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Avant-Gardism, the 'Long 1960s' and Jazz Historiography

Journal of the Royal Musical Association, 2006-01, Vol.131 (2), p.331-349

Solis, Gabriel

2006

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Between Hoffmann and Goethe: The Young Brahms as Reader

Journal of the Royal Musical Association, 2021-11, Vol.146 (2), p.455-489

PHILLIPS, REUBEN

2021

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Beyond Anachronism: Orchestras and Orchestration in the Twenty-First Century

Journal of the Royal Musical Association, 2005-01, Vol.130 (2), p.302-326

Walls, Peter

2005

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Civilizing the Savage: Johann Georg Sulzer and the 'Aesthetic Force' of Music

Journal of the Royal Musical Association, 2002-01, Vol.127 (1), p.1-22

Riley, Matthew

2002

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Composition as an Act of Performance: Artifice and Expression in Purcell's Sacred Partsong Since God so tender a regard

Journal of the Royal Musical Association, 2007-01, Vol.132 (1), p.32-59

Howard, Alan

2007

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Continuous regime change from within

The Washington quarterly, 2003-10, Vol.26 (4), p.51-67

Ansari, Ali M.

2003

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Determining Public 2-Year College Faculty's Intent to Leave: An Empirical Model

The Journal of higher education (Columbus), 2006-01, Vol.77 (1), p.124-147

2006

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Difference in Contact: Early Music, Colonialism and the Archive

Journal of the Royal Musical Association, 2022-11, Vol.147 (2), p.629-643

2022

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Hispanic Traditions in a Cross-Cultural Perspective: Raoul Laparra's La habanera (1908) and French Critics

Journal of the Royal Musical Association, 2011-05, Vol.136 (1), p.97-140

Llano, Samuel

2011

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Ideological Think Tanks and the Politics of College Affordability in the States

The Journal of higher education (Columbus), 2019-01, Vol.90 (5), p.717-743

2019

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Jenny Lind, Harriet Grote and Elite Music Patronage in Early Victorian London

Journal of the Royal Musical Association, 2016-07, Vol.141 (2), p.283-302

Thom Wium, Matildie

2016

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John Birchensha and the Early Royal Society: Grand Scales and Scientific Composition

Journal of the Royal Musical Association, 1990-01, Vol.115 (1), p.63-79

Miller, Leta E.

1990

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Masks, Minuets and Murder: Images of Italy in Leoncavallo's Pagliacci

Journal of the Royal Musical Association, 2008-01, Vol.133 (1), p.32-68

Basini, Laura

2008

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Mozart's Archaic Endings: A Linguistic Critique

Journal of the Royal Musical Association, 2005-01, Vol.130 (2), p.159-196

Rumph, Stephen

2005

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Newly Discovered Autograph Keyboard Music of Purcell and Draghi

Journal of the Royal Musical Association, 1995-01, Vol.120 (1), p.77-111

Price, Curtis

1995

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Pastor Iver Brink's Sacred and Secular Music: A Private Collection of Music from Copenhagen at the Beginning of the Eighteenth Century

Journal of the Royal Musical Association, 2010-01, Vol.135 (1), p.1-39

2010

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Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L'(autre) fille aux cheveux de Bali

Journal of the Royal Musical Association, 2015-07, Vol.140 (2), p.417-443

Lee, Gavin

2015

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Puccini and the Music Boxes

Journal of the Royal Musical Association, 2015-01, Vol.140 (1), p.41-92

Sheppard, W. Anthony

2015

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Purcell Research Reviewed, Surveyed and Advanced

Journal of the Royal Musical Association, 2014, Vol.139 (1), p.221-227

Holman, Peter

2014

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'Putting the BBC and T. Beecham to Shame': The Macnaghten-Lemare Concerts, 1931-7

Journal of the Royal Musical Association, 2013-11, Vol.138 (2), p.377-414

Fuller, Sophie

2013

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Queer and Trans Students of Color: Navigating Identity Disclosure and College Contexts

The Journal of higher education (Columbus), 2019-01, Vol.90 (1), p.150-178

2019

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Reading Uncle Bumba and the Rumba: The Comedian Harmonists and Transnational Youth Culture at the End of the Weimar Republic

Journal of the Royal Musical Association, 2015-07, Vol.140 (2), p.371-416

Pennington, Stephan

2015

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Schubert and the Construction of Memory: The String Quartet in A minor, D.804 ('Rosamunde')

Journal of the Royal Musical Association, 2014-01, Vol.139 (1), p.41-88

Taylor, Benedict

2014

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Society in the postmodern era

The Washington quarterly, 2000-03, Vol.23 (1), p.187-200

Borgmann, Albert

2000

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Thomas Morell and his Letter about Handel

Journal of the Royal Musical Association, 2002-01, Vol.127 (2), p.191-225

Smith, Ruth

2002

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Avant-Gardism, the 'Long 1960s' and Jazz Historiography

Between Hoffmann and Goethe: The Young Brahms as Reader

Beyond Anachronism: Orchestras and Orchestration in the Twenty-First Century

Civilizing the Savage: Johann Georg Sulzer and the 'Aesthetic Force' of Music

Composition as an Act of Performance: Artifice and Expression in Purcell's Sacred Partsong Since God so tender a regard

Continuous regime change from within

Determining Public 2-Year College Faculty's Intent to Leave: An Empirical Model

Difference in Contact: Early Music, Colonialism and the Archive

Hispanic Traditions in a Cross-Cultural Perspective: Raoul Laparra's La habanera (1908) and French Critics

Ideological Think Tanks and the Politics of College Affordability in the States

Jenny Lind, Harriet Grote and Elite Music Patronage in Early Victorian London

John Birchensha and the Early Royal Society: Grand Scales and Scientific Composition

Masks, Minuets and Murder: Images of Italy in Leoncavallo's Pagliacci

Mozart's Archaic Endings: A Linguistic Critique

Newly Discovered Autograph Keyboard Music of Purcell and Draghi

Pastor Iver Brink's Sacred and Secular Music: A Private Collection of Music from Copenhagen at the Beginning of the Eighteenth Century

Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L'(autre) fille aux cheveux de Bali

Puccini and the Music Boxes

Purcell Research Reviewed, Surveyed and Advanced

'Putting the BBC and T. Beecham to Shame': The Macnaghten-Lemare Concerts, 1931-7

Queer and Trans Students of Color: Navigating Identity Disclosure and College Contexts

Reading Uncle Bumba and the Rumba: The Comedian Harmonists and Transnational Youth Culture at the End of the Weimar Republic

Schubert and the Construction of Memory: The String Quartet in A minor, D.804 ('Rosamunde')

Society in the postmodern era

Thomas Morell and his Letter about Handel

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