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Who Dat?: Race and Its Conspicuous Consumption in Post-Katrina New Orleans

City & society, 2015-04, Vol.27 (1), p.92-114

PERRY, MARC D.

2015

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Nice to Meet You, Three, Four: New Orleans Musicians and the Attractions of Community

Southern cultures, 2015-09, Vol.21 (3), p.75-84

Urban, Michael

2015

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Reflections of an Authentic Jazz Life in Pre-Katrina New Orleans

The Journal of American history (Bloomington, Ind.), 2007-12, Vol.94 (3), p.820-827, Article 820

White, Michael G.

2007

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We’re Not Just Shooting the Breeze: Marching Bands and Black Masculinity in New Orleans

Southern cultures, 2021-12, Vol.27 (4), p.44-65

Sakakeeny, Matt

2021

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Time of My Life: A Jazz Journey from London to New Orleans

Music Library Association. Notes, 2021-03, Vol.77 (3), p.430-432

Munandar, Ana

2021

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"Sing Us Back Home": Music, Place, and the Production of Locality in Post-Katrina New Orleans

Popular music and society, 2010-05, Vol.33 (2), p.179-202

2010

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Performing Africa in New Orleans

African arts, 2013-06, Vol.46 (2), p.12-21

2013

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Making the Scene and the Making of a Scene: The Loose Marbles on Royal Street in Post‐Katrina New Orleans

Anthropology and humanism, 2022-06, Vol.47 (1), p.4-19

2022

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New Orleans Jazz and the Blues

Jazz perspectives, 2011-04, Vol.5 (1), p.3-27

Hobson, Vic

2011

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The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans: A Discussion of Cedric Johnson's The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans--Matt Sakakeeny

Perspectives on politics, 2012-09, Vol.10 (3), p.723

2012

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New Orleans and the Creation of Early Jazz

Popular music and society, 2006-07, Vol.29 (3), p.299-315

Carney, Court

2006

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Music Lessons as Life Lessons in New Orleans Marching Bands

Souls (Boulder, Colo.), 2015-10, Vol.17 (3-4), p.279-302

Sakakeeny, Matt

2015

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“Meet de Boys on the Battlefront”: Festive Parades and the Struggle to Reclaim Public Spaces in Post-Katrina New Orleans

European journal of American studies, 2015-12, Vol.10 (3)

Godet, Aurélie

2015

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After the Deluge: The Post-Katrina Cultural Revival of New Orleans

Journal of American studies, 2010-08, Vol.44 (3), p.483-501

TAYLOR, HELEN

2010

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Privatization, Marketization, and Neoliberalism—The Political Dynamics of Post-Katrina New Orleans

Perspectives on politics, 2012-08, Vol.10 (3), p.723-726

Sakakeeny, Matt

2012

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Burying the King Again: Buddy Bolden's Jazz Funeral and Defleshed Memory

Rhetoric Society quarterly, 2018-10, Vol.48 (5), p.516-536

Maxson, J. David

2018

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Two Sides of Frenchmen Street and New Orleans Hybrid Music: The Panorama Jazz Band and the Zydepunks

Popular music and society, 2008-05, Vol.31 (2), p.201-212

Roberts, Robin

2008

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On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

American quarterly, 2009-09, Vol.61 (3), p.649-669

Jabir, Johari

2009

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From self-regulated learning to computer-delivered integrated speaking testing: Does monitoring always monitor?

Frontiers in psychology, 2023-02, Vol.14, p.1028754-1028754

2023

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Stars of David and Sons of Sicily: Constellations Beyond the Canon in Early New Orleans Jazz

Jazz perspectives, 2009-08, Vol.3 (2), p.123-152

Raeburn, Bruce Boyd

2009

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Music Industry Showcase Sessions New Orleans, Louisiana

Music educators journal, 1992-03, Vol.78 (7), p.64-66

1992

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The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

Journal of historical research in music education, 2022-04, Vol.43 (2), p.205-227

2022

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BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Journal of ethnic studies, 1988-04, Vol.16 (1), p.53

Boulard, Garry

1988

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Ellis Marsalis with Charles Henry Rowell

Callaloo, 2006-10, Vol.29 (4), p.1281-1288

2006

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New Orleans to London: Twenty Years of the New Orleans Jazz Revival in Britain

Journal of popular culture, 1968-10, Vol.2 (2), p.173

Goodey, Brian R

1968

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Who Dat?: Race and Its Conspicuous Consumption in Post-Katrina New Orleans

Nice to Meet You, Three, Four: New Orleans Musicians and the Attractions of Community

Reflections of an Authentic Jazz Life in Pre-Katrina New Orleans

We’re Not Just Shooting the Breeze: Marching Bands and Black Masculinity in New Orleans

Time of My Life: A Jazz Journey from London to New Orleans

"Sing Us Back Home": Music, Place, and the Production of Locality in Post-Katrina New Orleans

Performing Africa in New Orleans

Making the Scene and the Making of a Scene: The Loose Marbles on Royal Street in Post‐Katrina New Orleans

New Orleans Jazz and the Blues

The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans: A Discussion of Cedric Johnson's The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans--Matt Sakakeeny

New Orleans and the Creation of Early Jazz

Music Lessons as Life Lessons in New Orleans Marching Bands

“Meet de Boys on the Battlefront”: Festive Parades and the Struggle to Reclaim Public Spaces in Post-Katrina New Orleans

After the Deluge: The Post-Katrina Cultural Revival of New Orleans

Privatization, Marketization, and Neoliberalism—The Political Dynamics of Post-Katrina New Orleans

Burying the King Again: Buddy Bolden's Jazz Funeral and Defleshed Memory

Two Sides of Frenchmen Street and New Orleans Hybrid Music: The Panorama Jazz Band and the Zydepunks

On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing

From self-regulated learning to computer-delivered integrated speaking testing: Does monitoring always monitor?

Stars of David and Sons of Sicily: Constellations Beyond the Canon in Early New Orleans Jazz

Music Industry Showcase Sessions New Orleans, Louisiana

The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

BLACKS, ITALIANS, AND THE MAKING OF NEW ORLEANS JAZZ

Ellis Marsalis with Charles Henry Rowell

New Orleans to London: Twenty Years of the New Orleans Jazz Revival in Britain

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