 2003-01, Vol.81 (1), p.32-69

Morley, Rachel

2003

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Representing Race in the Face of Civil Rights

Hedda Hopper's Hollywood, 2011, Vol.8, p.139-140

Frost, Jennifer

2011

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Private Collectors

Film Museum Practice and Film Historiography, 2017, p.35-44

Lameris, Bregt G

2017

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Representation, occupation, and Dutch war films

Images of Occupation in Dutch Film, 2017, p.23-68

Burke, Wendy

2017

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Imagined Nostalgia

Boundary 2, 1997-10, Vol.24 (3), p.143-161

1997

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East Asian-German Cinema: The Transnational Screen, 1919 to the Present

Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998)

Reviving The Elephant; or, Cinema Plays Dead

Introduction: Toward a Global History of Amateur Film Practices and Institutions

Screening Enlightenment: Hollywood and the Cultural Reconstruction of Defeated Japan

Welcome to the Sixties!

Dark Continent, Dark Stage: Body Performance in Colonial Theatre and Cinema

Hispanic Cities on Film: Urban Theory in the Freshman Seminar

the eyes of Agnès Varda: portraiture, cinécriture and the filmic ethnographic eye

"Atanarjuat, the Fast Runner": Culture, History, and Politics in Inuit Media

Silent Film Comedy and American Culture

Zheng Junli, Complicity and the Cultural History of Socialist China, 1949–1976

The Politics of Hollywood Cinema: Popular Film and Contemporary Political Theory

Two Visions of a Usable Past in (Op)position to the West: Mikhalkov's The Barber of Siberia and Sokurov's Russian Ark

On Grief and Reason, On Poetry and Film: Elena Shvarts, Joseph Brodsky, Andrei Tarkovsky

Critical Historiography in "Atanarjuat the Fast Runner and Ten Canoes"

Indiscreet Fantasies: Iberian Queer Cinema

John Ford's 'My Darling Clementine' (1946)

Youth Culture, Visual Spain, and the Limits of History in Alejandro Amenábar's Abre los ojos

Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia

Gender Relations in the Films of Evgenii Bauer

Representing Race in the Face of Civil Rights

Private Collectors

Representation, occupation, and Dutch war films

Imagined Nostalgia

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