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The Aesthetics of Anthony Burgess: Fire of Words

Clarke, Jim

1, 2017

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Anthony Burgess and William S. Burroughs: Shared Enemies, Opposed Friends

Journal of modern literature, 2020-09, Vol.44 (1), p.59-76

Darlington, Joseph

2020

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The Programming of Free Will in Anthony Burgess’s A Clockwork Orange

Extrapolation, 2024-07, Vol.65 (2), p.157-174

Ahmed, Ayesha Iftikhar

2024

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W. W. Norton: Bully or Ball Hog?

Extrapolation, 2012-09, Vol.53 (3), p.394

Wilson, D. Harlan

2012

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Anthony Burgess, Stanley Kubrick and a Clockwork Orange

1, 2023

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Ambiguities of Violence in Beethoven's Ninth through the Eyes of Stanley Kubrick's A Clockwork Orange

The German quarterly, 2011-04, Vol.84 (2), p.159-176

Hoyng, Peter

2011

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Das Bild des Künstlers im zeitgenössischen englischen Roman: Untersuchungen zum Problem von Künstlertum und Mediokrität in Iris Murdochs "The Black Prince", Anthony Burgess' Enderby-Zyklus und John Fowles' "Daniel Martin"

Flinspach, Dagmar

2017

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Anthony Burgess, Obscenity, and America

Resources for American literary study, 2021-10, Vol.43 (1-2), p.130-160

THURLEY, CHRISTOPHER W.

2021

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Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort

Martin, Sara

1st edition., 2020

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Silencing the Linguistic Other: The Underclass as Noise Pollution in George Lamming's The Emigrants and Anthony Burgess's A Clockwork Orange

Journal of narrative theory, 2021-01, Vol.51 (1), p.54-83

Solinger, Frederick J

2021

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Willy Wonka, Dahl’s Chickens and Heavenly Visions

Children's literature in education, 2020-03, Vol.51 (1), p.125-142

Rudd, David

2020

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Clinical Empathy and the Ethics of 'Detached Concern' in Mid-Twentieth-Century British Literature

Literature and medicine, 2020-03, Vol.38 (1), p.113-140

Matthews, Graham

2020

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Fossils of Tomorrow: Len Lye, J. G. Ballard, and Planetary Futures

Modern fiction studies, 2018-12, Vol.64 (4), p.659-679

Davis, Thomas S

2018

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Puma

Foundation (Dagenham), 2019-01, Vol.48 (133), p.125-128

Roberts, Adam

2019

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The Psychopharmacological Thriller: Representations of Psychotropic Pills in American Popular Culture

Literature and medicine, 2019, Vol.37 (1), p.166-195

Bennett, Robert

2019

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Of Drugs and Droogs: Cultural Dynamics, Psychopharmacology, and Neuroscience in Anthony Burgess’s A Clockwork Orange

Literature and medicine, 2018, Vol.36 (1), p.101-123

Servitje, Lorenzo

2018

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The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing

ES review (Internet), 2017-12, Vol.38 (38), p.27-45

Manzanas Calvo, Ana Mª

2017

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The Dark Side of British Horror Fiction: Politics, Taboos and Censorship

ELOPE (Tiskana izd.), 2017, Vol.14 (2), p.69-81

Lázaro, Alberto

2017

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NADSAT - THE LANGUAGE OF VIOLENCE: FROM NOVEL TO FILM

Ilha do Desterro, 2017-01, Vol.70 (1), p.257-264

2017

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SOCIETY IN THE ENGLISH LITERARY DYSTOPIA

British and American studies : B.A.S, 2017, Vol.23 (23), p.89-97

Živković, Milan D

2017

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Novel medievalisms

Postmedieval a journal of medieval cultural studies, 2016-06, Vol.7 (2), p.175-180

2016

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Excalibur and medievalism in Anthony Burgess’ Any Old Iron

Postmedieval a journal of medieval cultural studies, 2016-06, Vol.7 (2), p.225-234

Griffin, Carrie

2016

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Nadsat: The oscillation between reader immersion and repulsion

Literator, 2014-01, Vol.35 (1), p.1

Ravyse, Natasha E.

2014

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Shakespeare's sonnets and the claustrophobic reader: making space in modern Shakespeare fiction

Shakespeare (London, England), 2013-06, Vol.9 (2), p.187-203

Kingsley-Smith, Jane

2013

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‘ALL RIGHT, THAT'S NOT A LITERAL TRANSLATION’: CRIBS, LICENCE, AND EMBELLISHMENT IN THE BURGESS VERSIONS OF BELLI'S SONETTI ROMANESCHI

The Modern language review, 2013-07, Vol.108 (3), p.700-720

Howard, Paul

2013

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The Aesthetics of Anthony Burgess: Fire of Words

Anthony Burgess and William S. Burroughs: Shared Enemies, Opposed Friends

The Programming of Free Will in Anthony Burgess’s A Clockwork Orange

W. W. Norton: Bully or Ball Hog?

Anthony Burgess, Stanley Kubrick and a Clockwork Orange

Ambiguities of Violence in Beethoven's Ninth through the Eyes of Stanley Kubrick's A Clockwork Orange

Das Bild des Künstlers im zeitgenössischen englischen Roman: Untersuchungen zum Problem von Künstlertum und Mediokrität in Iris Murdochs "The Black Prince", Anthony Burgess' Enderby-Zyklus und John Fowles' "Daniel Martin"

Anthony Burgess, Obscenity, and America

Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort

Silencing the Linguistic Other: The Underclass as Noise Pollution in George Lamming's The Emigrants and Anthony Burgess's A Clockwork Orange

Willy Wonka, Dahl’s Chickens and Heavenly Visions

Clinical Empathy and the Ethics of 'Detached Concern' in Mid-Twentieth-Century British Literature

Fossils of Tomorrow: Len Lye, J. G. Ballard, and Planetary Futures

Puma

The Psychopharmacological Thriller: Representations of Psychotropic Pills in American Popular Culture

Of Drugs and Droogs: Cultural Dynamics, Psychopharmacology, and Neuroscience in Anthony Burgess’s A Clockwork Orange

The Line and the Limit of Britishness: The Construction of Gibraltarian Identity in M. G. Sanchez’s Writing

The Dark Side of British Horror Fiction: Politics, Taboos and Censorship

NADSAT - THE LANGUAGE OF VIOLENCE: FROM NOVEL TO FILM

SOCIETY IN THE ENGLISH LITERARY DYSTOPIA

Novel medievalisms

Excalibur and medievalism in Anthony Burgess’ Any Old Iron

Nadsat: The oscillation between reader immersion and repulsion

Shakespeare's sonnets and the claustrophobic reader: making space in modern Shakespeare fiction

‘ALL RIGHT, THAT'S NOT A LITERAL TRANSLATION’: CRIBS, LICENCE, AND EMBELLISHMENT IN THE BURGESS VERSIONS OF BELLI'S SONETTI ROMANESCHI

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