UB Paderborn / Katalog / Suche / in CDI

Animals, images, anthropocentrism

NECSUS, 2015-04, Vol.4 (1), p.95-105

2015

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NENETTE – Film theory, animals, and boredom

NECSUS, 2013-01, Vol.2 (1), p.35-50

Barbara Creed

2013

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Seemingly subject: a review of 'media matrix: sexing the new reality' by Barbara Creed

Sexualities, evolution & gender, 2004-04, Vol.6 (1), p.59-63

Durber, Dean

2004

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The End of the Everyday: Transformation, Sexuality and the Uncanny

Continuum (Mount Lawley, W.A.), 2005-12, Vol.19 (4), p.483-494

Creed, Barbara

2005

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A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film

Continuum (Mount Lawley, W.A.), 2006-03, Vol.20 (1), p.45-60

Creed, Barbara

2006

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Brown Girl Creed 2

Tampa review, 2021, Vol.61 (1), p.22-23

Reyes, Barbara Jane

2021

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Films, gestures, species

Journal for cultural research, 2015-01, Vol.19 (1), p.43-55

Creed, Barbara

2015

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"Orgasmology": What Does the Orgasm Want?

Feminist formations, 2016-07, Vol.28 (2), p.144-151

Creed, Barbara

2016

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Barbara Creed, Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne: Melbourne University Press, 2009. 256 pp. ISBN 978—0—522—85709—2 (pbk)

Journal of visual culture, 2010-08, Vol.9 (2), p.252-254

Freake, Suzy K.

2010

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Memory, History and Modernity: Screening Ceremonies of the Civilising Mission

Third text, 2012-11, Vol.26 (6), p.757-766

2012

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Figuring the uncanny: Review article. [Brassington, Pat. Pat Brassington (2006); Creed, Barbara. Phallic Panic: Film, Horror and the Primal Uncanny (2005).]

Australian feminist studies, 2007-11, Vol.22 (54), p.409-411

Marita Bullock

2007

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Hitchcock: Art, Cinema and... Suspense: the aesthetics of shock in painting and film

Art and Australia, 2000-12, Vol.38 (2), p.226-228

Creed, Barbara

2000

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Memory, history and modernity

Third text, 2012-11, Vol.26 (6), p.757-766

2012

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The cyberstar: digital pleasures and the end of the Unconscious

Screen (London), 2000-04, Vol.41 (1), p.79-86

Creed, Barbara

2000

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Between attraction and anxiety: Scarlett Johansson, female knowledge and the mind–body split in Lucy

Science fiction film and television, 2018-04, Vol.11 (1), p.21-28

Stevens, Kirsten

2018

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Increasing Accessibility to Academic Library Services with Alt Text, Color Contrast, Captioning, and Transcripts in YouTube Tutorials

Kansas Library Association College and University Libraries Section proceedings, 2022-11, Vol.12 (1)

2022

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The "Crash" Debate: Anal Wounds, Metallic Kisses

Screen (London), 1998-07, Vol.39 (2), p.175-179

Creed, Barbara

1998

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Barbara Creed

Camera obscura (Durham, NC), 1989-05 (20), p.132

1989

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Barbara Creed

Camera obscura (Durham, NC), 1989, Vol.7 (2-3), p.132-137

1989

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The associated features of multiple somatic symptom complexes

Journal of psychosomatic research, 2018-09, Vol.112, p.1-8

2018

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The Innervation and Properties of the Urethral Striated Muscle

Scandinavian journal of urology and nephrology, 2001, Vol.35 (207), p.8-11

2001

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Seemingly subject: a review of media matrix: sexing the new reality by Barbara Creed Crows Nests, NSW: Allen and Unwin, 2003

Sexualities, evolution & gender, 2004-04, Vol.6 (1), p.59-63

Durber, Dean

2004

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Anal wounds, metallic kisses

Screen (London), 1998, Vol.39 (2), p.175-179

Creed, B.

1998

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Body Trade: Captivity, Cannibalism and Colonialism in the Pacific ed. by Barbara Creed and Jeanette Hoorn (review)

New Zealand journal of history, 2002, Vol.36 (1), p.110-111

Coleborne, Catharine

2002

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Horror and the Monstrous-Feminine: An Imaginary Abjection

Screen (London), 1986, Vol.27 (1), p.44-71

Creed, Barbara

1986

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Animals, images, anthropocentrism

NENETTE – Film theory, animals, and boredom

Seemingly subject: a review of 'media matrix: sexing the new reality' by Barbara Creed

The End of the Everyday: Transformation, Sexuality and the Uncanny

A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film

Brown Girl Creed 2

Films, gestures, species

"Orgasmology": What Does the Orgasm Want?

Barbara Creed, Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne: Melbourne University Press, 2009. 256 pp. ISBN 978—0—522—85709—2 (pbk)

Memory, History and Modernity: Screening Ceremonies of the Civilising Mission

Figuring the uncanny: Review article. [Brassington, Pat. Pat Brassington (2006); Creed, Barbara. Phallic Panic: Film, Horror and the Primal Uncanny (2005).]

Hitchcock: Art, Cinema and... Suspense: the aesthetics of shock in painting and film

Memory, history and modernity

The cyberstar: digital pleasures and the end of the Unconscious

Between attraction and anxiety: Scarlett Johansson, female knowledge and the mind–body split in Lucy

Increasing Accessibility to Academic Library Services with Alt Text, Color Contrast, Captioning, and Transcripts in YouTube Tutorials

The "Crash" Debate: Anal Wounds, Metallic Kisses

Barbara Creed

Barbara Creed

The associated features of multiple somatic symptom complexes

The Innervation and Properties of the Urethral Striated Muscle

Seemingly subject: a review of media matrix: sexing the new reality by Barbara Creed Crows Nests, NSW: Allen and Unwin, 2003

Anal wounds, metallic kisses

Body Trade: Captivity, Cannibalism and Colonialism in the Pacific ed. by Barbara Creed and Jeanette Hoorn (review)

Horror and the Monstrous-Feminine: An Imaginary Abjection

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