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Reenactment Case Studies: Global Perspectives on Experiential History

1, 2022

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The Culture of the Sound Image in Prewar Japan

1, 2020

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MenschenAffen – AffenMenschen: Kulturgeschichte einer Mensch-Tier-Beziehung

Jacob, Frank

2022

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The Retornados from the Portuguese Colonies in Africa: Memory, Narrative, and History

Peralta, Elsa

1, 2022

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East Asian-German Cinema: The Transnational Screen, 1919 to the Present

Cho, Joanne Miyang

1st, 2021

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The City Symphony Phenomenon: Cinema, Art, and Urban Modernity Between the Wars

1st, 2018

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Neo-Victorian Literature and Culture: Immersions and Revisitations

1, 2014

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ARAB CINEMA TRAVELS: TRANSNATIONAL SYRIA, PALESTINE, DUBAI AND BEYOND

Arab studies journal, 2020-04, Vol.28 (1), p.127-131

Petiwala, Ada

2020

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Promiscuous Histories, Materialist Theories, Speculative Poetics

Cinema journal, 2018-01, Vol.57 (2), p.121-125

Gorfinkel, Elena

2018

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The Child Savage, 1890–2010: From Comics to Games

Wesseling, Elisabeth

1, 2016

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Welcome to the Sixties!

Well Met, 2012, p.9-79

Rubin, Rachel Lee

2012

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Early Cinema in Russia and its Cultural Reception

1, 1991

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Black and White and Noir: America's Pulp Modernism.

Rabinowitz, Paula

1, 2002

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Estados de Gracia: Billy Wilder y la censura franquista (1946-1975)

Foro hispánico, 2015-01, Vol.50, p.21-366

Vandaele, Jeroen

2015

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New queer cinema: a critical reader

Aaron, Michele

2004

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Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia

Technology and Film Scholarship, 2017, p.79-100

2017

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Representing Race in the Face of Civil Rights

Hedda Hopper's Hollywood, 2011, Vol.8, p.139-140

Frost, Jennifer

2011

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Private Collectors

Film Museum Practice and Film Historiography, 2017, p.35-44

Lameris, Bregt G

2017

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Representation, occupation, and Dutch war films

Images of Occupation in Dutch Film, 2017, p.23-68

Burke, Wendy

2017

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General Introduction: Media Archaeology: Foucault’s Legacy

Film History as Media Archaeology, 2016, Vol.50, p.17-68

Elsaesser, Thomas

2016

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Remembering Piaf

Édith Piaf, 2017, p.153-170

Looseley, David

2017

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INTRODUCTION: ‘BUT IS THIS LIFE REALITY? NO. IT’S A FILM.’ THE HOLY MOUNTAIN AND ME

Holy Mountain, 2017, p.1-16

Santos, Alessandra

2017

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When Did Cinema Become Cinema?: Technology, History, and the Moving Pictures

Technology and Film Scholarship, 2017, p.33-50

2017

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Archaeologies of Interactivity: The “Rube” as Symptom of Media Change

Film History as Media Archaeology, 2016, Vol.50, p.191-208

Elsaesser, Thomas

2016

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Angelopoulos, the Continuous Image, and Cinema

The Films of Theo Angelopoulos, 2016, p.73-88

Horton, Andrew

REV - Revised, 2016

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Reenactment Case Studies: Global Perspectives on Experiential History

The Culture of the Sound Image in Prewar Japan

MenschenAffen – AffenMenschen: Kulturgeschichte einer Mensch-Tier-Beziehung

The Retornados from the Portuguese Colonies in Africa: Memory, Narrative, and History

East Asian-German Cinema: The Transnational Screen, 1919 to the Present

The City Symphony Phenomenon: Cinema, Art, and Urban Modernity Between the Wars

Neo-Victorian Literature and Culture: Immersions and Revisitations

ARAB CINEMA TRAVELS: TRANSNATIONAL SYRIA, PALESTINE, DUBAI AND BEYOND

Promiscuous Histories, Materialist Theories, Speculative Poetics

The Child Savage, 1890–2010: From Comics to Games

Welcome to the Sixties!

Early Cinema in Russia and its Cultural Reception

Black and White and Noir: America's Pulp Modernism.

Estados de Gracia: Billy Wilder y la censura franquista (1946-1975)

New queer cinema: a critical reader

Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia

Representing Race in the Face of Civil Rights

Private Collectors

Representation, occupation, and Dutch war films

General Introduction: Media Archaeology: Foucault’s Legacy

Remembering Piaf

INTRODUCTION: ‘BUT IS THIS LIFE REALITY? NO. IT’S A FILM.’ THE HOLY MOUNTAIN AND ME

When Did Cinema Become Cinema?: Technology, History, and the Moving Pictures

Archaeologies of Interactivity: The “Rube” as Symptom of Media Change

Angelopoulos, the Continuous Image, and Cinema

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