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Celebrating Rudolf Wille's 75th anniversary and his contributions to mathematical music theory

Journal of mathematics and music (Society for Mathematics and Computation in Music), 2012-11, Vol.6 (3), p.229-230

2012

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Protest Music, Urban Contexts and Global Perspectives

International review of the aesthetics and sociology of music, 2015-12, Vol.46 (2), p.321-354

Kutschke, Beate

2015

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François de Fossa, Louis Picquot and the transmission of Luigi Boccherini’s guitar quintets

Early music, 2022-12

Rasch, Rudolf

2022

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The role of tone sensation and musical stimuli in early experimental psychology

Journal of the history of the behavioral sciences, 2011-03, Vol.47 (2), p.187-199

Klempe, Sven Hroar

2011

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A view of German passion music through the lens of parallel Biblical motets: A comparative analysis of setting of "Fuerwahr er trug unsere Krankheit" ("Surely He Has Borne Our Griefs")

Wolff, Lisa Yvonne

2007

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ProQuest

SuperConductors: Handbook for a New Democratic Music

Crawford, Benjamin Rudolf

2011

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ProQuest

MY WORLD AS I REMEMBER IT: AN INTERVIEW WITH CHRISTOPHER BUTTERFIELD

Tempo (London), 2017-10, Vol.71 (282), p.6-17

Höstman, Anna

2017

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THE SACRED DRAMATIC MUSIC OF ANTONIO DRAGHI

SCHNITZLER, RUDOLF

1971

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ProQuest

Bechstein-Saal: A Lost Chamber Music Hall in Berlin

The Journal of musicological research, 2017-07, Vol.36 (3), p.234-251

Hatano, Sayuri

2017

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Alchemy of the avant-garde: David Tudor and the new music of the 1950s

Smigel, Eric

2003

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ProQuest

TUBER, RHIZOME, TENDRIL AND CORM: ON THE MUSIC OF MARTIN ARNOLD

Tempo (London), 2016-07, Vol.70 (277), p.16-33

Höstman, Anna K.

2016

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“Hamiltonian-Hendelian” Mimoplastics and Tableau of the Underworld: The Visual Aesthetics of Goethe’s 1815 Proserpina Production

Goethe yearbook, 2016, Vol.23 (1), p.171-194

Bersier, Gabrielle

2016

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Listening to possibility: Randomness as musical material

Sloan, Peter

2014

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ProQuest

A Place to Ply Their Wares with Dignity: American Composer-Performers in West Germany, 1972

The Musical quarterly, 2002-07, Vol.86 (2), p.329-348

Beal, Amy C

2002

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Teresa Carreño: Pianist, composer and pedagogue. Her life and work from the perspective of virtuoso piano playing at the end of the 19th century

Olivera, Claudio

2016

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ProQuest

Lost and found: Editing and performing a quartet attributed to Krause from the sing-Akademie zu Berlin Notenarchiv

Context (Parkville, Vic.), 2018-01 (43), p.13-27

2018

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Short Historical Overview and Comparison of the Pitch Width and Speed Rates of the Vibrato Used in Sonatas and Partitas for Solo Violin by Johann Sebastian Bach as Found in Recordings of Famous Violinists of the Twentieth and the Twenty-First Centuries

Dimov, Tomislav

2010

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ProQuest

The genesis of the Bela Bartok Sonata for Solo Violin

Coonce, Phillip Russell

1992

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ProQuest

A comparison of the techniques of piano playing advocated by selected twentieth century pedagogues

Prater, Pamela Jo

1990

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ProQuest

From "Angelegenheit Großdeutschlands" to "Österreichische Abende": Programming the 1945 Salzburg Festival

The Journal of musicological research, 2021-07, Vol.40 (3), p.214-238

Scott, Rachel E.

