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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

Melus, 2023-04, Vol.47 (4), p.198-219

Dayton, Amy E

2023

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The American Haskalah: Sanctifying Education in Mary Antin’s The Promised Land, Abraham Cahan’s The Rise of David Levinsky, and Anzia Yezierska’s Bread Givers

Melus, 2024-02, Vol.49 (1), p.53-75

Reznick, Ohad

2024

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The Kindling Breath of Another Mind: Anzia Yezierska's Critique of American Education

Studies in American Jewish literature (1981), 2015-09, Vol.34 (2), p.257-273

Shiffman, Dan

2015

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THE NEW WOMAN OF THE TENEMENTS: ANZIA YEZIERSKA'S "SALOME"

Modern fiction studies, 2010-06, Vol.56 (2), p.233-261

Botshon, Lisa

2010

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Between Revolution and Reform: Anzia Yezierska's Labor Politics

Modernism/modernity (Baltimore, Md.), 2011-04, Vol.18 (2), p.405-423

Edmunds, Susan

2011

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Telling Tales of Difference: Portrayals of Immigrant Identity in Cahan’s, Cohen’s, and Yezierska’s “Landscapes” of Otherness and Contrast

Studies in American Jewish literature (1981), 2021-03, Vol.40 (1), p.43-83

Korkalainen, Katrin

2021

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"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

Modern fiction studies, 2005-07, Vol.51 (2), p.416-436

Harrison-Kahan, Lori

2005

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The Salome Ensemble: Rose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta Goudal by Alan Robert Ginsberg (review)

Studies in American Jewish literature (1981), 2019, Vol.38, p.84-87

Sanders, Lise Shapiro

2019

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“The Love of Colour in Me”: Anzia Yezierska’s Bread Givers and the Space of White Racial Manufacture

Melus, 2009-09, Vol.34 (3), p.93-114

Simpson, Tyrone R.

2009

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“Up from Dirt”: Excavating Geologic Energy Potential in Anzia Yezierska’s Bread Givers

Resilience (Lincoln, Neb.), 2023-09, Vol.10 (3), p.93-119

Galentine, Cassandra

2023

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No Place in Time: The Hebraic Myth in Late-Nineteenth Century American Literature by Sharon B. Oster (review)

American Jewish History, 2021, Vol.105 (1), p.305-307

Cappell, Ezra

2021

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Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

Legacy (Amherst, Mass.), 1999-01, Vol.16 (1), p.82-92

Ungar, Cara-Lynn

1999

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The Mother Tongues of Modernity: Modernism, Transnationalism, Translation

Journal of modern literature, 2010-01, Vol.33 (2), p.24-46

Vegso, Roland

2010

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Louise Levitas Henriksen's critique of Anzia Yezierska's autobiography

Shofar (West Lafayette, Ind.), 2008-03, Vol.26 (3), p.33

Komy, Hannah Adelman

2008

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Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska

Journal of modern literature, 2006-03, Vol.29 (2), p.19-32

Jirousek, Lori

2006

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Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska

Journal of modern literature, 2006-01, Vol.29 (2), p.19-32

Jirousek, Lori

2006

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Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's

African American review, 2007-01, p.87-98

Rottenberg, Catherine

2007

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Bread Givers

Radical Teacher, 2019, Vol.113 (113), p.37-38

Entin, Joseph

2019

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Anzia Yezierska: A Writer's Life, and: The Rise of Socialist Fiction 1880-1914 (review)

Modern fiction studies, 1988-12, Vol.34 (4), p.742-743

Purdy, Strother B

1988

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Anzia Yezierska: New Light on the “Sweatshop Cinderella”

Melus, 1980-10, Vol.7 (3), p.3-11

Schoen, Carol

1980

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Sweatshop Cinderella

Nashim, 2012-03 (23), p.196

Cohen, Hagit

2012

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Anzia Yezierska and the Marketing of the Jewish Immigrant in 1920s Hollywood

Journal of narrative theory, 2000-10, Vol.30 (3), p.287-312

Botshon, Lisa

2000

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Editor's Introduction: 'It Must Change'

Journal of modern literature, 2003-06, Vol.26 (3), p.v-v

O'Hara, Daniel T

2003

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Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Melus, 2012-06, Vol.37 (2), p.180-182

Rubinstein, Rachel

2012

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Against the Unspeakable: Complicity, the Holocaust, and Slavery in America, and: Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature (review)

Callaloo, 2011, Vol.34 (1), p.219-224

Harrison-Kahan, Lori

2011

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“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo

The American Haskalah: Sanctifying Education in Mary Antin’s The Promised Land, Abraham Cahan’s The Rise of David Levinsky, and Anzia Yezierska’s Bread Givers

The Kindling Breath of Another Mind: Anzia Yezierska's Critique of American Education

THE NEW WOMAN OF THE TENEMENTS: ANZIA YEZIERSKA'S "SALOME"

Between Revolution and Reform: Anzia Yezierska's Labor Politics

Telling Tales of Difference: Portrayals of Immigrant Identity in Cahan’s, Cohen’s, and Yezierska’s “Landscapes” of Otherness and Contrast

"DRUNK WITH THE FIERY RHYTHMS OF JAZZ": ANZIA YEZIERSKA, HYBRIDITY, AND THE HARLEM RENAISSANCE

The Salome Ensemble: Rose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta Goudal by Alan Robert Ginsberg (review)

“The Love of Colour in Me”: Anzia Yezierska’s Bread Givers and the Space of White Racial Manufacture

“Up from Dirt”: Excavating Geologic Energy Potential in Anzia Yezierska’s Bread Givers

No Place in Time: The Hebraic Myth in Late-Nineteenth Century American Literature by Sharon B. Oster (review)

Discourses of Class and the New Jewish Working Woman in Anzia Yezierska's Arrogant Beggar

The Mother Tongues of Modernity: Modernism, Transnationalism, Translation

Louise Levitas Henriksen's critique of Anzia Yezierska's autobiography

Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska

Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska

Begging to Differ: Nella Larsen's "Quicksand" and Anzia Yezierska's

Bread Givers

Anzia Yezierska: A Writer's Life, and: The Rise of Socialist Fiction 1880-1914 (review)

Anzia Yezierska: New Light on the “Sweatshop Cinderella”

Sweatshop Cinderella

Anzia Yezierska and the Marketing of the Jewish Immigrant in 1920s Hollywood

Editor's Introduction: 'It Must Change'

Not Just "White Folks": Teaching Jewish American Literature as Multi-Ethnic and Multiracial

Against the Unspeakable: Complicity, the Holocaust, and Slavery in America, and: Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature (review)

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