UB Paderborn / Katalog / Suche / in CDI

Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis

1st, 2020

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Memory, History and Modernity: Screening Ceremonies of the Civilising Mission

Third text, 2012-11, Vol.26 (6), p.757-766

2012

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Between attraction and anxiety: Scarlett Johansson, female knowledge and the mind–body split in Lucy

Science fiction film and television, 2018-04, Vol.11 (1), p.21-28

Stevens, Kirsten

2018

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The "Crash" Debate: Anal Wounds, Metallic Kisses

Screen (London), 1998-07, Vol.39 (2), p.175-179

Creed, Barbara

1998

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Horror and the Monstrous-Feminine: An Imaginary Abjection

Screen (London), 1986, Vol.27 (1), p.44-71

Creed, Barbara

1986

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From Here to Modernity: Feminism and Postmodernism

Screen (London), 1987, Vol.28 (2), p.47-68

Creed, B.

1987

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Medusa in the Land of Oz: The Female Spectator in Australia

Camera obscura (Durham, NC), 1989-05 (20), p.53

Creed, Barbara

1989

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The Monstrous Masculine: Abjection and Todd Solondz's Happiness

Horror studies, 2010-01, Vol.1 (1), p.129-141

Wadenius, Adam

2010

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Body trade: captivity, cannibalism and colonialism in the Pacific

New Zealand journal of history, 2002, Vol.36 (1), p.110-111

2002

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Against Anthropocentrism: A Stray's Quest in Diane Cook's The New Wilderness

Critique - Bolingbroke Society, 2024-01, Vol.65 (1), p.61-74

2024

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Stray aesthetic in the cinema of Andrea Arnold

Journal of aesthetics & culture, 2023-12, Vol.15 (1)

Paszkiewicz, Katarzyna

2023

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'Plug It Up!': The Traumatic Female Coming-of-Age Story in Stephen King's Carrie and It

Comparative American studies, 2023-01, Vol.20 (1), p.27-41

Mulcahy, Laura

2023

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Introduction to The Monstrous Global: the Effects of Globalization on Cultures

CLCWeb : Comparative literature and culture, 2019-12, Vol.21 (7)

2019

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The beak that grips: maternal indifference, ambivalence and the abject in The Babadook

Studies in Australasian cinema, 2017-01, Vol.11 (1), p.33-44

Buerger, Shelley

2017

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Black Egyptians and White Greeks?: Historical Speculation and Racecraft in the Video Game Assassin’s Creed: Origins

Humanities (Basel), 2020-12, Vol.9 (4), p.145

Banker, Bryan

2020

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Poem, Creed, Letter, Foetus: George Orwell’s Keep the Aspidistra Flying

Mosaic (Winnipeg), 2019-09, Vol.52 (3), p.101-117

CARPENTIER, MARTHA C.

2019

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The Hetaera's Monster: The Sublime Mother in the Slasher Film Genre

Journal of popular culture, 2023-02, Vol.56 (1), p.170-190

Hicks, Charles E.

2023

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Re-Calibrating Steampunk London: Heterotopia and Spatial Imaginaries in Assassins Creed: Syndicate and The Order 1886

Humanities (Basel), 2021-03, Vol.10 (1), p.56

Esser, Helena

2021

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'Day of the Girls': Reading Gender, Power, and Violence in Naomi Alderman'S The Power

College literature, 2020-03, Vol.47 (2), p.398-433

Miller, Alyson

2020

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Visualizing the Chinese threat: L’Arrivo di Wang as an ethnic allegory

Journal of romance studies, 2018-04, Vol.18 (1), p.63-80

Liu, Xin

2018

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Early Ibāḍī Creed in the 2ND/8TH Century: a Study of Wā'il Bin Ayyūb's "nasab al islam" ("THE LINEAGE OF ISLAM")

The Muslim world (Hartford), 2015-04, Vol.105 (2), p.194-208

Al Salimi, Abdulrahman

2015

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Revisionist Rape-Revenge: Redefining a Film Genre

Henry, Claire

1, 2014

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Terror as White Female in Mudrooroo’s Vampire Trilogy

Journal of Commonwealth literature, 2006-06, Vol.41 (2), p.121-138

Clark, Maureen

2006

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‘Forgive Me Father, for I have Sinned’: The Violent Fetishism of Female Monsters in Hollywood Horror Culture

Rupkatha journal on interdisciplinary studies in humanities, 2018-01, Vol.10 (2)

Chatterjee, Adharshila

2018

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The Nightdress I Wore to Give Birth In: Performative materialities and maternal intersubjectivities

Performance research, 2017-05, Vol.22 (4), p.18-27

Chambers, Paula

2017

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Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis

Memory, History and Modernity: Screening Ceremonies of the Civilising Mission

Between attraction and anxiety: Scarlett Johansson, female knowledge and the mind–body split in Lucy

The "Crash" Debate: Anal Wounds, Metallic Kisses

Horror and the Monstrous-Feminine: An Imaginary Abjection

From Here to Modernity: Feminism and Postmodernism

Medusa in the Land of Oz: The Female Spectator in Australia

The Monstrous Masculine: Abjection and Todd Solondz's Happiness

Body trade: captivity, cannibalism and colonialism in the Pacific

Against Anthropocentrism: A Stray's Quest in Diane Cook's The New Wilderness

Stray aesthetic in the cinema of Andrea Arnold

'Plug It Up!': The Traumatic Female Coming-of-Age Story in Stephen King's Carrie and It

Introduction to The Monstrous Global: the Effects of Globalization on Cultures

The beak that grips: maternal indifference, ambivalence and the abject in The Babadook

Black Egyptians and White Greeks?: Historical Speculation and Racecraft in the Video Game Assassin’s Creed: Origins

Poem, Creed, Letter, Foetus: George Orwell’s Keep the Aspidistra Flying

The Hetaera's Monster: The Sublime Mother in the Slasher Film Genre

Re-Calibrating Steampunk London: Heterotopia and Spatial Imaginaries in Assassins Creed: Syndicate and The Order 1886

'Day of the Girls': Reading Gender, Power, and Violence in Naomi Alderman'S The Power

Visualizing the Chinese threat: L’Arrivo di Wang as an ethnic allegory

Early Ibāḍī Creed in the 2ND/8TH Century: a Study of Wā'il Bin Ayyūb's "nasab al islam" ("THE LINEAGE OF ISLAM")

Revisionist Rape-Revenge: Redefining a Film Genre

Terror as White Female in Mudrooroo’s Vampire Trilogy

‘Forgive Me Father, for I have Sinned’: The Violent Fetishism of Female Monsters in Hollywood Horror Culture

The Nightdress I Wore to Give Birth In: Performative materialities and maternal intersubjectivities

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