2021

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‘MY GARDEN IS NOT PRISTINE’: AN INTERVIEW WITH LINDA CATLIN SMITH

Tempo (London), 2017-04, Vol.71 (280), p.8-20

Höstman, Anna

2017

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THE IMPERIAL CORONATION OF LEOPOLD II AND MOZART, FRANKFURT AM MAIN, 1790

Eighteenth-century music, 2017-03, Vol.14 (1), p.89-110

GLATTHORN, AUSTIN

2017

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JOHANN GOTTFRIED HERDERS FORDERUNG EINER BERÜCKSICHTIGUNG DER MUSIKALISCHEN ASPEKTE VON SPRACHE IN WISSENSCHAFTSTEXTEN

German life and letters, 2017-10, Vol.70 (4), p.456-465

Danneck, Martin

2017

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The Printing History of J.S. Bach's Musical Offering : New Interpretations

The Journal of musicology (St. Joseph, Mich.), 2002-04, Vol.19 (2), p.306-331

Butler, Gregory

2002

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New Sources from the National Library of Poland: Keyboard Concertos by Carl Philipp Emanuel Bach and Organ Chorales by Johann Jeremias du Grain

Notes (Music Library Association), 2021-09, Vol.78 (1), p.27-51

Gorny, Tomasz

2021

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Celebrating Rudolf Wille's 75th anniversary and his contributions to mathematical music theory

Protest Music, Urban Contexts and Global Perspectives

François de Fossa, Louis Picquot and the transmission of Luigi Boccherini’s guitar quintets

The role of tone sensation and musical stimuli in early experimental psychology

A view of German passion music through the lens of parallel Biblical motets: A comparative analysis of setting of "Fuerwahr er trug unsere Krankheit" ("Surely He Has Borne Our Griefs")

SuperConductors: Handbook for a New Democratic Music

MY WORLD AS I REMEMBER IT: AN INTERVIEW WITH CHRISTOPHER BUTTERFIELD

THE SACRED DRAMATIC MUSIC OF ANTONIO DRAGHI

Bechstein-Saal: A Lost Chamber Music Hall in Berlin

Alchemy of the avant-garde: David Tudor and the new music of the 1950s

TUBER, RHIZOME, TENDRIL AND CORM: ON THE MUSIC OF MARTIN ARNOLD

“Hamiltonian-Hendelian” Mimoplastics and Tableau of the Underworld: The Visual Aesthetics of Goethe’s 1815 Proserpina Production

Listening to possibility: Randomness as musical material

A Place to Ply Their Wares with Dignity: American Composer-Performers in West Germany, 1972

Teresa Carreño: Pianist, composer and pedagogue. Her life and work from the perspective of virtuoso piano playing at the end of the 19th century

Lost and found: Editing and performing a quartet attributed to Krause from the sing-Akademie zu Berlin Notenarchiv

Short Historical Overview and Comparison of the Pitch Width and Speed Rates of the Vibrato Used in Sonatas and Partitas for Solo Violin by Johann Sebastian Bach as Found in Recordings of Famous Violinists of the Twentieth and the Twenty-First Centuries

The genesis of the Bela Bartok Sonata for Solo Violin

A comparison of the techniques of piano playing advocated by selected twentieth century pedagogues

From "Angelegenheit Großdeutschlands" to "Österreichische Abende": Programming the 1945 Salzburg Festival

‘MY GARDEN IS NOT PRISTINE’: AN INTERVIEW WITH LINDA CATLIN SMITH

THE IMPERIAL CORONATION OF LEOPOLD II AND MOZART, FRANKFURT AM MAIN, 1790

JOHANN GOTTFRIED HERDERS FORDERUNG EINER BERÜCKSICHTIGUNG DER MUSIKALISCHEN ASPEKTE VON SPRACHE IN WISSENSCHAFTSTEXTEN

The Printing History of J.S. Bach's Musical Offering : New Interpretations

New Sources from the National Library of Poland: Keyboard Concertos by Carl Philipp Emanuel Bach and Organ Chorales by Johann Jeremias du Grain

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