UB Paderborn / Katalog / Suche / in CDI

Return of the Monstrous-Feminine: Feminist New Wave Cinema

Creed, Barbara

1st, 2022

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Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis

1st, 2020

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The Monstrous-Feminine: Film, Feminism, Psychoanalysis

Creed, Barbara

2, 2024

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Animals, images, anthropocentrism

NECSUS, 2015-04, Vol.4 (1), p.95-105

2015

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NENETTE – Film theory, animals, and boredom

NECSUS, 2013-01, Vol.2 (1), p.35-50

Barbara Creed

2013

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The Monstrous-Feminine, Then and Now: Barbara Creed in Conversation with Nicholas Chare

Re-reading the Monstrous-Feminine, 2020, p.95-105

1, 2020

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Seemingly subject: a review of 'media matrix: sexing the new reality' by Barbara Creed

Sexualities, evolution & gender, 2004-04, Vol.6 (1), p.59-63

Durber, Dean

2004

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The End of the Everyday: Transformation, Sexuality and the Uncanny

Continuum (Mount Lawley, W.A.), 2005-12, Vol.19 (4), p.483-494

Creed, Barbara

2005

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A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film

Continuum (Mount Lawley, W.A.), 2006-03, Vol.20 (1), p.45-60

Creed, Barbara

2006

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Animal Extinction, Film and the Death Drive

Animals, Plants and Afterimages, 2022, p.303-315

2022

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Brown Girl Creed 2

Tampa review, 2021, Vol.61 (1), p.22-23

Reyes, Barbara Jane

2021

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"Orgasmology": What Does the Orgasm Want?

Feminist formations, 2016-07, Vol.28 (2), p.144-151

Creed, Barbara

2016

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Barbara Creed, Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne: Melbourne University Press, 2009. 256 pp. ISBN 978—0—522—85709—2 (pbk)

Journal of visual culture, 2010-08, Vol.9 (2), p.252-254

Freake, Suzy K.

2010

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Memory, History and Modernity: Screening Ceremonies of the Civilising Mission

Third text, 2012-11, Vol.26 (6), p.757-766

2012

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Figuring the uncanny: Review article. [Brassington, Pat. Pat Brassington (2006); Creed, Barbara. Phallic Panic: Film, Horror and the Primal Uncanny (2005).]

Australian feminist studies, 2007-11, Vol.22 (54), p.409-411

Marita Bullock

2007

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Hitchcock: Art, Cinema and... Suspense: the aesthetics of shock in painting and film

Art and Australia, 2000-12, Vol.38 (2), p.226-228

Creed, Barbara

2000

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Memory, history and modernity

Third text, 2012-11, Vol.26 (6), p.757-766

2012

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The cyberstar: digital pleasures and the end of the Unconscious

Screen (London), 2000-04, Vol.41 (1), p.79-86

Creed, Barbara

2000

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Between attraction and anxiety: Scarlett Johansson, female knowledge and the mind–body split in Lucy

Science fiction film and television, 2018-04, Vol.11 (1), p.21-28

Stevens, Kirsten

2018

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Increasing Accessibility to Academic Library Services with Alt Text, Color Contrast, Captioning, and Transcripts in YouTube Tutorials

Kansas Library Association College and University Libraries Section proceedings, 2022-11, Vol.12 (1)

2022

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Animals, Plants and Afterimages: The Art and Science of Representing Extinction

1st edition., 2022

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Feminist Theory and the Body: A Reader

2019

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The "Crash" Debate: Anal Wounds, Metallic Kisses

Screen (London), 1998-07, Vol.39 (2), p.175-179

Creed, Barbara

1998

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Coming of Age: The Monstrous-Feminine as Virginal Dentata: Ginger Snaps (2000), Teeth (2007), Jennifer's Body (2009)

The Monstrous-Feminine, 2024, Vol.1, p.201-212

Creed, Barbara

2, 2024

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The Medusa's Gaze

The Monstrous-Feminine, 2024, Vol.1, p.159-183

Creed, Barbara

2, 2024

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Return of the Monstrous-Feminine: Feminist New Wave Cinema

Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis

The Monstrous-Feminine: Film, Feminism, Psychoanalysis

Animals, images, anthropocentrism

NENETTE – Film theory, animals, and boredom

The Monstrous-Feminine, Then and Now: Barbara Creed in Conversation with Nicholas Chare

Seemingly subject: a review of 'media matrix: sexing the new reality' by Barbara Creed

The End of the Everyday: Transformation, Sexuality and the Uncanny

A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film

Animal Extinction, Film and the Death Drive

Brown Girl Creed 2

"Orgasmology": What Does the Orgasm Want?

Barbara Creed, Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne: Melbourne University Press, 2009. 256 pp. ISBN 978—0—522—85709—2 (pbk)

Memory, History and Modernity: Screening Ceremonies of the Civilising Mission

Figuring the uncanny: Review article. [Brassington, Pat. Pat Brassington (2006); Creed, Barbara. Phallic Panic: Film, Horror and the Primal Uncanny (2005).]

Hitchcock: Art, Cinema and... Suspense: the aesthetics of shock in painting and film

Memory, history and modernity

The cyberstar: digital pleasures and the end of the Unconscious

Between attraction and anxiety: Scarlett Johansson, female knowledge and the mind–body split in Lucy

Increasing Accessibility to Academic Library Services with Alt Text, Color Contrast, Captioning, and Transcripts in YouTube Tutorials

Animals, Plants and Afterimages: The Art and Science of Representing Extinction

Feminist Theory and the Body: A Reader

The "Crash" Debate: Anal Wounds, Metallic Kisses

Coming of Age: The Monstrous-Feminine as Virginal Dentata: Ginger Snaps (2000), Teeth (2007), Jennifer's Body (2009)

The Medusa's Gaze

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