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Shakespeare's Double Helix

Turner, Henry S

1, 2007

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Worlds of Experience: Fiction, Image, and the Ontology of Ideas in Sidney and Shakespeare

Studies in English literature, 1500-1900, 2022-12, Vol.62 (1), p.217-244

Turner, Henry S

2022

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Lessons from literature for the historian of science (and vice versa): reflections on "form"

Isis, 2010-09, Vol.101 (3), p.578-589

Turner, Henry S

2010

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Recent Studies in Tudor and Stuart Drama

Studies in English literature, 1500-1900, 2018-03, Vol.58 (2), p.473-537

Turner, Henry S

2018

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Robert Burton and the Transformative Powers of Melancholy

Shirilan, Stephanie

1, 2016

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Fictions of the Cosmos: Science and Literature in the Seventeenth Century by Frédérique Aït-Touati (review)

Configurations (Baltimore, Md.), 2012-09, Vol.20 (3), p.331-334

Turner, Henry S

2012

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Francis Bacon’s Common Notion

Journal for early modern cultural studies, 2013-06, Vol.13 (3), p.7-32

Turner, Henry S.

2013

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Toward a New Theatricality?

Renaissance drama, 2012, Vol.40 (1), p.29-35

Turner, Henry S

2012

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Toward a New Theatricality?

Renaissance drama, 2012-01, Vol.40, p.29-35

TURNER, HENRY S.

2012

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Toward an Analysis of the Corporate Ego: The Case of Richard Hakluyt

Differences (Bloomington, Ind.), 2009-07, Vol.20 (2-3), p.103-147

Turner, Henry S

2009

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The Problem of the More-than-One: Friendship, Calculation, and Political Association in "The Merchant of Venice"

Shakespeare quarterly, 2006-12, Vol.57 (4), p.413-442

Turner, Henry S.

2006

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Life Science: Rude Mechanicals, Human Mortals, Posthuman Shakespeare

South Central Review, 2009-03, Vol.26 (1/2), p.197-217

Turner, Henry S.

2009

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Mathematics and the Imagination: A Brief Introduction

Configurations (Baltimore, Md.), 2009-12, Vol.17 (1), p.1-18

2009

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Listening for Theatrical Form in Early Modern England. Edinburgh Critical Studies in Renaissance Culture. By Allison K. Deutermann. Edinburgh: Edinburgh University Press, 2016. Illus. Pp. x + 196

Shakespeare quarterly, 2020-06, Vol.70 (2), p.174-177

Turner, Henry S

2020

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The Early Modern Global South in Print: Textual Form and the Production of Human Difference as Knowledge

Young, Sandra

1, 2015

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Between Worlds in Shakespeare's Comedy of Errors

Exemplaria (Binghamton, N.Y.), 2021-04, Vol.33 (2), p.158-183

2021

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Nashe's Red Herring: Epistemologies of the Commodity in "Lenten Stuffe" (1599)

ELH, 2001-10, Vol.68 (3), p.529-561

Turner, Henry S.

2001

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Shakespeare’s Possible Worlds. Simon Palfrey. Cambridge: Cambridge University Press, 2014. xii + 382 pp. $99

Renaissance quarterly, 2016, Vol.69 (3), p.1202-1203

Turner, Henry S.

2016

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Empires of Objects: Accumulation and Entropy in E. M. Forster’s Howards End

Twentieth century literature, 2000-09, Vol.46 (3), p.328-345

Turner, Henry S.

2000

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"King Lear" Without: The Heath

Renaissance drama, 1997-01, Vol.28, p.161-193

TURNER, HENRY S.

1997

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Studies of Skin Color in the Early Royal Society: Boyle, Cavendish, Swift

Malcolmson, Cristina

2013

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Henry S. Turner, The English Renaissance Stage. Geometry, Poetics, and the Practical Spatial Arts 1580-1630 - Tim Fitzpatrick, Playwright, Space and Place in Early Modern Performance

Anuario Lope de Vega, 2012, Vol.18 (18), p.301-306

Giuliani, Luigi

2012

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Bodies, Politics and Transformations: John Donne's Metempsychosis

1, 2013

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Rhetoric and Medicine in Early Modern Europe

1st edition., 2012

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Ecocritical Shakespeare

1, 2011

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Shakespeare's Double Helix

Worlds of Experience: Fiction, Image, and the Ontology of Ideas in Sidney and Shakespeare

Lessons from literature for the historian of science (and vice versa): reflections on "form"

Recent Studies in Tudor and Stuart Drama

Robert Burton and the Transformative Powers of Melancholy

Fictions of the Cosmos: Science and Literature in the Seventeenth Century by Frédérique Aït-Touati (review)

Francis Bacon’s Common Notion

Toward a New Theatricality?

Toward a New Theatricality?

Toward an Analysis of the Corporate Ego: The Case of Richard Hakluyt

The Problem of the More-than-One: Friendship, Calculation, and Political Association in "The Merchant of Venice"

Life Science: Rude Mechanicals, Human Mortals, Posthuman Shakespeare

Mathematics and the Imagination: A Brief Introduction

Listening for Theatrical Form in Early Modern England. Edinburgh Critical Studies in Renaissance Culture. By Allison K. Deutermann. Edinburgh: Edinburgh University Press, 2016. Illus. Pp. x + 196

The Early Modern Global South in Print: Textual Form and the Production of Human Difference as Knowledge

Between Worlds in Shakespeare's Comedy of Errors

Nashe's Red Herring: Epistemologies of the Commodity in "Lenten Stuffe" (1599)

Shakespeare’s Possible Worlds. Simon Palfrey. Cambridge: Cambridge University Press, 2014. xii + 382 pp. $99

Empires of Objects: Accumulation and Entropy in E. M. Forster’s Howards End

"King Lear" Without: The Heath

Studies of Skin Color in the Early Royal Society: Boyle, Cavendish, Swift

Henry S. Turner, The English Renaissance Stage. Geometry, Poetics, and the Practical Spatial Arts 1580-1630 - Tim Fitzpatrick, Playwright, Space and Place in Early Modern Performance

Bodies, Politics and Transformations: John Donne's Metempsychosis

Rhetoric and Medicine in Early Modern Europe

Ecocritical Shakespeare

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